The latest set of Kendrick Lamar bars is on Clipse’s “Chains & Whips” single. In the verse, the GNX legend saluted another Hip-Hop icon in Rakim, for his being a…
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Kendrick Lamar’s GNX has reclaimed the No. 1 spot on the Billboard 200, jumping from No. 4 to No. 1 on the Feb. 22 chart. The album’s resurgence follows Lamar’s…
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Kendrick Lamar’s GNX is experiencing a significant surge following his electrifying Super Bowl Halftime Show performance and the album’s physical release on Feb. 7. The project, released via pgLang/Interscope, is…
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Kendrick Lamar’s “Not Like Us” is cemented as a Record and Song of the Year, along with one of the best diss songs of all time. But why did it…
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Reflecting on 2024, five artists stood above the rest, reshaping the landscape of hip-hop with their creativity, chart-topping hits, and cultural impact. Here’s The Source’s top rappers of 2024 and what they accomplished.
Kendrick Lamar cemented his legacy in 2024 with the surprise release of his sixth studio album, GNX, which debuted at No. 1 on the Billboard 200 and dominated the charts like no other. Seven of the album’s tracks, including “Squabble Up” and “TV Off” featuring Lefty GunPlay, secured spots in the Hot 100’s top ten, an unprecedented feat. Notably, “Not Like Us,” fueled by a lyrical battle with Drake, became the most-streamed global song of the year, marking Lamar’s first-ever No. 1 on the annual streaming chart.
GNX was not only a commercial triumph but also critically acclaimed, leading to Kendrick’s nominations for multiple 2025 Grammy Awards. As if that weren’t enough, Lamar was confirmed as the headliner for the 2025 Super Bowl Halftime Show, a nod to his undeniable star power. The rapper also announced the Grand National Tour with SZA, set for 2025, promising fans another unforgettable chapter in his illustrious career.
Future made history this year by dropping We Don’t Trust You, We Still Don’t Trust You, and MIXTAPE PLUTO, three chart-topping albums in just six months. This incredible run made Future the first hip-hop artist since The Beatles in the mid-1960s to achieve such a feat. Each project debuted at No. 1 on the Billboard 200, with MIXTAPE PLUTO securing additional milestones by landing all 17 tracks on the Hot 100.
Both We Don’t Trust You and We Still Don’t Trust You featured anthems that resonated deeply with fans, showcasing Future’s signature blend of introspection and hedonism. These albums further solidified his reputation as one of rap’s most consistent hitmakers. Beyond the charts, Future continued to push boundaries, leaving an indelible mark on the genre with his record-breaking achievements.
GloRilla had a breakout year that placed her firmly among hip-hop’s elite. Her debut album, Glorious, featuring collaborations with Megan Thee Stallion, Latto, and T-Pain, debuted at No. 5 on the Billboard 200, marking her first top-10 entry. The project included viral hits like “I LUV HER” featuring T-Pain and “WHATCHU KNO ABOUT ME” featuring Sexyy Red, both of which exploded on TikTok and inspired countless trends.
As Billboard’s Top Female Rapper of 2024, GloRilla demonstrated her ability to blend Memphis grit with mainstream appeal, captivating audiences with her authenticity and electrifying stage presence. Her rise was further amplified by high-profile collaborations and her knack for creating music that resonated across generations.
Tyler, the Creator continued his streak of artistic excellence with the release of CHROMAKOPIA, an album that debuted at No. 1 on the Billboard 200 with 299,500 equivalent album units in its first four days. The project showcased Tyler’s unique ability to craft experimental yet accessible music, with standout tracks like “ST. CHROMA” and “THOUGHT I WAS DEAD” earning spots on the US Top Songs chart.
What made Tyler’s achievement even more impressive was the album’s rapid rollout—he announced and released CHROMAKOPIA within two weeks, receiving widespread critical acclaim. The album’s success, coupled with the viral resurgence of his 2017 hit “See You Again” on social media, demonstrated Tyler’s enduring influence and versatility as an artist.
Megan Thee Stallion reminded everyone why she’s a powerhouse in 2024. Her deluxe album, MEGAN: ACT II, introduced fans to new collaborations with artists like TWICE and RM of BTS, alongside her first rock track with Spiritbox. The album debuted at No. 3 on the Billboard 200, becoming the year’s highest-charting rap album by a woman.
