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Drake Reveals Financial Impact Of Feud with Kendrick Lamar

Screenshot 2024 11 27 at 9.37.39 PM

Screenshot 2024 11 27 at 9.37.39 PM

This is not how things go in a battle. Well, at least in Hip Hop.

Drake has taken his feud with Kendrick Lamar to a new level by filing a petition against his own label, Universal Music Group (UMG). On Monday, the rapper accused UMG and Spotify of launching what he described as a “campaign to manipulate and saturate the streaming services and airwaves” with Lamar’s global hit diss track, “Not Like Us.” The song, celebrated as a modern classic, topped charts worldwide and has become a cornerstone of Kendrick’s discography.

In his filing, Drake claimed that the overwhelming success of “Not Like Us” directly harmed him financially. “UMG’s choice to saturate the music market with ‘Not Like Us’ comes at the expense of its other artists,” the petition stated, notably emphasizing Drake’s own career impact. As the owner of his entire catalog’s copyright through his own company, Drake alleged that the label’s actions led to “economic harm” and diminished opportunities for his music to thrive.

The petition further argued that streaming and licensing operate as a “zero-sum game,” where the success of one song inevitably limits the success of others. Drake also accused UMG of retaliating against his inner circle, claiming the company terminated employees associated with or perceived as loyal to him. His legal team referred to the promotional tactics employed by UMG and Spotify as “schemes,” asserting that these efforts unfairly prioritized Lamar’s song at his expense.

Drake’s decision to pursue legal action has sparked controversy within the music industry. Critics and insiders have mocked the move, suggesting it validates Kendrick Lamar’s critiques in “Not Like Us.” Charlamagne tha God shared his thoughts on social media, calling the lawsuit a weak response to losing a rap battle. “Because you lost a rap battle? Come on, man,” Charlamagne wrote.

Meanwhile, Lamar’s affiliates, including Rapsody, Mustard, and TDE’s Punch, joined the chorus of criticism, accusing Drake of exhibiting behavior fitting of the song’s title. “This is exactly what ‘Not Like Us’ was talking about,” one commented.

As the legal drama unfolds, the feud between Drake and Kendrick Lamar appears to be reigniting on both personal and professional levels, adding a new layer of intrigue to their storied rivalry.

The post Drake Reveals Financial Impact Of Feud with Kendrick Lamar appeared first on The Source Magazine.

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Kendrick Lamar’s “Not Like Us” Named Third Best Song Of The Decade

Kendrick Lamar’s “Not Like Us” Retakes No. 1 on Billboard Hot 100

Kendrick Lamar’s “Not Like Us” Retakes No. 1 on Billboard Hot 100

Kendrick Lamar’s uber-popular “Not Like Us” diss track aimed at Drake has been named one of the three top songs of the decade…well, at least up to 2024.

Yesterday (Sept. 30), Pitchfork released a 100-song list from the “roaring 20s” of the 21st Century, described as “the greatest songs that moved culture, coined genres, and are still stuck in our heads.”

Lamar’s track, produced by DJ Mustard, is atop other Hip-Hop classics, including Lil Yachty’s “Poland”(#100), Ice Spice’s “Mumch” (#41), and Cardi B.’s “W.A.P.” featuring Megan Thee Stallion(#22).

Pitchfork‘s Alphonse Pierre wrote of their ranking: “Having contradicting feelings about Kendrick Lamar music isn’t anything new (hello, Mr. Morale & the Big Steppers), but ‘Not Like Us’ feels like one of the most complicated rap songs ever. No matter what you say about it, you will be a hypocrite in some way. Forcing you to consider your listening habits, like barely any Billboard chart toppers have before.”

Pierre added, “And like To Pimp a Butterfly’s ‘Alright’ on steroids, the phrase in the title of ‘Not Like Us’ was quickly commodified and absorbed into the cultural lexicon, turning what was initially Kendrick’s celebration of hip-hop culture and ousting of Drake from it into a branding opportunity chauffeuring Kendrick to the Super Bowl half-time show. That has gone on to soften the impact of ‘Not Like Us;’ one of the final nails in the coffin was Kendrick doing the track five times in a row on an Amazon stream. For that reason, giving it any larger cultural significance feels icky, though it will live on as the kind of omnipresent rap banger that doesn’t come along too often anymore.”

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