The vultures are already swooping in on the Los Angeles area, attempting to capitalize on a tragedy. Hitting X, Vince Staples revealed that someone attempted to buy land impacted by…
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TDE artist Ab-Soul has released Soul Burger, his first album since 2022’s acclaimed Herbert. The album features DoeBurger, Vince Staples, Doechii, JID, Lupe Fiasco, Ty Dolla $ign, Jason Martin, Thirsty P, Kamm Carson, Fre$h, Punch, and Asia Holiday with production from 9th Wonder, ScHoolBoy Q, Kal Banx, Terrace Martin, Rascal, TaeBeast, Devin Malik, Beat Butcha and more. With Soul Burger, Ab-Soul pays tribute to his childhood best friend, DoeBurger, who passed away in 2021. Doe always encouraged him to create more upbeat music for fans to dance to at shows, so this project is both an homage to him and a reflection of the music he inspired Soul to make. Throughout the mixtape, Doe serves as a narrator, urging Soul to persevere despite his challenges.
Ab-Soul is known for challenging rap’s conventional narratives with his deep, thought-provoking lyricism and distinctive style. Joining Top Dawg Entertainment (TDE) in 2007, he became part of the revered Black Hippy collective alongside Schoolboy Q, Jay Rock, and Kendrick Lamar. His music often delves into personal hardship, philosophy, and social issues. His journey has been marked by significant struggles, including being diagnosed with Stevens-Johnson Syndrome at age 10, which severely impacted his vision and skin. The 2012 loss of his best friend and longtime girlfriend also deeply influenced his music, inspiring his breakout track “The Book of Soul” on his sophomore album Control System. After a six-year hiatus, Ab-Soul returned with Herbert (2022), an album that showcases his vulnerability as he reflects on mental health, grief, resilience, and self-discovery—earning praise from both fans and critics for his growth and authenticity.
Soul Burger Tracklist
9 Mile
Paiday
All That ft. Jason Martin, Thirsty P
California Dream ft. Vince Staples, Kamm Carson
B.U.C.K.O. Jr
I, Myself & Me ft. Doechii
DND ft. NOTORIOUS N.I.Q.
Don Julio 70 ft. Fre$h
Go Pro ft. Ty Dolla $ign
Saudi Sweats
Squeeze 1St 2
Crazier ft. JID
Peace ft. Lupe Fiasco, DoeBurger, Punch
The Sky is Limitless ft. BLXST, Asia Holiday
Righteous Man
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Vince Staples unveiled his highly anticipated headlining U.S. tour, Black In America, in support of his acclaimed eighth studio album, Dark Times, available now via Blacksmith / Def Jam Recordings. The 13-date tour will kick off on October 14th in Atlanta, GA, and will make stops in major markets across the country, including New York, Boston, Philadelphia, Toronto, and San Francisco, before concluding in Los Angeles on November 6th.
Grammy-nominated singer, songwriter, and producer Baby Rose will join Staples as a special guest for all dates outside of New York. Pre-sales for “Black In America” will begin on Tuesday, June 4th, at 10 AM Local Time, with tickets becoming available to the general public on Friday, June 7th, at 10 AM Local Time.
Fans can find additional details and ticket information by visiting VinceStaples.com. This tour promises to be a must-see event, showcasing Staples’ unique artistry and the powerful themes explored in “Dark Times.” Don’t miss your chance to experience Vince Staples live on stage during the “Black In America” tour.
Last month, Vince Staples unveiled his eighth studio album, Dark Times, via Blacksmith Records / Def Jam Recordings. This album marks a new era in the prolific artist’s career, blending dense lyricism with lush, layered beats, and offering wry, melancholic observations about life, while finding pockets of light in an endless dark.
Dark Times features minimal guest voices, relying on samples, studio friends, and a narrative outro by iconic alt singer-songwriter Santigold, who shares an apocalyptic yet awe-inspiring dream with Staples. Notable moments include the track “Liars,” which incorporates an excerpt from a 1973 conversation between Nikki Giovanni and James Baldwin about Black love, and “Government Cheese,” where Staples raps about an imprisoned friend reaching out after seeing him on TV.
The album balances its introspective themes with celebratory tracks such as “Étouffée,” a bouncy ode to Staples’ Louisiana roots, and “Little Homies,” a message encouraging the younger generation. “Freeman,” the final song before Santigold’s outro, showcases Staples’ reflective coolness.
Ahead of the album’s release, Staples shared the first single and visual for “Shame On the Devil.”
“It’s a testament to where I am right now and how I view things—it’s just a timestamp,” Staples says of the album. “I might not feel like that again tomorrow. But in the process of making this project, these were the things that spoke to me.”
In support of Dark Times, Staples will embark on his headlining BLACK IN EUROPA TOUR, starting June 4th in Cologne, Germany. The tour will visit Berlin, Paris, London, and Manchester before concluding in Birmingham, UK, on June 13. Staples will also perform at various European festivals in August, including Oya in Oslo, Flow Festival in Helsinki, and HipHop Open in Stuttgart. For tickets and the full list of dates, visit www.vincestaples.com/tour.
