Memphis legend Juicy J is back, delivering a new mixtape in Mentral Trillness. The release is his first project of the year and his first solo effort since 2020’s The Hustle Continues.
The album samples late Three 6 MafiaGangsta Boo on “Work Out” featuring Finesse2Thymes, bringing in her hit single “Where Dem Dollas At” and “Follow Home Robbers,” bringing in her verser from Underground Cassette Tape Music Vol 1.
Features on the album include Xavier Wulf, Aleza, La Chat, and more, with production from Juicy J, Hitkidd, Crazy Mike, and Gilbere Forte.
“’Mental Trillness’ is for anybody dealing with frustration, depression, confusion, drug abuse, relationship problems & more. I’m hoping it will help you on your journey to healing,” Juicy J said of the album.
Memphis legend Juicy J is back, delivering a new mixtape in Mentral Trillness. The release is his first project of the year and his first solo effort since 2020’s The Hustle Continues.
The album samples late Three 6 MafiaGangsta Boo on “Work Out” featuring Finesse2Thymes, bringing in her hit single “Where Dem Dollas At” and “Follow Home Robbers,” bringing in her verser from Underground Cassette Tape Music Vol 1.
Features on the album include Xavier Wulf, Aleza, La Chat, and more, with production from Juicy J, Hitkidd, Crazy Mike, and Gilbere Forte.
“’Mental Trillness’ is for anybody dealing with frustration, depression, confusion, drug abuse, relationship problems & more. I’m hoping it will help you on your journey to healing,” Juicy J said of the album.
DJ Drama is delivering back-to-back MVP-caliber years. Today, the mixtape legend and iconic DJ and producer have released his sixth studio album, I’m Really Like That.
The album follows the street single “Forever,” which brings in a group of Hip-Hop elite in KRS-One, Jim Jones, Fabolous, Benny the Butcher, and Capella Grey, paying homage to the late and legendary DJ Kay Slay.
“I’m excited to share this project with the world,” says DJ Drama. “I’ve worked hard on this album, and I’m proud of what we’ve accomplished. I’m grateful to all the artists who lent their talents to the project and my fans who have been rocking with me since day one.”
You can hop into the album below and catch Drama’s cinematic work here.
DJ Drama is delivering back-to-back MVP-caliber years. Today, the mixtape legend and iconic DJ and producer have released his sixth studio album, I’m Really Like That.
The album follows the street single “Forever,” which brings in a group of Hip-Hop elite in KRS-One, Jim Jones, Fabolous, Benny the Butcher, and Capella Grey, paying homage to the late and legendary DJ Kay Slay.
“I’m excited to share this project with the world,” says DJ Drama. “I’ve worked hard on this album, and I’m proud of what we’ve accomplished. I’m grateful to all the artists who lent their talents to the project and my fans who have been rocking with me since day one.”
You can hop into the album below and catch Drama’s cinematic work here.
Nym Lo is here to remind us that real Hip-Hop will forever live on. The Harlem, New York native prides himself in being a go-getter, someone who works hard stays passionate, and always stays true to himself. Nicknaming himself the Big Horse thanks to his endless Polo drip, Nym Lo takes us back to that golden era of Hip-Hop we all know and love.
Now, the East Coast rapper returns with his newest single and visual titled “A Kid From The Town,” tapping Statik Selektah and Curren$y. The message behind the song? That no matter how successful you become, it’s always important to stay grounded and remember where you came from.
Nym Lo first met Spitta years ago in the 2010’s, so the two were already familiar with each other. When Statik Selektah was whipping up the beat, Nym immediately heard two voices in his head: 2 Chainz and Curren$y. When finalizing the song, Statik reached out to both artists… and Spitta spend his verse back in a day. The next morning, he posted to his Instagram and tagged Nym Lo — and it’s been up ever since!
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Speaking on what the collab meant to him, Nym Lo states, “To me, it meant I’m stepping in the right direction. This music business is real tricky and sometimes it’s easy to lose your way, so when the dots connect organically, your can’t even ask for more. He’s definitely an artist that I knew I could learn from because his game is cold. He got rich off this shit!”
The feel-good visual was shot in Spitta’s hometown of New Orleans. Nym explains, “I pulled up on him in the 7 and he was out in front of Jet Life headquarters wiping his Indy 500 Corvette down smoking and chillin’. That’s what I wanted: I wanted to get next to my dawg in his element, pop some champ and really get the best vibe I could while capturing it on film. It was a movie. He had his car crew out there so all the homies had the old schools bouncing, 3-wheel motion type shit and the big block engine boys doing donuts and all that. It was crazy!”
Watch the visual for “A Kid From The Town” above, and follow @nymlo for more!
Nym Lo is here to remind us that real Hip-Hop will forever live on. The Harlem, New York native prides himself in being a go-getter, someone who works hard stays passionate, and always stays true to himself. Nicknaming himself the Big Horse thanks to his endless Polo drip, Nym Lo takes us back to that golden era of Hip-Hop we all know and love.
Now, the East Coast rapper returns with his newest single and visual titled “A Kid From The Town,” tapping Statik Selektah and Curren$y. The message behind the song? That no matter how successful you become, it’s always important to stay grounded and remember where you came from.
Nym Lo first met Spitta years ago in the 2010’s, so the two were already familiar with each other. When Statik Selektah was whipping up the beat, Nym immediately heard two voices in his head: 2 Chainz and Curren$y. When finalizing the song, Statik reached out to both artists… and Spitta spend his verse back in a day. The next morning, he posted to his Instagram and tagged Nym Lo — and it’s been up ever since!
image3
Speaking on what the collab meant to him, Nym Lo states, “To me, it meant I’m stepping in the right direction. This music business is real tricky and sometimes it’s easy to lose your way, so when the dots connect organically, your can’t even ask for more. He’s definitely an artist that I knew I could learn from because his game is cold. He got rich off this shit!”
