Lil Kim honored Voletta Wallace, the mother of The Notorious B.I.G., in an emotional post on Instagram. “We spent the last 9-10 years strengthening our relationship which if u know…
On this date in 1995, the hometown crew of Notorious B.I.G. aka Biggie Smalls, which was composed of Lil’ Kim, Lil’ Cease, Nino Brown, Chico Del Vec, Kleptomaniac, Capone, Bugsy and Trife and Larceny of The Snakes, who called themselves Junior Mafia, dropped their first album entitled Conspiracy Theory on the Undeas/Atlantic imprint.
With Biggie being one of the first East Coast artists to put his homies on from his Bed-Stuy block, Conspiracy Theory served up a suffix of hits featuring the “King Of NY,” which helped to further catapult his stardom, but introduce an entire crew of microphone astute Brooklyn kids that launched an entire movement of their own. JM also introduced a female emcee from BK that would forever change the landscape of Hip-Hop for women; Lil’ Kim.
Some of the sure shot singles from this monumental project include “Player’s Anthem” featuring Notorious B.I.G. and Lil’ Kim, “I Need You Tonight” featuring Biggie’s then-wife Faith Evans and of course the anthemic “Get Money”.
Salute to Junior Mafia, Lil’ Cease, Lil’ Kim, “Un” Rivera and the entire Junior Mafia squad for dropping this eternal Hip-Hop classic!
“The Ghost” Styles P from the legendary Ruff Ryders sat down on a recent episode of Scoop B Radio, and he discussed a ton of topics, including whether or not Jay-Z has ever lyrically surpassed the late Notorious B.I.G. As one of the most revered lyricists with a career spanning three decades, including his close relationship with Biggie, it’s safe to say that what Styles has to say is valid.
Around the 25-minute mark, Scoop asked if Hov ever surpassed Biggie lyrically, and Styles matter-of-factly replied, “No, I don’t. I don’t say anyone surpassed Biggie because Big didn’t have a fair shot to be around as long as he should’ve, and I believe he set the tone. I believe in hip-hop; we make too many comparisons, especially with people who are not around. I don’t think Jay-Z makes it to where he’s at; The L.O.X. makes it to where he’s at…a bunch of us, if it wasn’t for Big and ‘Pac setting a certain tone, standard and bar in the rap game for you to keep up to the bar.”
Styles delved into other topics, including his favorite producers to work with, his “Mount Rushmore” of MCs, who were Big Daddy Kane, Rakim, Kool G. Rap, and KRS-1, as well as a host of other topics related to Styles’ illustrious career.
Voletta Wallace has seen all of the discourse about Diddy in the past months and says she wants to “slap the daylights out of him.”
Speaking with Rolling Stone, Wallace stated the accusations, videos and more levied against Combs made her “sick to my stomach.” She added, “I’m praying for Cassie. I’m praying for his mother. I don’t want to believe the things that I’ve heard, but I’ve seen [the hotel video]. I pray that he apologizes to her.”
Wallace would also say, “I hope that I see Sean one day and the only thing I want to do is slap the daylights out of him.
“And you can quote me on that. Because I liked him. I didn’t want to believe all the awful things, but I’m so ashamed and embarrassed.”
The relationship between The Notorious B.I.G. and Diddy was reportedly not as glamorous as it seemed. In a new report from Rolling Stone, Biggie was in a legal battle with the Bad Boy mogul before his murder.
The report states Biggie was attempting to gain control of his career. Photographer Monique Bunn revealed Biggie “was absolutely about to leave Puff. I know for a fact, he told me that.”
The Notorious B.I.G. would get murdered, and with a Rolling Stone cover on the table at the time, former Bad Boy co-founder and president Kirk Burrowes suggested Biggie get the cover. Diddy declined that idea, wanting to take the moment for himself.
“I was telling Sean, ‘Let’s make it Biggie. You still have a chance [for a cover in the future],’” Burrowes recalled. “He’s like ‘No, he’s dead. I’m putting out [No Way Out] in July. I need to be on the cover of Rolling Stone.”
The cover is available below.
Former Bad Boy President Kirk Burrows details a time when Rolling Stone approached Bad Boy Records with a front cover opportunity after Biggie died, but Diddy selfishly refused to allow Biggie to be on the cover because he wanted to promote his solo album, "No Way Out".
