Still I Don’t Regretcaptures the pain of loving someone you knew would break your heart — but choosing to love them anyway. It’s about holding onto hope, falling deeper despite the warning signs, and facing the heartbreak you saw coming. In the end, it’s a reflection on growth, gratitude, and not regretting a love that taught you who you want to be.
Tommy Marsh is a rapper and singer-songwriter from Maslins Beach, Australia. Known for his bold storytelling and genre-blending style, Tommy has been writing music since he was nine. His live performances are where he truly thrives, feeding off the energy of the audience.
In 2024, Tommy made a strong impression with his festival debut at WOMADelaide and has since played to packed venues. His music, including tracks like Surf Ct and 2K Baby, explores themes of resilience, self-discovery, and his personal journey, often inspired by his upbringing in Maslins Beach. With a focus on authenticity, Tommy hopes his work motivates listeners to embrace positive change
“Glitter” by HeyHolly is about walking away from what no longer serves you and stepping into who you’re meant to be. It’s raw, reflective, and unapologetic — a reminder that sometimes distance is the first step toward growth. Leave the mess behind. Find your shine again.
HeyHolly is the real deal—born from over a decade of friendship and forged through hard times. Cruise and Bryce met back in Year 6, and in 2021, after years of talking about chasing music, they finally pulled the trigger. Bryce had just come out of a brutal five-year relationship, and music became the outlet.
Cruise sings. Bryce raps. One night, Cruise dropped a beat with a wild hook, Bryce jumped on it, and they knew they had something special.
Since their debut in 2022, HeyHolly has made serious moves—supporting WOMBAT in Adelaide, hitting the stage at WOMADelaide 2025, landing international press, and scoring their first national radio play on CADA with K-Sera.
Yung Van’s latest single ft. SadBoyProlific, Honest, delivers an unfiltered, emotional gut-punch, capturing the fragile balance of love on the verge of collapse. The track feels like a confessional—a desperate plea to save something slipping through your fingers. It’s raw, vulnerable, and beautifully bittersweet, offering listeners a glimpse into the emotional turbulence of a relationship at its breaking point.
Co-written with VITO during a visit to Terre Haute, IN, Honest holds a special place in Yung Van’s creative journey. What started as a single moment of candid expression evolved into the cornerstone for the upcoming album, Haunted Hearts. The song sets the tone for what’s to come, exploring themes of love, loss, and the lingering echoes of past relationships.
Songwriter and Record Label owner yung van has carved his own path in the underground music scene, captivating listeners with raw vulnerability and unapologetic authenticity. Based in Denver, this alternative singer-songwriter has earned a fiercely loyal fanbase, not just through his heartfelt lyrics, but by staying true to his unfiltered self on social media.
After the underground success of his 2017 hit, “I waited on you, you never came,” yung van built on that momentum with his 2023 album “don’t change the channel,” featuring standout collaborations from artists like guardin, demxntia, and Dion Dugas. Now, he’s gearing up for the release of his highly anticipated new album, “Haunted Hearts,” set to drop in 2025, this project promises to push the limits of genre, showcasing yung van’s bold evolution as an artist.
Last week we spoke to Tommy Marsh about the release of his latest single Ladies, we got to chance to talk to him about the release and his music.
Congratulations on the release of “Ladies”. It feels like a very personal track. Can you share more about the journey that inspired this song? The song came to me when I was trying to get back into my roots by using my singing voice, and rap voice combined. I was listening to Justin Timberlake’s album FutureSex/LoveSounds, which gave me some inspiration.
The song reflects on self-awareness and self-love. What do these concepts mean to you, and how have they transformed your outlook on life and relationships? After going through some self reflection and overcoming the pain of losing someone I thought would be with me forever, I’ve realised that it’s okay to be on your own and you don’t need somebody in your life to rely on all the time. Of course a time will come where it works out, but it can’t be a main drive of self motivation.
You’ve been writing music since you were nine. What first inspired you to pick up the pen and start creating music at such a young age? I’ve been surrounded by music my whole life and always loved to create things it didn’t really matter what it was I’ve always been into making stuff. Song writing came naturally, although I struggled to play instruments, I always liked to sing and use my voice, I found it was my best instrument.
You’ve played to packed venues following your festival debut. What has been your favourite memory from performing live this year? My favourite live performance this year would of been playing at kickback brewery in aldinga because it’s the closest to home I’ve been able to perform and I got to perform for so many people who hadn’t heard me before.
