J. Cole is celebrating the women in Hip-Hop. Cole is the latest rap icon to sit with Kevin Hart for his Hart to Hart interview series on Peacock. During the conversation, the Dreamville leader highlighted the work women are putting in across the industry.
“It’s a whole different ball game,” Cole opened. “I’ve been feeling this for like maybe a year or two. I hate to say it cause it almost sounds like pandering, but I really do think like, man, it’s a lot of fire female rappers.
“You always had a Lil Kim, a Foxy, but there could never be more than one almost it felt like. Now, we’re getting moments and moments and moments. I think it’s hard.”
Those comments contrast those of Fabolous, who recently stirred controversy with his remarks regarding female rap. In an interview, he expressed his thoughts on the current state of female artists in the genre, drawing criticism from both fans and fellow artists. While some argue that his comments were taken out of context, others view them as perpetuating harmful stereotypes and undermining the progress made by women in rap music.
Fabolous suggested that female rappers are focused more on their image and sexuality rather than their lyrical prowess. He stated that female artists are using their sex appeal as a primary marketing strategy, which, according to him, overshadows their actual talent.
“Love hearing the female rappers talking some real sitt,” Fab said. “Women are so strong, have so many stories and perspectives that we need to hear in pure form.
“No disrespect to any of the female rappers out, but I think there’s only one style of female rap/hip hop being promoted, programmed, and looked at as successful now.”
These remarks ignited a backlash as many felt that he was disregarding the hard work and artistic abilities of female rappers who have achieved significant success.
Fabolous recently stirred controversy with his remarks regarding female rap. In an interview, he expressed his thoughts on the current state of female artists in the genre, drawing criticism from both fans and fellow artists. While some argue that his comments were taken out of context, others view them as perpetuating harmful stereotypes and undermining the progress made by women in rap music.
Fabolous suggested that female rappers are focused more on their image and sexuality rather than their lyrical prowess. He stated that female artists are using their sex appeal as a primary marketing strategy, which, according to him, overshadows their actual talent.
“Love hearing the female rappers talking some real sitt,” Fab said. “Women are so strong, have so many stories and perspectives that we need to hear in pure form.
“No disrespect to any of the female rappers out, but I think there’s only one style of female rap/hip hop being promoted, programmed, and looked at as successful now.”
These remarks ignited a backlash as many felt that he was disregarding the hard work and artistic abilities of female rappers who have achieved significant success.
Critics argue that Fabolous’ comments reflect a pervasive bias in the music industry that disproportionately scrutinizes and undermines women in rap. They assert that female artists are often subjected to heightened scrutiny regarding their appearance, sexuality, and lyrical content, while male counterparts are granted more leniency. This double standard perpetuates gender inequality and hinders the growth and recognition of talented women in the genre.
In recent years, the rise of female rap artists such as Cardi B, Megan Thee Stallion, and Nicki Minaj has shattered barriers and garnered widespread acclaim. These artists have dominated the charts and delivered exceptional lyricism and compelling storytelling in their music. Their success has demonstrated that female rappers are multifaceted artists with valuable contributions to the hip-hop landscape.
Moreover, female rap artists have used their platforms to address social issues, empower women, and provide representation for underrepresented communities. They have challenged traditional notions of femininity, unapologetically embraced their sexuality, and defied societal expectations. By doing so, they have paved the way for a more inclusive and diverse industry.
While Fabolous’ criticism sparked an important conversation about gender dynamics in rap music, it is crucial to recognize the achievements and contributions of female artists. The rap industry should continue encouraging and supporting talented women, providing them equal opportunities to thrive and succeed. By celebrating their skills, authenticity, and unique perspectives, we can foster an environment that cultivates the growth of female rap and promotes gender equality in the music industry as a whole.
Fabolous recently stirred controversy with his remarks regarding female rap. In an interview, he expressed his thoughts on the current state of female artists in the genre, drawing criticism from both fans and fellow artists. While some argue that his comments were taken out of context, others view them as perpetuating harmful stereotypes and undermining the progress made by women in rap music.
Fabolous suggested that female rappers are focused more on their image and sexuality rather than their lyrical prowess. He stated that female artists are using their sex appeal as a primary marketing strategy, which, according to him, overshadows their actual talent.
“Love hearing the female rappers talking some real sitt,” Fab said. “Women are so strong, have so many stories and perspectives that we need to hear in pure form.
“No disrespect to any of the female rappers out, but I think there’s only one style of female rap/hip hop being promoted, programmed, and looked at as successful now.”
These remarks ignited a backlash as many felt that he was disregarding the hard work and artistic abilities of female rappers who have achieved significant success.
Critics argue that Fabolous’ comments reflect a pervasive bias in the music industry that disproportionately scrutinizes and undermines women in rap. They assert that female artists are often subjected to heightened scrutiny regarding their appearance, sexuality, and lyrical content, while male counterparts are granted more leniency. This double standard perpetuates gender inequality and hinders the growth and recognition of talented women in the genre.
In recent years, the rise of female rap artists such as Cardi B, Megan Thee Stallion, and Nicki Minaj has shattered barriers and garnered widespread acclaim. These artists have dominated the charts and delivered exceptional lyricism and compelling storytelling in their music. Their success has demonstrated that female rappers are multifaceted artists with valuable contributions to the hip-hop landscape.
