In remembering the legacy of the legendary Juice Crew member Biz Markie, we came across this rare freestyle sent to us by 2Mex consisting of Biz Markie, 2Mex, Chu Chu, Trenseta, Aceyalone, Tray Loc, MC Serch, Sesquipedalien 48.
Source: UndergroundHipHopBlog.com
Recién salido y subido al canal de FPC STUDIOS les presentamos este beat instrumental con influencias del rap de los 90’s. El Albino nuevamente nos sorprende con su talento para crear los mejores beats a disposición de cualquier persona que los quiera usar de manera gratuita, aunque de todas formas tiene unas características especiales para su uso.
Este beat se puede usar sin fines de lucro por consiguiente, hay que tener en cuenta los siguientes aspectos:
Para más información acerca de algún trabajo que quieras hacer, tales como beats, grabación, edición de audio, mezcla y masterización sigue las redes sociales del beatmaker:
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Para Donar en Paypal: https://bit.ly/2XO7mfqThe post Instrumental de Rap 90s – Real Hip Hop / Base de Rap Boombap Old School + Scratch (Real Hip Hop) first appeared on UndergroundHipHopBlog.
Source: UndergroundHipHopBlog.com
Check out one of Eminem‘s first ever recordings before the fame, “Backstabber”, a single by Soul Intent, Eminem’s first rap group.
The post “Backstabber”, One Of Eminem’s First Recordings first appeared on UndergroundHipHopBlog.
Source: UndergroundHipHopBlog.com
Check out one of Eminem‘s first ever recordings before the fame, “Backstabber”, a single by Soul Intent, Eminem’s first rap group.
The post “Backstabber”, One Of Eminem’s First Recordings first appeared on UndergroundHipHopBlog.
Source: UndergroundHipHopBlog.com
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“Love & Hip Hop” star Tahiry José is going flashback mode these days. The popular entertainer went online this week to share a glimpse into her past with a rare throwback shot.
Heading into the weekend, Tahiry Jose blew fans away with a must-see pic of herself alongside her sister. The Instagram post secured thousands of likes including a salute from A$AP Mob’s A$AP Ferg.
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“#FBF@thereallexiejose & yours truly
#bucketlow
” -Tahiry’s Instagram
In mid-April 2020, Tahiry went to her social media pages with some steamy content. One pic featured her holding onto a coconut in Cancun, Mexico.
“I THINK MY SOULMATE MIGHT BE COCONUTS!
“I can’t wait!
LINK IN MY BIO
”
Recently, Tahiry went online with a solo shot of herself. In the pic, she’s staring out of a window looking nothing less than thick-thick.
“Leveling up takes isolation, separation & extreme focus!
Now’s the time!!! LINK IN MY BIO” -Tahiry’s Instagram
Tahiry recently made heads explode courtesy of a throwback swimsuit pic. In the IG post, she is shown chilling in a pool and plugging her upcoming birthday plans.
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The post Joe Budden’s Ex Tahiry Proves She’s Barely Aged In Throwback Pic W/ Her Sister: “Bucket Low” appeared first on .
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In mist of the global Corona Virus pandemic causing fear that “Martial Law” is coming, classics songs like this is perfect to digest by Los Angeles underground Hip Hop veteran 2Mex off his “Fake It Until You Make It” Mind Clouders album released in 1999.
Source: UndergroundHipHopBlog.com
Rest in Peace Kobe Bryant who was also a dope emcee. While being Shaq‘s teammate in the Lakers winning 3 championships together, he laid down a legendary verse for Shaq’s album “Respect” in 1998.
Source: UndergroundHipHopBlog.com
Straight out of NYC, Harlem to be exact the Bar Queen Vaygez Blakk drops off some new bar work in her Banned From TV freestyle.