The post Vince Staples Announces ‘Black In America’ U.S. Tour first appeared on The Source.
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Vince Staples will make a return to Netflix. The streaming giant has confirmed a renewal of The Vince Staples Show for a second season.
“The Vince Staples Show is back!” Staples said. “The people have spoken and the most riveting, captivating, and polarizing show on Netflix is returning for season 2. Get ready for hijinks that only a mother can love. Thank you, Netflix!”
Starring alongside Staples in the show were Vanessa Bell Calloway and Andrea Ellsworth.
Last week, Vince Staples unveiled his eighth studio album, Dark Times, via Blacksmith Records / Def Jam Recordings. This album marks a new era in the prolific artist’s career, blending dense lyricism with lush, layered beats, and offering wry, melancholic observations about life, while finding pockets of light in an endless dark.
Dark Times features minimal guest voices, relying on samples, studio friends, and a narrative outro by iconic alt singer-songwriter Santigold, who shares an apocalyptic yet awe-inspiring dream with Staples. Notable moments include the track “Liars,” which incorporates an excerpt from a 1973 conversation between Nikki Giovanni and James Baldwin about Black love, and “Government Cheese,” where Staples raps about an imprisoned friend reaching out after seeing him on TV.
The album balances its introspective themes with celebratory tracks such as “Étouffée,” a bouncy ode to Staples’ Louisiana roots, and “Little Homies,” a message encouraging the younger generation. “Freeman,” the final song before Santigold’s outro, showcases Staples’ reflective coolness.
Ahead of the album’s release, Staples shared the first single and visual for “Shame On the Devil.”
“It’s a testament to where I am right now and how I view things—it’s just a timestamp,” Staples says of the album. “I might not feel like that again tomorrow. But in the process of making this project, these were the things that spoke to me.”
In support of Dark Times, Staples will embark on his headlining BLACK IN EUROPA TOUR, starting June 4th in Cologne, Germany. The tour will visit Berlin, Paris, London, and Manchester before concluding in Birmingham, UK, on June 13. Staples will also perform at various European festivals in August, including Oya in Oslo, Flow Festival in Helsinki, and HipHop Open in Stuttgart. For tickets and the full list of dates, visit www.vincestaples.com/tour.
The post ‘The Vince Staples Show’ Renewed for Season 2 at Netflix first appeared on The Source.
The post ‘The Vince Staples Show’ Renewed for Season 2 at Netflix appeared first on The Source.
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Vince Staples today unveiled his eighth studio album, Dark Times, via Blacksmith Records / Def Jam Recordings. This album marks a new era in the prolific artist’s career, blending dense lyricism with lush, layered beats, and offering wry, melancholic observations about life, while finding pockets of light in an endless dark.
Dark Times features minimal guest voices, relying on samples, studio friends, and a narrative outro by iconic alt singer-songwriter Santigold, who shares an apocalyptic yet awe-inspiring dream with Staples. Notable moments include the track “Liars,” which incorporates an excerpt from a 1973 conversation between Nikki Giovanni and James Baldwin about Black love, and “Government Cheese,” where Staples raps about an imprisoned friend reaching out after seeing him on TV.
The album balances its introspective themes with celebratory tracks such as “Étouffée,” a bouncy ode to Staples’ Louisiana roots, and “Little Homies,” a message encouraging the younger generation. “Freeman,” the final song before Santigold’s outro, showcases Staples’ reflective coolness.
Ahead of the album’s release, Staples shared the first single and visual for “Shame On the Devil.”
“It’s a testament to where I am right now and how I view things—it’s just a timestamp,” Staples says of the album. “I might not feel like that again tomorrow. But in the process of making this project, these were the things that spoke to me.”
In support of Dark Times, Staples will embark on his headlining BLACK IN EUROPA TOUR, starting June 4th in Cologne, Germany. The tour will visit Berlin, Paris, London, and Manchester before concluding in Birmingham, UK, on June 13. Staples will also perform at various European festivals in August, including Oya in Oslo, Flow Festival in Helsinki, and HipHop Open in Stuttgart. For tickets and the full list of dates, visit www.vincestaples.com/tour.
The post Vince Staples Releases Eighth Studio Album ‘Dark Times’ first appeared on The Source.
The post Vince Staples Releases Eighth Studio Album ‘Dark Times’ appeared first on The Source.
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Vince Staples revealed his eighth studio album, “Dark Times,” which will be released on May 24 via Blacksmith Records / Def Jam Recordings. This album marks a new era for the prolific artist, showcasing his signature dense lyricism over lush, layered beats while offering wry, melancholic observations about life and finding light in the darkness.
“Dark Times” was recorded over seven months in North Hollywood. The album title came intuitively to Staples after he listened to the record in full, noticing heavy motifs that kept reappearing. The album cover, featuring a faintly seen noose, was similarly intuitive, encapsulating the themes of struggle and perseverance that permeate the project.
