Tag Archives: Dame Grease

100GrandRoyce & Dame Grease Have “The Fix” (EP Review)

This is the 10th EP from Harlem emcee 100GrandRoyce. Starting as a member The Stackboys, he eventually went solo in 2011 although it wasn’t until the release of his 5th EP Prodigal Sun produced by 183rd in the spring of 2020 during the COVID-19 pandemic where he caught my attention. The ReturnTriple Crown & Unfinished Business would all reach the bar that Prodigal Sun had set & The Fix here produced by Dame Grease really peaked my interest.

“Shine” gets the ball rolling by incorporating claps into a cloudy instrumental with an interpolation of the “Wu-Gambinos” hook & grinding until the A.M. whereas “Above the Clouds” talks about having nightmares of ending up like everyone else out here working in a flute along with kicks & snares. “Cheri Amor” goes into soulful turf paying tribute to his sweet love just before “On Me” returns to the boom bap refusing to chase a chicken since they call him sometimes.

Starting the 2nd leg of the EP, “The Last Gone Be First” brings these exuberant piano chords into the fold talking about being cool as long as the bag right leading into “Block to the Bank” featuring BerryA bringing a jazzier flare to the beat going for dollars. “One of a Kind” bringing back the kicks & snares talking about being unique, but then “My Just Due” finishes The Fix on some straight up grimy shit boasting that he got the key to the city from the players.

Lo & behold: The Fix is the most I’ve enjoyed a 100GrandRoyce project since Unfinished Business. The production gives it a timeless & captivating sound blends hard-hitting beats with soulful melodies, the chemistry is evident throughout as they effortlessly complement each other’s styles & it’s a testament to the power of storytelling as well as the resilience of the human spirit offering a glimpse into the realities of street life while also conveying messages of hope, perseverance & the pursuit of dreams.

Score: 8/10

Source: UndergroundHipHopBlog.com

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Today In Hip Hop History: DMX Released His Second LP “Flesh Of My Flesh Blood Of My Blood’ 23 Years Ago

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On this date in 1998, Earl “DMX” Simmons dropped his sophomore release, Flesh Of My Flesh, Blood Of My Blood on the Def Jam/Ruff Ryders imprint. Less than a year following his debut album, It’s Dark and Hell Is Hot, X put out one of his most celebrates releases that shipped gold in its first week and was posted at the top of the charts for almost an entire month following its release.

The project, which was produced by Irv Gotti, Dame Grease and Swizz, debuted at number 1 on Billboard Top 200 just like X’s premier album. This feat was only accomplished once before by Tupac with All Eyez On Me and The Don Killuminati: The 7 Day Theory.

The singles that led the album’s success were the dark, autobiographical “Slippin’” and the Swizz Beatz produced “No Love 4 Me” featuring then Ruff Ryders newcomer Drag-On. The album enjoyed additional success being that this was the project in heavy rotation during DMX’s silver screen debut alongside Nas in Belly.

Thanks to the entire Ruff Ryder team including the Dark Man Unknown himself for this timeless Hip Hop classic!

The post Today In Hip Hop History: DMX Released His Second LP “Flesh Of My Flesh Blood Of My Blood’ 23 Years Ago appeared first on The Source.

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Today In Hip Hop History: DMX Released His Second LP “Flesh Of My Flesh Blood Of My Blood’ 22 Years Ago

tumblr pk48xsQ5b41t1yehoo1 640

On this date in 1998, Earl “DMX” Simmons dropped his sophomore release, Flesh Of My Flesh, Blood Of My Blood on the Def Jam/Ruff Ryders imprint. Less than a year following his debut album, It’s Dark and Hell Is Hot, X put out one of his most celebrates releases that shipped gold in its first week and was posted at the top of the charts for almost an entire month following its release.

The project, which was produced by Irv Gotti, Dame Grease and Swizz, debuted at number 1 on Billboard Top 200 just like X’s premier album. This feat was only accomplished once before by Tupac with All Eyez On Me and The Don Killuminati: The 7 Day Theory.

The singles that led the album’s success were the dark, autobiographical “Slippin’” and the Swizz Beatz produced “No Love 4 Me” featuring then Ruff Ryders newcomer Drag-On. The album enjoyed additional success being that this was the project in heavy rotation during DMX’s silver screen debut alongside Nas in Belly.

Thanks to the entire Ruff Ryder team including the Dark Man Unknown himself for this timeless Hip Hop classic!

The post Today In Hip Hop History: DMX Released His Second LP “Flesh Of My Flesh Blood Of My Blood’ 22 Years Ago appeared first on The Source.

