Drake Announces The ‘Anita Max Win Tour’ for Australia and New Zealand in 2025

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Drake, the five-time Grammy-winning, multi-platinum global artist, has announced his return to Australia and New Zealand with The Anita Max Win Tour next year. Produced by Live Nation, the tour kicks off on Sunday, February 9, at Melbourne’s Rod Laver Arena, with additional stops in Sydney, Brisbane, and Auckland. These performances mark Drake’s first visit to the region since his 2017 Boy Meets World Tour.

Following the success of his record-breaking It’s All A Blur Tour, which wrapped earlier this year after 80 sold-out shows in North America, Drake’s upcoming tour promises unforgettable experiences for fans Down Under.

Ticket Details:
Tickets go on general sale Friday, December 6, at 12 p.m. local time via drakerelated.com and livenation.com.

Presales:

  • Mastercard Presale: December 3, 12 p.m. – December 5, 12 p.m.
  • Vodafone Presale (Australia): December 3, 12 p.m. – December 5, 12 p.m.
  • One NZ Presale (New Zealand): December 3, 12 p.m. – December 5, 12 p.m.
  • Westfield Reserved Tickets: December 5, 1 p.m.

Prepare for an electrifying tour that brings Drake’s chart-topping hits and dynamic performances to fans across the region.

The post Drake Announces The ‘Anita Max Win Tour’ for Australia and New Zealand in 2025 appeared first on The Source Magazine.

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Snoop Dogg Drops New Single “Another Part of Me” Featuring Sting, Produced by Dr. Dre

Snoop Dogg Another Part of Me (ft. Sting) [Official Audio] 0 11 screenshot

Snoop Dogg Another Part of Me (ft. Sting) [Official Audio] 0 11 screenshot

Snoop Dogg continues his 2024 takeover with the release of “Another Part of Me,” featuring Sting and produced by Dr. Dre and The ICU. Released via Death Row, Aftermath, and Interscope, the track adds another dynamic collaboration to Snoop’s already legendary catalog.

This follows last week’s drop of “Outta Da Blue,” featuring Alus, and the announcement of Snoop’s upcoming album Missionary, due December 13. Earlier this month, he teased the album with “Gorgeous,” featuring Jhené Aiko.

Missionary reunites Snoop and Dr. Dre for their second full-length collaboration since Snoop’s groundbreaking 1994 debut Doggystyle. Packed with features from hip-hop icons Eminem, 50 Cent, Jelly Roll, Method Man, the late Tom Petty, and more, the album promises to be a landmark release in rap and pop culture.

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Juice WRLD’s Final Album ‘The Party Never Ends’ Arrives with Star-Studded Collaborations

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The long-awaited final album from Juice WRLD, The Party Never Ends, is out now via Grade A Productions and Interscope Records. Featuring high-profile collaborations with Eminem, Fall Out Boy, Nicki Minaj, Offset, and The Kid LAROI and production from Benny Blanco, Nick Mira, and Cashmere Cat, the album celebrates the late rapper’s legacy as a once-in-a-generation artist.

“’The Party Never Ends‘ is finally here; I’m glad Jarad‘s fans are getting the music they have been anxiously awaiting! When Jarad was a toddler, he developed a love for globes that lasted for years; he was fascinated with spinning them. Reflecting on that, I realize that was prophetic of what would come. He grew to become the artist Juice WRLD, and touched people worldwide through his music. His lyrics were heartfelt and expressed his challenges with mental health and addiction. Jarad’s transparency made people feel like they were not alone; I consider him a pioneer in normalizing the conversation about mental health.  I hope that his music continues to have a positive impact on the lives of others around the world, and it is my prayer that people do not suffer in silence.”

Carmela Wallace, Mother of Jared “Juice WRLD” Higgins 

Accompanying the release is a Steve Cannon-directed video for “Misfit,” a track that sees Juice turning outsider identity into triumphant self-expression. Cannon, a frequent Juice collaborator, delivers a visual tribute to fans finding solace in Juice’s music.

The Party Never Ends coincides with Juice WRLD Day 2024, happening Saturday, November 30, at Chicago’s United Center. The event will feature an exclusive listening experience, performances by Kodak Black, Lil Yachty, Polo G, and more, plus a Fortnite tournament hosted by Xbox.

The album dives deep into Juice WRLD’s colorful, complex psyche, offering fans a final, bittersweet connection to the beloved artist.

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Playboi Carti to Perform ‘I Am Music’ at Rolling Loud Miami 2024

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Playboi Carti has officially announced he will perform I Am Music at Rolling Loud Miami 2024. The festival, which will take place from Dec. 13 to 15 at Hard Rock Stadium, features a star-studded lineup that includes headliners Future, Travis Scott, and Carti himself.

The three-day event will also showcase performances from Yeat, Metro Boomin, JT, Don Toliver, Lil Yachty, Shaboozey, YG Marley, and many more, promising an electrifying weekend for hip-hop fans.

Carti’s I Am Music performance adds to the festival’s anticipation, as the enigmatic rapper continues to captivate audiences with his dynamic artistry and stage presence. With Rolling Loud Miami consistently delivering unforgettable experiences, this year’s edition is shaping up to be another must-attend event for music lovers.

