J. Cole brought the curtain down on the fifth and final Dreamville Festival with an unforgettable weekend that drew over 104,000 fans to Dorothea Dix Park in Raleigh. Held April…
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J. Cole brought the curtain down on the fifth and final Dreamville Festival with an unforgettable weekend that drew over 104,000 fans to Dorothea Dix Park in Raleigh. Held April…
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Once again, J. Cole has not chosen violence. He demonstrated grace and professionalism during his Dreamville Festival performance this weekend, choosing to acknowledge Kanye West’s influence on his career rather…
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J. Cole and his Dreamville team have revealed the official lineup for the fifth and final Dreamville Festival, set to take place April 5-6, 2025, at Dorothea Dix Park in…
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Retired? J. Cole? Nah, not yet, we hope! J. Cole was caught in traffic by a fan and took a picture. But his hoodie, reading “I’m Retired” by brand Vetements,…
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Remember when J. Cole started a blog, promising to keep messages out to his fans? Yeah, he hit a hiatus. But he’s back! Returning to the Inevitable Blog, Cole had…
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Joey Bada$$ wants smoke for everyone. After sending shots at the West Coast, Joey is back for more, but also has bars for J. Cole? The new single “Sorry Not…
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J. Cole explored his relationship with Kendrick Lamar on the latest episode of the Inevitable podcast.
Cole and Ibrahim “Ib” Hamad revealed their reaction to Good Kid, M.A.A.D City after hearing singles before the release in a studio session.
“When Kendrick’s album dropped, the journey got harder, the mountain got steeper,” Cole said. “Because similar to when [So Far Gone] dropped, where it was like, ‘Oh sh—t, there’s another person out there that has the same ambitions as me,’ it happened like that with Kendrick.”
He added, “It was a feeling of surpassment. It was two indicators that told me. His first-week numbers were more than mine. The other thing was we had a show where we were both on the same lineup… and I went before him and he went after me.”
Cole would play two unreleased collaborations with Lamar, dropping off “Shock the World” and “Temptation,” which can be heard here.
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J. Cole has returned with a new single, “Port Antonio,” and yes, he dived back into the Kendrick Lamar – Drake beef that he sidestepped.
In the final third of the single, Cole addressed exiting the beef and said he would not lose the beef.
I pulled the plug because I seen where that was about to go, they wanted blood, they wanted clicks to make they pockets grow/Wouldn’t have lost the battle, dog, I would’ve lost a bro, I would’ve gained a foe, and all for what?”
He also acknowledged Drake did a lot for his career, rapping “you’ll always be my n—a, I ain’t ashamed to say you did a lot for me, my n—a/Fuck all the narratives, tapping back into your magic pen is what’s imperative.”
You can hear the new single below.
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Gearing up to make a career-defining statement, multiplatinum Detroit rapper Tee Grizzley announced the arrival of his anxiously awaited next full-length album, Post Traumatic, which will be released on October 11.
Tee Grizzley also unleashes a new single entitled “Blow For Blow” featuring J. Cole, out now via Grizzley Gang/300 Entertainment. It notably marks his first collaboration with the two-time GRAMMY® Award-winning chart-dominating North Carolina rap superstar.
Produced by powerhouse Pi’erre Bourne [Drake, Playboi Carti], the track’s synth loop wraps around tense 808s. J. Cole sets the tempo by bodying the beat with raz0r-sharp rhymes. He urges to “proceed with throat-cut procedures,” going on to dispense wisdom, “Don’t trust rappers, ho, trust in Jesus.” An interpolation of a classic hook by The Notorious B.I.G. effectively passes the ball to Tee, who delivers a showstopping series of bars. He goes on to coronate himself, “I’m a king. You won’t see me drop no tears,” and steel his position as untouchable, “If this shit goes left, I’m pulling bread out the floor.” The music video seamlessly projects this spirit on-screen. This dynamic duo rap on top of a building against the New York skyline.
Meanwhile, Post Traumatic sees Tee open up like never before. Thematically, he addresses the effect of past traumas upon the present. Once again, he draws on real-life experiences from a place of wisdom and experience, presenting a blueprint for reform and new beginnings. Getting vulnerable, he also delivers the ultimate homage to Detroit and the Midwest.
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