Source: UndergroundHipHopBlog.com
In the ears and minds of many Rap fans, Snoop Dogg’s 1993 debut may always be his album to beat. A keystone in the G-Funk movement, Dr. Dre and Doggy Dogg made a masterpiece while with Death Row Records. Doggystyle showed Snoop’s Rap peers some new moves on how to keep Hip-Hop funky and gangsta. However, it certainly was just the beginning of the legendary run of incredible music the Long Beach, California MC created. Snoop followed his debut with a series of thematic albums. He professed his innocence regarding a murder trial and took a sigh of relief when a jury did the same. Snoop traded Death Row’s red-carpeted offices for a bountiful seat within Master P’s No Limit tank. Calvin Broadus reunited with mentor Dr. Dre, announced when executives ate their “last meal” on his dime, and found new rhythms alongside Pharrell Williams and Chad Hugo. Snoop Dogg Reveals The Original Beat For “Nuthin But A G Thang” & Raps To It Snoop’s resiliency though really showed itself though during the early-to-mid-2000s. His post-No Limit run set the stage for a bunch of hit records beginning under Priority/EMI and at full speed when Tha Dogg Pound’s Doggfather signed with Geffen. His eighth solo studio album, 2006’s Tha Blue Carpet Treatment would relay the long journey of style and label changes and showcase all of Snoop’s best traits approaching the 15-year mark since the menacing “Deep Cover” introduction. While singles like “Vato” and “That’s That” got top billing, the album’s fourth and final single “Boss’ Life” would perhaps ultimately best stand the test of time. Over the previous decade, Snoop had made the transition of a street hustler to label star to entrepreneur. He paralleled these moves in his music, partially, because significant events showed Snoop that the illegitimate life wasn’t for him. He very nearly landed behind bars for a crime he maintains he did not commit. Snoop lost friend Tupac Shakur to gunfire and former boss/manager Suge Knight to prison. “Boss’ Life” was the pinnacle of owning his newfound persona and birthed two versions of the song, both receiving critical acclaim. Snoop was running his biz, his way. Snoop Claims Biggie Tried To Have Him Shot & Explains How They Made Peace (Video) Snoop enlisted Dr. Dre to produce the single. Akon is on the album version. However, the singer was replaced by Nate Dogg for the video. Notably, “Boss’ Life” samples “If Tomorrow Never Comes” by The Controllers and is a smooth testament to Snoop Dogg’s life as a top dog with this stretch of lyrics summing it up: “You know how the Dogg roll, don’t get it twisted / ‘Cause he bang out the East, just in case you wanna visit / A touch of the exquisite, mixed with somethin’ pimpish / And it’s comin’ from the Beach where them ni**as is a beast / But I just listen, all that sh*t is in my past / I’m connected to the purse first, n***a, the ass last / From Long Beach to Venice is the premise / Want the green like spinach and I’m strong to the finish.” Snoop Dogg boss’d up on Tha Blue Carpet Treatment, which stands as one of his best albums, and he’s made plenty of power-moves since. Snoop Says His Doggystyle Broke The Color Barrier For Gangsta Rap (Video) #BonusBeat: The Akon-assisted version of “Boss Life”:
Source: AmbrosiaForHeads.com
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On March 4, Keith Flint of the Electronic music group, The Prodigy, was found dead in his Essex, England home. Tragically, the 49-year-old took his life just one month after his final performance with the group.
The British collective crossed over into the mainstream upon the release of their third studio album, 1997’s The Fat Of The Land. The Prodigy made waves with the album’s singles, “Firestarter” and “Breathe,” both reaching #1 on the UK charts. Eventually, the band’s third single from the project, “Smack My B*tch Up,” found its way to the charts with an alley-oop from a nod to Hip-Hop innovators, the Ultramagnetic MCs.
Ced Gee, TR Love, Mo Love, and Kool Keith Thornton are all listed alongside Howlett as songwriters on the 1997 Dance hit. The chorus vocals placed on the multi-platinum record are sampled from Critical Beatdown‘s “Give The Drummer Some.” In an interview with HipHopDX contributor Dana Scott, Kool Keith and Ced also explain how the recognition and paycheck from another genre came at a really important time in their personal lives.