FINALFINAL RL MIAMI 2024

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”Keep Me Company” Shows Skyzoo at His Most Vulnerable (Album Review)

Brooklyn, New York veteran Skyzoo signing to Old Soul Music for his 9th solo LP. Emerging in the underground off the 9th Wonder produced Cloud 9: The 3 Day High, he continued to make a name for himself with a consistent discography. Highlights include The Salvation, the !llmind produced Live from the Tape DeckA Dream DeferredMusic for My Friends, the Apollo Brown produced The Easy TruthIn Celebration of Us & my personal favorite: the Pete Rock produced Retropolitan dedicated to his home state. All the Brilliant Things built itself around gentrification & coming off The Mind of a Saint dedicated one of my favorite shows Snowfall, he’s calling for everyone to Keep Me Company.

“Community Service” featuring a spoken word out from JRose is this jazzy boom bap opener produced by JR Swiftz discussing scriptures written in threads seemingly holding us all together & the aptly titled voluntary work lasting for eternity whereas “Finder’s Keepers” keeps the jazz rap vibes going talking about not leaving until finding what you came for. “Home Away from Home” addresses still being the one they call up even though he’s been gone while the atmospheric boom bap joint “Ayinde in the March” talks about the corner getting immortalized soon as it dies.

As for “Drug Free School Zone”, we have Sky acknowledging that his footprints are on the soapbox trying to rebuild pride ahead of “Prayers for the Customers” getting back on the jazz rap tip warning to not run around like you one of them after you done with them. The bare-boned yet layered all at once “Courtesy Call” featuring Chuck D advising to stand down if murder’s involved, but then the soulful “Esoteric” describes the feeling as abstruse.

“Record Store Day” after the “Store Runs” interlude playfully talks about women in record stores, which is very much my type personally while “Sleeping Beauty” pushes further towards the final leg of his Old Soul Music debut by talking about your presence speaking volumes before you even say a word. “Wins of the Father” points out that being proud goes both ways on top of sending an open letter to his seed & “Jazz in the Projects” sends it off with an 8-minute jazz rap closer hoping you win the wars you haven’t told anyone that you’re fighting.

Centered on the idea of growth, Keep Me Company shows Skyzoo at his most vulnerable since he speaks on his current personal state along with the effects of the past & the assumptions of the future. Feeling alone in this growth spurt of sorts, Sky come across people who felt the exact same way & lets everyone know that they should fear none if they’re in the middle of their own spurt too since the blessing of growth can be sometimes disguised.

Score: 8/10

Source: UndergroundHipHopBlog.com

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The Weeknd Announces ‘Hurry Up Tomorrow’ for Jan. 24, Reveals Rose Bowl Show

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Diamond-certified global superstar The Weeknd has announced the release of his highly anticipated album Hurry Up Tomorrow, set to drop on January 24, 2025. Serving as the final chapter in his trilogy following After Hours (2020) and Dawn FM (2022), the announcement comes during a historic week for the artist, who became the first in history to have 22 songs surpass one billion streams each on Spotify.

To celebrate, The Weeknd will perform a one-night-only live stadium show at the Rose Bowl in Pasadena, California, on January 25, debuting a groundbreaking in-the-round production. Tickets go on sale Monday, December 2, at 10 a.m. PST via TheWeeknd.com, with exclusive premium tickets available to Cash App Visa Card customers. Cash App Visa Card holders will also enjoy a 20% discount on official merchandise at the event.

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Vibee, a music-led destination experience company, is offering premium VIP packages, including concert seating, luxury hotel stays, exclusive lounge access, and commemorative gifts. Packages are available now at TheWeeknd.Vibee.com.

Additionally, exclusive vinyl, box sets, and signed CDs are now available for pre-order at XO.STORE, including a limited edition Frank Miller LP and box sets featuring exclusive Hurry Up Tomorrow merch.

The Rose Bowl show follows The Weeknd’s record-breaking After Hours Til Dawn Tour, which drew over 3 million fans across the globe.

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The Weeknd Sets Spotify Record with 22 Billion-Stream Tracks

The Weeknd

The Weeknd
The Weeknd Unveils ‘Hurry Up Tomorrow’ Cover

Global music icon The Weeknd has reached an unparalleled milestone, becoming the first artist to have 22 individual songs surpass one billion streams on Spotify. This achievement solidifies his status as a streaming juggernaut and a cultural force, reflecting his profound impact on the global music scene.

The record-breaking tracks include chart-toppers like Blinding Lights, Starboy, The Hills, Save Your Tears, and Die For You, alongside fan favorites such as Reminder, After Hours, and Lost In The Fire. Collaborations like Or Nah and Die For You (Ariana Remix) also contribute to this extraordinary list.

With each song crossing the billion-stream mark, The Weeknd redefines success in the streaming era, continuing to captivate audiences worldwide. His dominance not only highlights his artistic prowess but also marks a new era in music’s digital evolution.