The relationship between The Notorious B.I.G. and Diddy was reportedly not as glamorous as it seemed. In a new report from Rolling Stone, Biggie was in a legal battle with the Bad Boy mogul before his murder.
The report states Biggie was attempting to gain control of his career. Photographer Monique Bunn revealed Biggie “was absolutely about to leave Puff. I know for a fact, he told me that.”
The Notorious B.I.G. would get murdered, and with a Rolling Stone cover on the table at the time, former Bad Boy co-founder and president Kirk Burrowes suggested Biggie get the cover. Diddy declined that idea, wanting to take the moment for himself.
“I was telling Sean, ‘Let’s make it Biggie. You still have a chance [for a cover in the future],’” Burrowes recalled. “He’s like ‘No, he’s dead. I’m putting out [No Way Out] in July. I need to be on the cover of Rolling Stone.”
The cover is available below.
Former Bad Boy President Kirk Burrows details a time when Rolling Stone approached Bad Boy Records with a front cover opportunity after Biggie died, but Diddy selfishly refused to allow Biggie to be on the cover because he wanted to promote his solo album, "No Way Out".
On this day in Hip-Hop history, Notorious B.I.G. released his second album, Life After Death. The double LP was released posthumously by Bad Boy Records. Biggie, who was killed two weeks prior to its release, was nominated for three Grammy’s for this project: Best Rap Album, Best Rap Solo Performance for “Hypnotize” and Best Rap Performance by a Duo or Group for “Mo Money Mo Problems.”
Featuring artists like 112, Jay-Z, Lil’ Kim, Ma$e, Bone Thugs-n-Harmony, Too $hort and R. Kelly, along with tracks like “Kick In The Door,” “What’s Beef,” “Notorious Thugs,” “Ten Crack Commandments” and “Sky’s The Limit,” it can be said that Life After Death is one of the greatest rap albums of all time. The album hit #1 on the Billboard 200 chart and the US Top R&B/Hip Hop chart. It went diamond (that’s 10,000,000 copies sold) in the United States alone, double platinum in Canada, and platinum in the UK. Life After Death has also made appearances on top music charts across the globe. The album has been ranked by countless publications as one of the top rap and Hip-Hop albums of all time (The Source ranked it as #8 in 2005).
Salute to Diddy and the rest of the Bad Bot family for this timeless piece of Hip Hop history!
A confidant of the late Notorious B.I.G. and Junior Mafia member Lil Cease sat down with TMZ and broke his silence about the sexual assault, rape, and other related allegations made against his former boss at Bad Boy, Sean “Diddy” Combs. He also mentioned that there are no more unreleased songs made by Biggie.
When asked about Diddy’s $30 million sexual assault allegation filed by producer Li Rod and Cease responded, “At the end of the day, a lot of things is accusations. We don’t know if it’s true or if it’s not. I’m not the one to say what’s true and what’s not. But I hope everyone finds comfort, finds peace. And that’s how I see it.”
Hitamakarecently sat down with Superstar Jay onSiriusXM’s Shade 45 and during the interview, Hitmaka revealed that Diddy denied Conway The Machine a Notorious B.I.G. sample and later cleared it for his son King Combs. He also shared that King Combs’ song “Naughty” was initially Boosie Badazz’s record.
Hitmaka on Diddy, Conway The Machine & Boosie Badazz controversy
Superstar Jay: Would you do a record for Boosie?
Hitmaka: Of course. I’ve done records for Boosie. Christian Combs had a record called “Naughty” with Jeremih and I had just started working with Atlantic Records at that time and actually Boosie had that record first and no disrespect respectfully to Christian because we got a bunch of other records that went crazy too. I love Boosie’s version more and Puff called Craig Calvin and was like, “No, I need that record,” and this was when I first started working at Atlantic and Craig called me like, “What did you do to Diddy?”
Superstar Jay: Why do you always get controversy with Christian because the record that I love with A Boogie, Jeremih was Conway’s record. I remember Conway telling me even when I told you about it, he was like, “Man.” Puff was like, “F that.”