Keith remembers The Prodigy approaching him. “They had called me up. Liam [Howlett] was a great friend anyway.” Howlett co-founded The Prodigy with Maxim Reality, Leeroy Thornhill, and Flint, who served as dancer and vocalist.
Kool Keith Shows He Can Still Deliver Critical Beatdowns On A New Dr. Octagon Song (Audio)
Ced Gee follows, “Let me tell how he got his number. What happened was they were working with the president of Next Plateau, Eddie O’ Loughlin, at the time. He cleared the sample. So Eddie said, ‘Why don’t you just do it fresh with Keith?’ Because I was working at Next Plateau at the time as the head of A&R and we gave them Keith’s number, and that’s how the reach out became. That’s how they started working together.” Next Plateau, who put out Critical Beatdown, had also worked closely with Salt-N-Pepa, Paperboy, and Antoinette, in addition to a roster of Dance acts.
Kool Keith explains how friendship transcended collaboration. “I did shows with [The Prodigy] when the record [The Fat Of The Land] came out. I did one or two shows with them. One of them in New York and another, I think, in Melbourne, Australia. I was backstage with them and [Keith Flint] was a cool person. They had a lot of champagne, a lot of girls and cool Electronic music. That was a nice tour out there with them. And for the first time, it was good that I had real fun with those guys.”
Kool Keith, Dan The Automator & QBert Revive Dr. Octagon With A New Album & Single (Audio)
Later, Kool and Ced talk about other records The Prodigy used their lyrics for, and the compensation they received for “Smack My B*tch Up.”
Kool also recalls how the 1997 hit, which he and Ced received platinum plaques for, led to more work. “They had another album [Always Outnumbered, Never Outgunned] with the big lips on it where they sampled our stuff, too.” Those compositions included “Wake Up Call” and “You’ll Be Under My Wheels.” As Scott points out, Keith’s “Critical Breakdown” vocal (“I’ll take your brain to another dimension / Pay close attention“) was sampled for The Prodigy’s 1992 single, “Out of Space.”
DOOM & Kool Keith Are Otherworldly MCs. Their Latest Collab Is On The Moon (Audio)
Ced Gee, recognized for his revolutionary sample techniques, said the re-purposed music was a blessing. “I was under a levy from the IRS at that time. The ‘Smack My B*tch Up’ sample paid off the levy which was about $100,000. After it was over and all corrected, I still had $18,000. That’s how sweet that was. [Laughs] I got that, so imagine what [others] made.”
Keith expounds, “I never had to run around to chase that money, and I was provided for well. And I hope that band didn’t break up, but Keith was such an important person as the lead singer in the band. That’s like Michael Jackson in Jackson 5, Kurt Cobain [in Nirvana], so it’s kind of hard.” Recently, Lord Finesse, another Bronx O.G. whose vocal was used by British Electronic star Fatboy Slim, says he regrets the terms of licensing his material. That appears not to be the case for Ced and Keith. In the late ’90s, Keith was battling against Ruffhouse/Sony Records to release his Black Elvis album, which he discusses at length in the interview.
Biz Markie’s 30-Year-Old Springtime Anthem Is Still Fresh (Video)
Outside of remembering Flint and Prodigy, Kool Keith unveils an upcoming release of a new album he recorded with one of The Beatnuts. “I just did an album with Psycho Les that’s coming out. I got Paul Wall, Jeru The Damaja, Erick Sermon and B-Real from Cypress Hill on it. The two Ultramag’ co-founders also confirm upcoming work together.
On March 4, Keith Flint of the Electronic music group, The Prodigy, was found dead in his Essex, England home. Tragically, the 49-year-old took his life just one month after his final performance with the group.
The British collective crossed over into the mainstream upon the release of their third studio album, 1997’s The Fat Of The Land. The Prodigy made waves with the album’s singles, “Firestarter” and “Breathe,” both reaching #1 on the UK charts. Eventually, the band’s third single from the project, “Smack My B*tch Up,” found its way to the charts with an alley-oop from a nod to Hip-Hop innovators, the Ultramagnetic MCs.