The feel-good visual was shot in Spitta’s hometown of New Orleans. Nym explains, “I pulled up on him in the 7 and he was out in front of Jet Life headquarters wiping his Indy 500 Corvette down smoking and chillin’. That’s what I wanted: I wanted to get next to my dawg in his element, pop some champ and really get the best vibe I could while capturing it on film. It was a movie. He had his car crew out there so all the homies had the old schools bouncing, 3-wheel motion type shit and the big block engine boys doing donuts and all that. It was crazy!”
Watch the visual for “A Kid From The Town” above, and follow @nymlo for more!
DaBaby looks to follow up a strong 2022 campaign with a more remarkable year in 2023. After slinging out a slew of blistering freestyles over tracks including Latto’s “Big Energy” and Burna Boy’s “Last Last,” DaBaby returns with new visuals for his standout track “BLANK’ featuring Anthony Hamilton. Directed by The Reel Goats, “BLANK” finds the superstar rapper in a precarious situation after sleeping with Anthony Hamilton’s love interest. Hamilton stumbles on the two, making love before attempting to take Baby down. When he finally gets a hold of Baby, he ties him up and looks to pull the trigger. Unfortunately, those plans go awry creating a jaw-dropping plot twist. “BLANK” resides on Baby’s 2022 project, Baby on Baby 2.
Earlier this month, Baby set foot at Rolling Loud California, and brought his performance prowess to the West Coast. In 2021, Baby maintained his dominance releasing his touted anthems “Red Light Green Light” and “Ball If I Want To,” which saw blistering results, earning over 324 million Global Spotify Streams.DaBaby most recently earned a BET Hip-Hop nomination for Best Group or Duo with Youngboy Never Broke Again.
Conway The Machine’s Drumwork Records Spring takeover continues with Pain Provided Profit, his collaborative project with Jae Skeese, which is now available. This comes after the conclusion of his most recent sold-out Reject Mania European tour and the announcement of his own upcoming solo album, Won’t He Do It.
Jae Skeese, the first artist to sign with Conway The Machine’s Drumwork Music Group brand, contributed vocals to the first single from La Maquina, “Blood Roses,” and two tracks on the deluxe edition of From King To A GOD by Conway The Machine. In addition to performing on God Don’t Make Mistakes, Conway’s debut album on Shady Records, Skeese continued to rise by helping the album’s release by collaborating with Conway on two separate freestyles that were featured on Bootleg Kev and LA Leakers.
You can hear the new release below and let us know if you feeling Jae Skeese.
G Perico has released his new album, Hot Shot: Gangsta Grillz, alongside DJ Drama. This project takes you on a journey through his LA roots and development as a cultural mainstay in the community with a blend of current West Coast and vintage G-funk sounds.
Arriving alongside the album is the Hot Shot documentary, highlighting the road to this album.
Perico is refreshed and reset on Hot Shot after a five-year run that included a significant deal and a number of tracks that have received millions of streams. He released two album singles earlier this year, “Action” and “Ask G4”, each of which received 2 million YouTube views in a matter of few weeks.
G Perico has also announced his 2023 Hot Shot, beginning on March 30th in Brooklyn, NY and ending on June 4th in San Diego. You can cop those tickets here.
Logic has once again found himself on the radar of Joe Budden. In case you missed it, Logic released an unconventional cover of Ice Cube’s “It Was a Good Day,” you can hear it below.
The performance made its way to the radar of Joe Budden, along with some others, who weren’t favorable of the cover. During the latest episode of The Joe Budden Podcast, Uncle Joe blasted Logic, once again asking him to join him in retirement.
“Logic, I beg of you, I’m pleading with you: please join me in retirement. Never step near a recording device again. Throw your phone in the ocean! Be allergic to microphones! Promise your fans nothing! Don’t go to the studio ever again! You are the worst, yo! You are really, really bad!”
Logic’s supporting band got some heat as well: “This is the unsauce-iest band I’ve ever seen. Look at this band. Who asked for this folk version of this song? Oh my God.”
Commentary from Joe Budden about Logic’s career isn’t new. In a 2020 interview with Hot 97’s Peter Rosenberg, the No Pressure rapper opened up about Joe Budden, after he delivered an apology about some opinions he had.
“I didn’t see the apology. I didn’t see his review of the album or any of this,” Logic said, when asked about the apology. “I literally have no issue with Joe Budden…I’ve never met him. I don’t know him.
“He doesn’t like me for whatever reason. He wants to say I’m not Black enough. I’m not good enough,” Logic said. “He’s a person who’s led to part of my depression, some of my darkest spaces.” He added that, though Budden may not believe his dialogue is that harsh, it carries a heavy burden on people. “Bro, your words, they make people want to kill themselves, bro.”
Earlier this month, Logic has released his much-anticipated eighth studio album, College Park.
Logic has teased this album with singles like “Wake Up,” “Paradise II” with Norah Jones, “Highlife,” which includes a video made by actor and filmmaker Kevin Smith, and “Lightsabers,” which he played on Jimmy Kimmel Live! this week.
College Park depicts Logic’s journey to date while also marking a new beginning. The album’s title is a tribute to the Maryland town where he spent a year sleeping on a couch in his friend Big Lenbo’s basement and waking up every morning to write and record raps. In College Park, Logic creates an autobiographical yarn as he recounts a day in his life in 2011, culminating with his first-ever live performance in Washington, D.C.
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