If you could collaborate with any artist, who would it be and why? realistically I would say either Barkaa or Nerve, because I feel very passionate about indigenous rights and would love to contribute by spreading their messages in music, Barkaa has been a big inspiration for me over the last two years. I would love to collaborate with Nerve because he is an amazing producer and never misses on a beat.
Tommy Marsh is a rapper and singer-songwriter from Maslins Beach, Australia. Known for his bold storytelling and genre-blending style, Tommy has been writing music since he was nine. His live performances are where he truly thrives, feeding off the energy of the audience.
In 2024, Tommy made a strong impression with his festival debut at WOMADelaide and has since played to packed venues. His music, including tracks like Surf Ct and 2K Baby, explores themes of resilience, self-discovery, and his personal journey, often inspired by his upbringing in Maslins Beach. With a focus on authenticity, Tommy hopes his work motivates listeners to embrace positive change
Tommy Marsh delivers a raw and introspective pop-rap anthem in “Ladies,” unpacking the hard truth that love begins with self-awareness. Through heartfelt lyrics and a reflective beat, he chronicles his journey from heartbreak to self-acceptance, realizing the need to heal within before seeking love again. Sorry, ladies—Tommy’s focusing on himself this time around.
Tommy Marsh, is a 21-year-old rapper/singer-songwriter from Maslins Beach. Tommy has been writing his own songs since he was 9, and performing live is his absolute favourite thing in the world. The energy from an audience enjoying his music is an incredible feeling that he cherishes.
Starting out in a creative school, Tommy was fortunate to unlock his musical talents at a young age. His big dream? To make a positive impact through his music, motivating others to make positive changes in themselves and the world around them.
Tommy started 2024 with a bang making his first festival appearance at WOMADelaide on Friday the 8th of March, since then he has performed a series of packed out live shows.
Tommy Marsh’s track “2K Baby” is a nostalgic anthem that takes listeners on a journey back to the early 2000s, capturing the essence of youthful exuberance and the thrill of chasing dreams. The song’s upbeat energy and catchy hooks evoke the carefree days of recording demos with friends, while also reflecting the challenges of navigating fame in the big city. Tommy masterfully blends personal memories with universal themes of staying grounded, making “2K Baby” a relatable and fun listen for anyone who’s ever chased a dream or felt the pull of their roots.
HeyHolly is the product of over a decade of friendship. Cruise was sent to the front office to show Bryce around for his first day of school in year 6 and the stars aligned.
“We have always connected and seen eye to eye with pretty much everything, music just so happens to be something we are both so passionate and in tune with.”
In August 2021 Cruise and Bryce decided to buckle down and stop making broken promises about chasing a career in music. Bryce found himself leaving a long term (5 year) relationship and was in a dark place facing a great deal of hurt and betrayal. Bryce needed a pick-me-up and Cruise was just that.
“All it took was Cruise showing me one beat with a crazy hook, he started belting out and I was spitting some bars over it and we both knew it was game on. We quickly hit up our amazing producer Jethro and the rest is history.”
Since their debut release in 2022, HeyHolly supported WOMBAT on his 2023 Australian Tour in Adelaide, gained international press and made their national radio debut with K-Sera on CADA.
When speaking on “Fallout” Bryce and Cruise share “the process started back in November 2021, towards the end of a world pandemic. We were very frustrated with how easily the world could shut down and turn even the best of friends to enemies. Fallout was our way of expressing feelings and emotions individuals may be experiencing at the time if things proceeded to escalate on Earth. We took inspiration for things we are passionate about in both the movie and game industry and shaped our lyrics around what was current on the eve of 2022 and what others have created countless times before, while putting our own feelings into a “fallout universe” happy to say we are glad things are back to somewhat normal now in 2024, we really thought we were writing history for a minute there.”
We recently talked to Brandon Bally on life as a Hip-Hop artist in Pittsburgh and his latest release, Pew Pew.
Hey Brandon, thanks for talking to us today. Your latest track “Pew Pew” is described as the ultimate hip-hop club anthem. What was the inspiration behind this song?
I wanted to create an experience. Dancing is good for the soul. At times, we go in spaces where no one is dancing. Everyone is separated, guarded, and distant in a setting where they should be moving.
How does Pittsburgh’s music scene influence your style and creativity?
I am spearheading a new wave of my city’s music scene. What I want to do is outline something unique and innovative because that is what I believe is the essence of my city and the people who inhibit it. I aspire to stay true to my roots. We aren’t like everyone else and I want to represent that.
Who were your musical influences growing up, and how have they shaped your sound today?