Ced Gee, TR Love, Mo Love, and Kool Keith Thornton are all listed alongside Howlett as songwriters on the 1997 Dance hit. The chorus vocals placed on the multi-platinum record are sampled from Critical Beatdown‘s “Give The Drummer Some.” In an interview with HipHopDX contributor Dana Scott, Kool Keith and Ced also explain how the recognition and paycheck from another genre came at a really important time in their personal lives.
Keith remembers The Prodigy approaching him. “They had called me up. Liam [Howlett] was a great friend anyway.” Howlett co-founded The Prodigy with Maxim Reality, Leeroy Thornhill, and Flint, who served as dancer and vocalist.
Kool Keith Shows He Can Still Deliver Critical Beatdowns On A New Dr. Octagon Song (Audio)
Ced Gee follows, “Let me tell how he got his number. What happened was they were working with the president of Next Plateau, Eddie O’ Loughlin, at the time. He cleared the sample. So Eddie said, ‘Why don’t you just do it fresh with Keith?’ Because I was working at Next Plateau at the time as the head of A&R and we gave them Keith’s number, and that’s how the reach out became. That’s how they started working together.” Next Plateau, who put out Critical Beatdown, had also worked closely with Salt-N-Pepa, Paperboy, and Antoinette, in addition to a roster of Dance acts.
Kool Keith explains how friendship transcended collaboration. “I did shows with [The Prodigy] when the record [The Fat Of The Land] came out. I did one or two shows with them. One of them in New York and another, I think, in Melbourne, Australia. I was backstage with them and [Keith Flint] was a cool person. They had a lot of champagne, a lot of girls and cool Electronic music. That was a nice tour out there with them. And for the first time, it was good that I had real fun with those guys.”
Kool Keith, Dan The Automator & QBert Revive Dr. Octagon With A New Album & Single (Audio)
Later, Kool and Ced talk about other records The Prodigy used their lyrics for, and the compensation they received for “Smack My B*tch Up.”
Kool also recalls how the 1997 hit, which he and Ced received platinum plaques for, led to more work. “They had another album [Always Outnumbered, Never Outgunned] with the big lips on it where they sampled our stuff, too.” Those compositions included “Wake Up Call” and “You’ll Be Under My Wheels.” As Scott points out, Keith’s “Critical Breakdown” vocal (“I’ll take your brain to another dimension / Pay close attention“) was sampled for The Prodigy’s 1992 single, “Out of Space.”
DOOM & Kool Keith Are Otherworldly MCs. Their Latest Collab Is On The Moon (Audio)
Ced Gee, recognized for his revolutionary sample techniques, said the re-purposed music was a blessing. “I was under a levy from the IRS at that time. The ‘Smack My B*tch Up’ sample paid off the levy which was about $100,000. After it was over and all corrected, I still had $18,000. That’s how sweet that was. [Laughs] I got that, so imagine what [others] made.”
Keith expounds, “I never had to run around to chase that money, and I was provided for well. And I hope that band didn’t break up, but Keith was such an important person as the lead singer in the band. That’s like Michael Jackson in Jackson 5, Kurt Cobain [in Nirvana], so it’s kind of hard.” Recently, Lord Finesse, another Bronx O.G. whose vocal was used by British Electronic star Fatboy Slim, says he regrets the terms of licensing his material. That appears not to be the case for Ced and Keith. In the late ’90s, Keith was battling against Ruffhouse/Sony Records to release his Black Elvis album, which he discusses at length in the interview.
Biz Markie’s 30-Year-Old Springtime Anthem Is Still Fresh (Video)
Outside of remembering Flint and Prodigy, Kool Keith unveils an upcoming release of a new album he recorded with one of The Beatnuts. “I just did an album with Psycho Les that’s coming out. I got Paul Wall, Jeru The Damaja, Erick Sermon and B-Real from Cypress Hill on it. The two Ultramag’ co-founders also confirm upcoming work together.
Source: AmbrosiaForHeads.com
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@therealtahiry #RP #BeenBad #Sistasista #Fbf
#cancunmexico #teamtahiry #igotme #afrolatina
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