Moreover, female rap artists have used their platforms to address social issues, empower women, and provide representation for underrepresented communities. They have challenged traditional notions of femininity, unapologetically embraced their sexuality, and defied societal expectations. By doing so, they have paved the way for a more inclusive and diverse industry.
While Fabolous’ criticism sparked an important conversation about gender dynamics in rap music, it is crucial to recognize the achievements and contributions of female artists. The rap industry should continue encouraging and supporting talented women, providing them equal opportunities to thrive and succeed. By celebrating their skills, authenticity, and unique perspectives, we can foster an environment that cultivates the growth of female rap and promotes gender equality in the music industry as a whole.
Trae Tha Truth assembles some of the most impressive collaborations in all of Hip-Hop. The Houston, Texas native isn’t playing around with the release of “I’m On 3.0.” The third installment of the song keeps a tradition dating back to 2011 alive. It features T.I., Dave East, Tee Grizzley, Royce 5’9, Curren$y, Snoop Dogg, Fabolous, Rick Ross, Chamillionaire, G-Eazy, Styles P, E-40, DRAM, Gary Clark, Jr., and Mark Morrison. At a time when Rap came seem segmented by generations or geography, Tha Truth shows that great artists can share the light.
While the song dropped back in 2017, it understandably took Trae some time to make the video happen. He gets everybody in it, and shoots each artist in an elaborate, poised setting. Moreover, from Joe Budden to Tech N9ne to Mike Epps to Nick Cannon, Trae gets a series of additional cameos in the impressive visual. Trae says logistically it was tough, but worth it in the end. “Putting this cut together was like a sparring session, survival of the fittest lyrically,” he told Complex, who premiered the video. “Most importantly, this is a rare time that you will actually can see artists of various styles from the music industry in one video. The ‘I’m On’ series will always be historical.”
In the video, all the MCs rap their bars. However, the whole thing isn’t laid out like a freestyle. Each artist or singer take turns spitting bars over a beat containing DRAM vocals laid within it. Apart from the Rap appearances, the visual concludes with Nick Joseph, who is best known for the “oh no baby what is you doin’” meme that went viral in 2017, playing out another one of his scenarios.
Meanwhile, Snoop delivers one of the song’s longer verses, telling the story behind the song: “Wakin’ up, feelin’ good, rollin’ through the neighborhood /Do or die, every day, I lead ’em in a different way / I don’t take no mess, get it off of my chest I’ma be dressed to impress, no stress, fresh / Off the Eastside, Trae called me up and said ‘Unc’, I’ma need you on the B-side’ / So I came through-a, mic checked, one-two-a Gettin’ real funky, kinda smell like manure / Eight cars, eight stars / Return of the mack with these hot eight bars / Flip through it, dip through it / This is the sh*t that’ll make you get to it / Break down, give it up, pour it up / Now drink it up, roll it up / Light it up, how you feel, y’all? / See you in high definition with a mothaf*ckin’ real Dogg.”
Trae Tha Truth assembles some of the most impressive collaborations in all of Hip-Hop. The Houston, Texas native isn’t playing around with the release of “I’m On 3.0.” The third installment of the song keeps a tradition dating back to 2011 alive. It features T.I., Dave East, Tee Grizzley, Royce 5’9, Curren$y, Snoop Dogg, Fabolous, Rick Ross, Chamillionaire, G-Eazy, Styles P, E-40, DRAM, Gary Clark, Jr., and Mark Morrison. At a time when Rap came seem segmented by generations or geography, Tha Truth shows that great artists can share the light.
While the song dropped back in 2017, it understandably took Trae some time to make the video happen. He gets everybody in it, and shoots each artist in an elaborate, poised setting. Moreover, from Joe Budden to Tech N9ne to Mike Epps to Nick Cannon, Trae gets a series of additional cameos in the impressive visual. Trae says logistically it was tough, but worth it in the end. “Putting this cut together was like a sparring session, survival of the fittest lyrically,” he told Complex, who premiered the video. “Most importantly, this is a rare time that you will actually can see artists of various styles from the music industry in one video. The ‘I’m On’ series will always be historical.”
In the video, all the MCs rap their bars. However, the whole thing isn’t laid out like a freestyle. Each artist or singer take turns spitting bars over a beat containing DRAM vocals laid within it. Apart from the Rap appearances, the visual concludes with Nick Joseph, who is best known for the “oh no baby what is you doin’” meme that went viral in 2017, playing out another one of his scenarios.
Meanwhile, Snoop delivers one of the song’s longer verses, telling the story behind the song: “Wakin’ up, feelin’ good, rollin’ through the neighborhood /Do or die, every day, I lead ’em in a different way / I don’t take no mess, get it off of my chest I’ma be dressed to impress, no stress, fresh / Off the Eastside, Trae called me up and said ‘Unc’, I’ma need you on the B-side’ / So I came through-a, mic checked, one-two-a Gettin’ real funky, kinda smell like manure / Eight cars, eight stars / Return of the mack with these hot eight bars / Flip through it, dip through it / This is the sh*t that’ll make you get to it / Break down, give it up, pour it up / Now drink it up, roll it up / Light it up, how you feel, y’all? / See you in high definition with a mothaf*ckin’ real Dogg.”