To coincide with the album announcement, Staples dropped the first single, “Shame on the Devil,” accompanied by an evocative visual. The track features Staples rapping over a warm, spectral beat, reflecting on the anointed nature of his life despite experiencing loneliness and fallouts with friends.
Calling the project “a personal achievement,” Staples said, “it’s me mastering some things I’ve tried before that I wasn’t great at in the beginning. It’s a testament to musical growth, song structure—all the good stuff.” Fans can expect a deeply introspective and richly produced album that continues pushing his artistry’s boundaries.
“Dark Times” promises to be muscular and revelatory, refining elements that have been present in Staples’ catalog for the last decade. Be sure to mark your calendars for May 24 to experience the full journey of “Dark Times” and catch the first single, “Shame on the Devil,” now available for streaming.
The post Vince Staples Announces Eighth Studio Album ‘Dark Times’ first appeared on The Source.
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Vince Staples was on The Joe Budden Podcast and pointed out another side of the current Kendrick Lamar/J. Cole/Drake beef that many have not considered, while stating the cast’s takes are “borderline coonery.”
Vince highlighted how corporations are getting in on the beef, highlighting the battles but never advocating for artists’ pockets.
“Once n-ggas mad, we got billboards from streamers talking about ‘Hip-Hop is a sport,’ but we ain’t never see a billboard from a streamer that said ‘give that n-gga his publishing back,’” Staples said.
You can hear Vince’s entire take below.
Vince Staples called into the Joe Budden Podcast to share some thoughts on the J Cole Kendrick and Drake Beef pic.twitter.com/x2NL0iuqaB
— Micah Jung Un (@Micah_W17) April 10, 2024
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If Kenya Barris is involved, you know something special is at hand.
Barris is a well-respected writer, producer, director, and actor, best known for creating the ABC sitcom black-ish. The award-winning show went on to create two successful spinoffs, grown-ish and mixed-ish, with Barris making his acting debut in #BlackAF on Netflix.
Now, things come full circle as Barris works on yet another incredible show on Netflix, this time for Vince Staples on The Vince Staples Show. Premiering on February 15th, the new comedy series brings you into the life of Vince Staples, accompanying him on his many adventures. Whether it’s hanging with the homies, going to a theme park, or even moments of almost getting shot, there’s never a dull moment when it comes to Vince Staples.
The Source had the pleasure of chatting with Kenya Barris at the red carpet premiere and screening of The Vince Staples Show at Netflix Tudum Theater in Los Angeles, California.
What was the moment you fell in love w/ Hip-Hop?
I’ma say Grandmaster Flash and the Furious Five was the first album that happened. But Jay Z was the person who pushed me over. [laughs]
Favorite Jay Z song?
The Reasonable Doubt album. The whole album, you can play it through.
What do you like about Vince Staples?
I was a big fan of Vince. My kids love him, I love him. He’s like a hood savant. He literally is. He comes in and nobody thinks like him. He says stuff that makes you feel like people have to hear what you have to say.
Vince is known to push boundaries. Was there anything that went too far or anything you had to cut?
Everything. [laughs] Everything. lt lived and died in the edit room. Vince pushed us as much as we could in every way.
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California-based rapper Vince Staples is set to take a role in Showtime’s new comedy pilot based on the 1999 film “The Wood.” This is the second time Staples collaborates with director Rick Famuyiwa, since he acted in a small role in Famuyiwa’s feature film “Dope” in 2015. Dominating A New Role In the new TV […]
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Drake might have dropped the most divisive album for a hip-hop artist since Kanye dropped Yeezus in 2013. Both albums signaled a musical shift in the artist’s career and public reaction was split upon both albums’ release. However, over time, Yeezus has grown on many people, with the sound of hip-hop music having changed so drastically in the last decade. Only time will tell with Honestly, Nevermind.
Drizzy’s shift in sound is nothing new as he’s released songs like the ones found on his recent album in the past with “Passionfruit” off of More Life, and “One Dance” off of Views. However, this shift in sound has sparked conversations about the future of rap music.
On a recent episode of the Joe Budden Podcast, Joe called Long Beach MC, Vince Staples where the two discussed if Drake’s newest album “pushes us closer to the elimination of rap music.”
“You think Drake putting out a dance album gets us closer to the elimination of rap music as a whole?” Budden asked.
Vince responded, talking about how his 2017 album, Big Fish Theory, received backlash from a lot of fans because of its experimental sound, and how eventually, rap will eventually fade away “because the internet pushes everything into the same bubble.’
“Music has always been very visual,” Staples responded. “When I think about artists, visual things pop up… Michael Jackson it’s the moonwalk and 2Pac it’s a lot of aesthetic things. Of course, it’s the music, but the thing is we’re visual people”
Vince added, “When you think about where music is headed, everything is Instagram, everything looks the same, moves the same, dresses the same and talks the same. The genre sh*t is going to have to go out the window eventually. It’s too hard to separate culture because the internet has kinda pushed everything into the same little bubble.”
You can watch the full episode below. Their conversation starts around the 1:57:00 mark.
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