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DMX & Ruff Ryder’s Producer Dame Grease Files $2M Lawsuit Against Rasheed “Ralo” Harrison Over Royalties

The 2014 Masters of Ceremony concert

Source: WENN.com / WENN

Dame Grease, responsible for the Ruff Ryders sound, many of DMX’s early hits, and some of Max B’s potent bangers now seeks back pay after alleging his publishing catalog was stolen from him. The New York veteran filed sued against Rasheed “Ralo” Harrison and his company for allegedly forging Grease’s name in order to reap the benefits of royalties from the millions of records sold under the producer’s guiding hand.


BOSSIP
exclusively reports that Grease has filed court papers against Harrison, claiming that the Wonder Boy Publishing honcho managed to illegally obtain the rights to Grease’s catalog and royalty statements. In a statement to BOSSIP and further reporting from the outlet, Grease realized that along with him getting fleeced, Harrison may have pulled this move on others as well.

“Actually, my first thought was to get on some street s**t,” Grease tells BOSSIP. “With selling 60 million records, I knew the residuals weren’t coming back. I was seeing royalty statements for a couple of hundred dollars.”

Keep up with Dame Grease on Instagram here.  Salute to the new Snoop Dogg, the new Lou Rawls.

Photo: WENN

Source: HipHopWired.com

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DMX Checks Himself Into Rehab: A Personal Story

DMX has has had one helluva year. Known for making heart-tugging street songs and appearing in headlines, we’ve all seen his struggles throughout the years and now he has checked himself into rehab. Reports detail his trouble in the law but not many media outlets and journalists know Earl Simmons.

After being released from prison in January, X was back on track killing shows and making appearances. He recently appeared in GQ looking dapper, clean and ready to take over the world. Word of him working with Swizz Beats and resigning with Def Jam Records gave his loyal fans hope for an incredible new album…and then he checked himself back into rehab.

According to a post on Instagram on DMX”s page it says, “In his ongoing commitment to putting family and sobriety first, DMX has checked himself into a rehab facility. He apologizes for his cancelled shows and thanks his fans for their continued support.”

Back in 1996, I was on my way to being a homeless teenager house-hopping in Harlem when I met DMX who friends and family called D.
I was a manicurist at the infamous African-American mall, Mart 125 and he approached my booth at closing asking for a manicure. He wasn’t famous at that time, but the Mart was known for the celebrities that visited because of its location directly across from the Apollo Theater. I was 17 years old and made a fair amount of money for a teen in high school. I had just purchased a plate of food from upstairs so I told him he had to wait until I was done eating and to ensure I would get the money I locked him in the nail booth and continued eating my food. He thought this was amusing and we began talking about hip-hop somehow and he mentioned he rapped. I asked him to rap and in true form he spit a verse and I was blown away. I did his nails and he became a customer and friend and he was always someone I could depend on. He often came to the Mart to visit the late Icepick Jay at Blackmen’s Jewelers where many of the Ruff Ryders met up to discuss business. During that year I learned a lot from him. Because I was the only girl around that knew hip hop, I would hangout in the studio while he recorded his classic debut album It’s Dark And Hell Is Hotand do whatever girl voices needed for his records. I watched in amazement when he recorded ‘Get At Me Dog’ and ended up punching vocals for an album cut called ‘ATF’ that later became a classic. I would hang out with him and his friend Dame Grease and they planned on taking over hip hop—and they did. In 1997 I finagled my way into the College Of Mount Saint Vincent through a HEOP scholarship and had no one to move me into the dorms. I called D and he and Dame Grease picked me up and drove me to my new home.

That year DMX was everywhere. From features to movies to releasing 3 platinum albums in one year. He was on fire and being the same D I had grown to love.  It was refreshing to see a dude from the hood be himself in hip hop and Hollywood. Even as his fame grew he would show nothing but love and we would show me the same love D did back in 1996. He knew I loved Big Pun and called me to smoke a blunt with them inside Tower Records before a record signing. D was always himself and fast forward to know he still plays by his own rules.

While reports say he has checked himself into rehab, we must not forget the many contributions X has given to hip hop. He releases his pain, love and spirituality through his records and that’s exactly who he is. Many rappers create lifestyles on records and have a stylist create their style but Earl Simmons has always been the realist, most honest MC hip hop has to offer.

Let’s salute him and lift him up and never forget that summer he came in and changed the course of hip hop.

Check out this dope video made to the classic ‘ATF’ featuring Dame Grease and myself. Classic!

photo courtesy of Zoie Ellis Photography

video by Sturgis Issac 

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