My influences span across many genres such as the following: – Soul/ R&B, House Music, Rock & Alternative, and Jazz.
Artists and bands that have inspired me are the following
These artists have inspired how I approach the creation of my music and how I want to make it feel. These artists also inspire how I want to perform, brand, and deliver my art.
How did you incorporate elements of Jersey Club Music into “Pew Pew,” and what was the production process like?
The instrumental already had the Jersey Club Music feel. The production process was good. My engineer Mike Moore created the initial recording at LDB10 Studios. My fellow artist, B. Aquarius, completed additional mixing & mastering for this track.
What are your plans for future releases? Can fans expect more music in the same vein as “Pew Pew”?
Future releases will continue to reflect my musical versatility. Expect more music that will create an experience. Expect more music that can be played and interacted with in different settings.
Are there any upcoming collaborations or projects you’re particularly excited about? T
he Cats Out The Bag EP is on the way. This is my first EP and I am excited to release it.
What do you enjoy doing in your free time when you’re not making music?
Going to the gym. Reading & writing. Spending time in nature at parks or at beaches. Traveling. Hooping.
What advice would you give to aspiring artists looking to make their mark in the music world?
Believe in yourself. Be patient. Trust the process. Be clear on what you want and go after it relentlessly.
We had a chance to chat with Natasha Bianca about her latest single Flex
Hey Natasha, congratulations on the release of your new single Flex! “Flex” is a bold track calling out the superficial online lifestyles and the obsession with validation. What inspired you to write this song?
Thank you so much! The inspiration came from personal observations of how social media can often promote superficiality and a constant need for validation, which can be damaging to mental health. I felt like calling everyone out in this song from the boys club, to internet trolls, online appearances, to anyone running my name trying to tear me down. It’s my anthem to state IM HERE! Im THAT bitch, nothing or NO ONE is going to stop me. It’s very sassy but empowering.
In “Flex,” you address internet trolls and the boys club. How important is it for you to use your music as a platform to challenge these societal issues?
For me, it is incredibly important to utilize my platform to speak on these topics, as I’ve experienced them firsthand. While I’ve learned to identify and manage situations involving internet trolls and the boys club mentality, not everyone has the tools or resilience to do so. For many in the industry or anyone online facing similar challenges, it can be difficult to navigate these situations, which can significantly impact self-esteem and mental health. Through my music, I’m hoping to provide a voice for those who may feel silenced or marginalized. I want to empower listeners, helping them to recognize their own strength and resilience, and encourage others to stand up against negativity and discrimination.
Your latest releases carry strong messages of empowerment and resilience. How do your personal experiences shape the music you create?
I believe I was entering a new era of Natasha Bianca where I didn’t want to sing anymore heartbreak sad songs. Don’t get me wrong I still love a good Rnb sad song and I might one day release a whole sad girl album, but at my current point in my life I wanted to focus on up-tempo hype music that makes you want to dance, move and feel good. When I’m feeling down I love to listen to music that hypes me up and reminds me I AM that bitch!! For example Megan the Stallion, Doja Cat and BIA are all icons I listen to on repeat who give that energy. I wanted FLEX to give my audience that same empowering energy, reminding them of their worth and resilience.
What advice would you give to young, aspiring female artists who look up to you and want to make their mark in the music industry?
To keep going!! It’s a marathon and not a sprint. There can be so many disheartening moments in this industry that make you want to give up, but you just need to keep striving for the end goal – no matter what that may be. Listen to yourself and your intuition, speak up and be confident with your voice. It needs to be heard!
Being included in the Listen Out 23 lineup alongside big names like Ice Spice and Lil Uzi Vert is a huge accomplishment. What was the experience like?
It was the most incredible experience of my life to date. I still watch back at videos and think “that’s me?”. It was the biggest crowd I’ve performed in front of and they gave me so much energy. The biggest highlight was teaching the crowd the lyrics to one of my unreleased singles so when I started performing they all were all screaming my lyrics and its forever embedded into my memory.
Looking ahead, what are some of your goals and aspirations for the next phase of your career? Are there any new collaborations or projects on the horizon?
I have my debut EP centered around female empowerment that is set to be released later this year that I’m extremely excited about. I’ve been performing all the songs on the project in my live shows and the crowd response so far has been amazing so I’m very excited to introduce it to the rest of the world. Hoping we’ll be able to include a tour in soon also.
Reflecting on your career so far, what has been the most rewarding aspect of your journey as an artist?