The full list is below:

  1. Blinding Lights
  2. Starboy
  3. The Hills
  4. Die For You
  5. Save Your Tears
  6. Call Out My Name
  7. I Feel It Coming
  8. Can’t Feel My Face
  9. Earned It
  10. Save Your Tears (remix)
  11. Creepin’
  12. Stargirl Interlude
  13. Reminder
  14. I Was Never There
  15. One Of The Girls
  16. Often
  17. Heartless
  18. After Hours  
  19. Or Nah
  20. Die for You (Ariana remix)
  21. Love Me Harder 
  22. Lost In The Fire

The post The Weeknd Sets Spotify Record with 22 Billion-Stream Tracks appeared first on The Source Magazine.

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TroyBoi & Harvey Deliver Hard-Hitting Collaboration “GO OFF!” 

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                                Photo Credits: @imcusi  | Purpose by AK

In the world of boundary-pushing music, two legends unite for a spectacle that is guaranteed to turn heads. TroyBoi, known for his eclectic global influences and jaw-dropping live performances joins forces with Harvey, the UK garage pioneer from So Solid Crew for an epic collaboration. “GO OFF!” is a hard-hitting hip-hop anthem to light up the winter season.

With a master of versatility, TroyBoi layers the track with his hallmark synths, pounding basslines, and unexpected tempo switches. Meanwhile, Harvey delivers razor-sharp bars and his trademark, drawing from his legendary career with So Solid Crew, whose hits like “21 Seconds” helped define the UK garage scene. Together, they craft a seamless blend of hip-hop grit and electronic energy, culminating in a drum-and-bass-infused finale that fuels fans with energy.

For TroyBoi, “GO OFF!” continues a string of standout releases that blur genre lines. Coming off his headline performance at Colorado’s Red Rocks Amphitheatre, he is riding high on the success of his “4 ON DA FLOOR” EP and collaborations with the likes of Billie Eilish, Justin Bieber, and Rihanna. His ability to fuse cultural influences into his music has made him a global powerhouse, with fans chanting his name at sold-out shows around the world.

Harvey, a founding member of So Solid Crew, brings a legacy of platinum records, BRIT and MOBO Awards, and collaborations with artists like Gyptian, Christina Milian, and Stormzy. His role on “GO OFF!” highlights his enduring relevance in the music scene, proving that his lyrical talent and charisma remain unmatched.

From its hip-hop roots to its drum and bass elements, the track which is out now offers a glimpse into the boundless possibilities of collaboration. For TroyBoi and Harvey, it seems to not only be about making music but more so about setting trends in the hip-hop industry and beyond.

Streaming link: https://open.spotify.com/track/7vSqoQEAHPeRESwGgaZwGO

Connect with TroyBoi:

Instagram | Spotify

Connect with Harvey: Instagram | Spotify

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Drake Reveals Financial Impact Of Feud with Kendrick Lamar

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Screenshot 2024 11 27 at 9.37.39 PM

This is not how things go in a battle. Well, at least in Hip Hop.

Drake has taken his feud with Kendrick Lamar to a new level by filing a petition against his own label, Universal Music Group (UMG). On Monday, the rapper accused UMG and Spotify of launching what he described as a “campaign to manipulate and saturate the streaming services and airwaves” with Lamar’s global hit diss track, “Not Like Us.” The song, celebrated as a modern classic, topped charts worldwide and has become a cornerstone of Kendrick’s discography.

In his filing, Drake claimed that the overwhelming success of “Not Like Us” directly harmed him financially. “UMG’s choice to saturate the music market with ‘Not Like Us’ comes at the expense of its other artists,” the petition stated, notably emphasizing Drake’s own career impact. As the owner of his entire catalog’s copyright through his own company, Drake alleged that the label’s actions led to “economic harm” and diminished opportunities for his music to thrive.

The petition further argued that streaming and licensing operate as a “zero-sum game,” where the success of one song inevitably limits the success of others. Drake also accused UMG of retaliating against his inner circle, claiming the company terminated employees associated with or perceived as loyal to him. His legal team referred to the promotional tactics employed by UMG and Spotify as “schemes,” asserting that these efforts unfairly prioritized Lamar’s song at his expense.

Drake’s decision to pursue legal action has sparked controversy within the music industry. Critics and insiders have mocked the move, suggesting it validates Kendrick Lamar’s critiques in “Not Like Us.” Charlamagne tha God shared his thoughts on social media, calling the lawsuit a weak response to losing a rap battle. “Because you lost a rap battle? Come on, man,” Charlamagne wrote.

Meanwhile, Lamar’s affiliates, including Rapsody, Mustard, and TDE’s Punch, joined the chorus of criticism, accusing Drake of exhibiting behavior fitting of the song’s title. “This is exactly what ‘Not Like Us’ was talking about,” one commented.

As the legal drama unfolds, the feud between Drake and Kendrick Lamar appears to be reigniting on both personal and professional levels, adding a new layer of intrigue to their storied rivalry.

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Funny Marco Felt Nicki Minaj’s Power & Apologizes to Bobbi Althoff

Source: HOT 97 on YouTube

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