Hitmaka: No, no, no, but Puff will do that though. You know what I’m saying? Look, Boosie had that record first. Christian wanted that record. Jeremih gave it to Christian. We recorded the record with Boosie first at Jeremih’s house. I was excited about it. I’m like, “This is a hit.” Boosie was going crazy, snapped on it. Me and Jeremih ended up seeing Christian. He gave him the record. I was standing on it like, “Nah.” I just started working for Atlantic. This Boosie record, Boosie was on Atlantic, so I’m like, “Yo, this Boosie record.” Puff called Craig Calvin. Craig Calvin called me like, “Christian, what is going on? Why is Sean Combs calling me?” I’m like, “I don’t know what’s going on.” It ended up being Christian’s record. The Conway situation, in that record with Conway, I ended up sampling a Diddy song and he wouldn’t clear the record for us. He wouldn’t clear the record for nobody except his son and that’s why Christian Combs got that record too. Salute to Christian and Diddy though.
DJ Superstar Jay: VIP Saturdays airs on SiriusXM’s Shade 45 on Saturdays at 8:00pm ET and is available anytime on the SiriusXM app.
Source: The Billie Holiday Theatre / The Billie Holiday Theatre
A popular statue commemorating The Notorious B.I.G. will return to Brooklyn for a special exhibit on Black resistance and music in time for Black History Month.
Source: The Billie Holiday Theatre / The Billie Holiday Theatre
On Friday (Feb. 9), The Billie Holiday Theatre announced that it would be hosting Sky’s The Limit: Music Is My Resistance, a visual art exhibition. At the heart of the exhibition will be the striking statue dedicated to a beloved son of the borough, the late Christopher “The Notorious B.I.G.” Wallace aka Biggie. The statue, created by artist Sherwin Banfield, is entitled: “Sky’s the Limit in the County of Kings,” which will be present at the theatre for the duration of the exhibition.
The exhibition is slated to also feature smaller sculpted pieces from Banfield’s extensive portfolio of work in addition to paintings, prints and sculptures from a slew of other artists. All of the works will be displayed in the lobby of The Billie Holiday Theatre, located in Bedford-Stuyvesant only minutes away from where The Notorious B.I.G. grew up. The exhibition will open Feb. 15 with a reception featuring a Q&A session with Banfield. The Queens, New York, native will return to the theatre Feb. 28 for an artists’ talk on resistance with Hip-Hop icon and host of Video Music Box, Ralph McDaniels, and Hip-Hop historian Leroy McCarty. Sky’s The Limit: Music Is My Resistance will be free to the public for viewing until May 30.
“Music and the arts have always been a cornerstone of Black expression through which we get to authentically tell our stories. For this exhibition, we wanted to highlight how vital music has been to the Black experience as it relates to resistance and we wanted to do it in a way that was unique to Brooklyn,” said Shadawn Smith, The Billie Holiday Theatre’s executive director in the announcement. “With his Biggie sculpture as the centerpiece, Sherwin Banfield is the perfect collaborator to help us bring that vision to life.”
“The Notorious B.I.G. is the truest representation of Brooklyn. His poetry is peppered with mentions of Brooklyn throughout his short but impactful career. By immortalizing The Notorious B.I.G into a respected monument, we introduce a unique cultural and educational opportunity for his community and his millions of fans around the world to experience this monument in B.I.G.’s Bed Stuy neighborhood while showcasing a diverse representation of creativity here at The Billie Holiday Theatre,” Banfield said in the press release.
The sexual assault allegations against music mogul Sean Combsaka Diddy have overshadowed his contributions to music as of late, butthe Bad Boy head honcho recently spoke out against his accusers for the first time, sayimg “enough os enough”.
Rumors of Diddy’s sexual exploits have become the center of conversation when speaking about the 54-year-old producer/label head and now the back cover for Tupac’s Makaveli album has re-surfaced, which features an image of what appears to be Diddy in a dress.
The back cover to the 28-year-old album, created by Ronald “Riskie” Brent,. shows an animated image of the Notorious B.I.G. with the word “P.I.G.” on his head while Combs is shown in tights in what appears to be a ballerina costume.
The never-seen-before album art recenly made its way into the public eye after DIddy’s ever-evolving sexual assault saga that made headlines this year.