No matter how much I love the stage and performing connecting with people, the most rewarding aspect as an artist is when I receive a dm from a fan expressing their love of my music, or how much they connected with one of my songs. It’s truly the most heartwarming feeling to know someone can feel their own experiences and emotions through my music. Another super rewarding aspect in my career is looking back from when I started and knowing I’ve achieved everything in my career thus far on my own independently. The music industry is a scary world, and navigating through it is even more terrifying. But being able to collaborate with some amazing creatives in Australia and building a team from the ground up is probably one of the most self-rewarding moments as an independent artist.
Is there any message or final thought you’d like to share with your fans and the listeners who have supported you along the way?
All my supporters have played such a significant role in my career and I love they’re along for the journey. Keep being YOU and remember, you’re THAT bitch!! New music soon…
We had a chance to talk with Joey Pappas on her latest release So Cold
Congratulations on the release of your new single So Cold! Can you tell us what inspired this song?
Thank you so much! I have always been someone who is ‘all or nothing’ and over the years I feel I have given so much and felt so much that I now struggle to trust anything is real at all. The irony of this song is I am saying that I struggle to express my emotions whilst writing them in a song for the world to hear. I wrote this song to myself, admitting things I have been almost afraid to say out loud and I hope it helps others feel seen.
What was the writing process like for this song, did you write it in the midst of your emotions?
My producer, Kirby and I created the beat for this song a while ago and it sat with me for a while and I tried writing to it a couple times and nothing stuck. One day I came home, I felt incredibly low and burnt out, I put the song on and wrote the whole thing from start to finish in one go. The words just flowed out of me in almost a cry for help, it is one of the most transparent songs I have written as it is not about anyone else but me, which is something I find hard to speak on.
Who did you work with to bring So Cold to life?
I have created all my songs with Kirby, he is extremely talented and an incredibly patient person which has been so needed as I am such a new baby artist. He allows me such a safe space to create my vision while also bringing such a distinct twist to my sound. I also created my debut music video for So Cold with my extremely talented brother, Jonny Pappas (Backlit Media). I had a distinct vision for the video and we created something that we are both incredibly proud of. I am very grateful to be able to work with both Kirby and Jonny!
What do you want your listeners to hear and feel from So Cold?
I felt, even as I was writing this song, that I just desperately wanted to connect with people. Even though I felt so numb, the human need for connection and to feel love is still there underneath the emotional ice, the walls and pain. I hope that this song allows others to feel validated even in their isolation and that maybe, just maybe, we won’t always be cold and alone.
You grew up in a religious cult, can you give us more insight into how you accessed listening to music when you were growing up?
I did indeed. It was something I have spent a lot of time being angry about and was the inspiration for my first single ‘Insane’ but now I deeply appreciate where I have come from and how it has helped create the person I am today. I was not actually allowed to listen to mainstream music, I had very limited access to the radio, we didn’t even have a TV in our household. I did a lot of singing in church and music has always been a large part of my life, just not mainstream music. I remember when I started my first job at KFC there was a TV in the restaurant area and it played music videos on it all day and I was obsessed with it. To be a singer was all I had ever wanted to be, even then, when I was cooking chicken for the masses.
Who is your favourite music artist now and why?
I would say it is a tie between Tate McRae and Billie Eilish. I love the lyrical honesty they both show and their sounds are so incredibly unique. They also intrigue me on a deeper level as well. Despite them both being incredibly huge artists, they are so private and I love that. They display such deep emotions in their songs but you never know what they are actually doing and are always leveling up constantly, which I find truly inspiring.
How do you want to make a difference in the world and music industry?
I strongly feel that my purpose on this earth is to help others feel seen and valued. I have always felt quite isolated and for want of a better word “different” and if I can help people feel safe to express who they truly are, then to me, that is success. By singing about my experiences I am able to reach a wider audience and in turn able to live in alignment with my purpose in the best way possible.
If you could share the stage with any artist living or dead who would it be?
Taylor Swift. Not even a doubt in my mind. That woman has helped me through every single phase in my life. I hope one day to meet her, I have no doubt she is just as genuine and empathetic as you can feel through her music.
To perform shows baby!!! I am going to be dropping more singles over the next couple months but ultimately I am so excited to be getting up on those stages and connecting with as many people as I possibly can. Melbourne and Brisbane are my goals before the end of the year.
Thanks for your time, is there a message you’d like to share with your fans?
Thank YOU so much for interviewing me and listening to what I have to say. I would like to say be kind to yourselves, everything is happening just how it is meant to. You can’t rush art or love and you are full of both. All my love to you, yes you, who is reading this, you’ve got this, I believe in you.
