Westside Gunn is a 36 year old rapper from Buffalo, New York who started with his brother Conway in the early 2000’s. However it wouldn’t be until this decade that the 2 would see success, eventually forming their own label Griselda Records & signed with Eminem‘s Interscope Records imprint Shady Records. They’ve continued to put out a number of modern classics since, including Conway’s G.O.A.T. (Grimiest Of All-Time) & even Westside’s latest album Supreme Blientele. But now to celebrate Halloween, Westside has delivering the 6th installment of his infamous Hitler Wears Hermes series.
After the “Black Hitler” intro, the first song “GiGi” sees Westside Gunn linking up with Benny to vividly talk about drug the dealing game over an orchestral Alchemist instrumental. The track “Versace Will Never Be the Same” continues the themes of “GiGi” over an eerie boom bap beat from Daringer & while the song “Niagara Cafe” gets boastful over a soulful instrumental, it’s way too short. The track “Ready Made” talks about how he’s already been successful over a punchy Marco Polo instrumental. As for Keisha Plum‘s poetry at the end, it’s just as insightful as always. The track “SLY (Slide Wit It)” talks about capping someone over a settle yet alluring beat while the “Big Luther Freestyle” with Benny sees the 2 returning to the drug dealer life over a clever Luther Vandross sample.
The track “Niggas in Puerto Rico” has some clever beat switches from The Alchemist throughout & while I do enjoy Westside Gunn’s verse as well as Benny’s, Flee Lord to me personally comes off as a Dollar Tree version of Westside Gunn. After the “Chyno Nyno Speaks” interlude, the song “Amherst Station 2” serves as a fantastically soulful sequel to one of my favorite cuts off of Supreme Blientele. The track “My First Drako” with Nick Grant sees the 2 spitting battle bars over a luscious boom bap beat while the song “Evidence Joint” is essentially Westside advising his competition not to fuck with him over a dreamy yet punchy instrumental from Evidence. The closer “John Bena” then gets murderous over a dark instrumental from none other than DJ Muggs, but the Lil Eto verse at the start is kinda boring to me.
It’s obviously not superior to Supreme Blientele or even the last 2 installments of the Hitler Wears Hermes series, this was still a solid tape. Westside Gunn’s street tales are as intriguing as ever, but some of these songs could’ve been more fully fleshed out. Also, some of the production could’ve been better & the same goes to a couple of the features as well. But still if you’re a big fan of Griselda, you’re gonna enjoy a good chunk of what’s being presented on here.