Tag Archives: Machacha

“Reek Havoc LP” Dives Deep Into The Musical Mastery Of Reek Osama & Machacha (Album Review)

In the ever-evolving landscape of hip-hop, artists continually push boundaries and redefine the genre. The latest addition to this movement is the collaborative masterpiece of Reek Osama & Machacha‘s, “Reek Havoc LP.” A project that seamlessly blends gritty lyricism, innovative production, and a star-studded lineup. Produced, mixed, and mastered by the talented Machacha, with executive production by Reek Osama, this album is a testament to their creative prowess and dedication to the craft.

The distinctive touch of Reek Osama’s style and delivery sets the tone for the auditory journey this project makes the listener follow. His executive production sets the stage for a project that promises to be nothing short of extraordinary. At the heart of the “Reek Havoc LP” lies the musical genius of Machacha, who not only produced the beats but also meticulously mixed and mastered each track. This hands-on approach ensures a sonic experience that is both cohesive and dynamic, showcasing Machacha’s versatility and technical prowess.

The LP features an impressive lineup of guest artists, including Estee Nack, Starz Coleman, Tre Eiht, Ca$hline, and Shottie. Each artist brings their unique style and perspective to the table, contributing to the album’s rich tapestry of sound and storytelling. A collab we want to highlight is Griselda Records Estee Nack‘s presence on the LP adding a layer of authenticity and raw lyricism. In “Mass Destruction” he provide a window into life’s realities, delivering a mix of introspection and gritty storytelling that resonates with listeners.

Reek Osama and Machacha have crafted a musical journey that celebrates collaboration, showcasing the best of each artist involved. With its diverse lineup, masterful production, and thought-provoking lyricism, this LP gets rated a 8/10. Available on all platforms, stream the project below!

Source: UndergroundHipHopBlog.com

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Ty Farris’ 9th Album “Malice at the Palace” Comes Through with a Incredibly Cohesive Basketball Concept (Album Review)

Ty Farris is a Detroit underground veteran who came up up under the name T-Flame & wound up being featuring on a lot of projects throughout the mid-2000’s until the very end of the decade. It was at that point where he started to put out solo stuff at a prolific rate by dropping 11 mixtapes, 8 full-length albums & 3 EPs. Standouts include the Room 39 duology & the No Cosign Just Cocaine series, the 5th & final installment of which finally arrived last month. But continuing to balance quality & quantity as always, Ty’s enlisting Danish producer Machacha behind the boards for his 9th album.

After the “Starting Lineup” intro, the first song “Dope Sales to Vinyl Deals” is a powerful opener to the album with T-Flame detailing how the long way that he came from whereas “Sign the Contract” has a more eerier route talking about a fine print on the street agreement. “Bleacher Report” has a spacey boom bap quality to it as the lyrics touch on trying to survive with suicidal thoughts with anonymous sources reporting live & direct leading into Dango ForlaineGuilty Simpson & Marv Won all joining forces for “4 Point Play” as they really show y’all who the bad boys really are with a suspenseful beat backing them.

Moving on to “Coke in the Locker Room”, we have Ty on top of some more bluesy production with a clever reference to the sample whilst touching on poverty on the lyrical front just before “Flagrant Fouling” returns to the boom bap as he & Mickey Diamond comparing this rap shit to the layup line when it comes to bars. The song “Karma’s the Referee” returns to a bluesier vibe providing y’all the best of him while the penultimate track “Strong Arm Aggression” with Waterr goes into rap rock turf as their chemistry is as strong as it was on their collab EP Bulls vs. Pistons a few years ago. “Bloodstains on the Jersey” ends things with a groovy instrumental & Ty pointing out people wanting to see blood since the gladiator days.

I remember watching the Malice at the Palace live on TV with my dad & my older brother right before I turned 8 years old with all of us being in amazed by what was unfolding in front of our very eyes & if you love basketball the way you love hip hop, then you’re gonna want to give this a listen. The themes of the sport are incredibly cohesive as the Detroit wordsmith rips it on top of what I consider to be amongst Machacha’s strongest batch of production to date. Looking forward to seeing him open up for Rome Streetz on the first night of the Kiss the Ring tour this upcoming Wednesday.

Score: 9/10

Source: UndergroundHipHopBlog.com

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