Megan also made waves with her philanthropy, receiving the genLOVE Award for Outstanding Philanthropy at the Golden Heart Awards, and her “Hot Girl History” moment as the host of the 2024 MTV VMAs. On the viral side, her collaboration with Japanese rapper Yuki Chiba on “Mamushi” dominated social media, while her new documentary offered fans a glimpse into her journey through fame and personal challenges.
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Kendrick Lamar’s sixth studio album, GNX, is making waves on the charts, with ten tracks landing on the US Top Songs. Leading the charge is the video-assisted “squabble up,” which secures the #2 spot, followed by “tv off” featuring Lefty GunPlay at #4 and the SZA-assisted “luther” at #15.
Lamar also scores another hit with “Not Like Us,” a track fueled by his lyrical battle with Drake, which claims #9. The rapper continues his dominance, holding the #1 spot on US Top Artists. GNX‘s chart success further solidifies Kendrick Lamar’s position at the forefront of contemporary hip-hop.
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Following the filing of petitions on November 25, sales of “Not Like Us” have surged by 440 percent, with streams increasing by 20 percent, according to Talk of the Charts. The dramatic spike highlights the song’s renewed attention, driven by the recent developments.
In related news, Kendrick Lamar’s unexpected album GNX has made a powerful debut at No. 1 on the Billboard 200 chart dated Dec. 7, earning the rapper his fifth consecutive chart-topping project. Released without prior notice on Nov. 22, GNX garnered 319,000 equivalent album units in its first week, according to Luminate, marking the sixth-largest debut of the year.
Streaming drove most of GNX’s success, with 285,000 SEA units translating to 379.72 million on-demand streams of its 12 tracks. This achievement secured the album the No. 1 spot on Top Streaming Albums and delivered 2024’s biggest streaming week for an R&B/hip-hop album. Among all genres, it ranks as the year’s second-largest debut and third-biggest streaming week, trailing only Taylor Swift’s The Tortured Poets Department.
The remaining units include 32,000 album sales and 2,000 TEA units. Despite only being available as a standard digital download, GNX landed at No. 2 on Top Album Sales.
The album includes 12 tracks, including the one teased in the “Not Like Us” video, officially titled “Squabble Up.” The album also includes a trailer of Lamar with his GNX ride. You can peep it all below.
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Qui Yasuka aka Suki Baby, the cover star of Drake’s Her Loss collaboration album with 21 Savage, says no one is touching Kendrick Lamar right now. “This is just his way of putting out to the world, ‘Nobody is fucking playing with me,’” she said on Instagram.
That support isn’t sitting well with Akademiks who responded: “Shorty might be a little dense in her thinking, but be very clear, this Kendrick album is the embodiment of the energy from the battle.”
You can hear his reaction below.
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Kendrick Lamar is taking the blame for Black Haippy never reaching its full potential as a unit. On “heart pt. 6,” Lamar revealed what held up the group:
“Black Hippy didn’t work because of me
Creatively I moved on with new concepts in reach”
Black Hippy is the Top Dawg Entertainment collective of Lamar, ScHoolboy Q, Jay Rock and Ab-Soul who often teased the diea of a collaborative project but it never came together.
You can hear “heart pt. 6” below.
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Much has been said about Kendrick Lamar getting the Super Bowl spot in New Orleans instead of Lil Wayne. Now it’s time for Lamar to speak on it. On “wacced out murals” from his GNX album, Lamar addressed the controversy.
Miss my uncle Lil’ Mane, he said that he would kill me if I didn’t make it
Now I’m possessed by a spirit and they can’t take it
Used to bump Tha Carter III, I held my Rollie chain proud
Irony, I think my hard work let Lil Wayne down
Whatever, though, call me crazy, everybody questionable
Turn me to an eskimo, I drew the line and decimals
Won the Super Bowl and Nas the only one congratulate me
All these niggas agitated, I’m just glad they showin’ they faces
Quite frankly, plenty artists, but they outdated
Old-ass flows, tryna convince me that you they favorite
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