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Today in Hip-Hop History: Black Moon Dropped Their Debut Album ‘Enta Da Stage’ 31 Years Ago

blackmoon

blackmoon

On this date in 1993, Buckshot Shorty, the 5 Foot MC amd DJ Evil Dee released their first full-length album, Enta Da Stage, in 1993 on Nervous Records. This is undoubtedly one of the most pivotal albums to the sub-genre now coined as “backpack rap”.

With total in-house production from Evil Dee and The Beatminerz’ Mr. Walt, Enta Da Stage tells the narrative of the gritty streets of Crown Heights, Brooklyn from the perspective of young, Black teenagers submerged in that environment. With a very cinematic feel, the album captures the essence of the unforgiving streets while maintaining its conceptual focus of using the music to magnify the environment. The album also introduced fans to the poetic, weed-puffing duo Smif N Wessun and Heltah Skeltah, the origin of the late, great Sean Price.

Recorded entirely in the world-renowned and now-defunct D&D Studios, tracks that propelled the project include songs like “I Got Cha Opin”, “How Many MCs”, which was powered by a KRS-One sample, and the lead single, “Who Got The Props?”, the track that would forever etch Black Moon in Hip Hop history.

Salute to Buck, Evil Dee, 5Ft., Mr. Walt, Dru Ha, and the rest of the Duck Down/Boot Camp Clik family for this timeless classic!

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Da Beatminerz’ 3rd Album & First in Almost 20 Years “Stifled Creativity” Sticks to Their Signature Sound (Album Review)

Da Beatminerz are a production duo from Brooklyn, New York consisting of brothers Mr. Walt & DJ Evil Dee. Widely recognizable for their affiliation with the Boot Camp Clik during the 90s, they managed to put out a full-length debut of their own Brace 4 Impak through Rawkus Records at the end of July 2001 & subsequently the April 2005 sophomore effort Fully Loaded w/ Statik. Nearly 2 decades later, the Dewgardes are reuniting to sign a deal with Soulspazm Records & releasing their 3rd LP after a string of singles building up anticipation for it previewing an intriguing list of guests.

After the “Live from Bushwick General Hospital” intro, the first song “Seckle” by KRS-One was the best single that I’ve heard from the Blastmaster in recent memory reminding the game that he don’t fight fair over a dusty boom bap instrumental whereas “Product” by Ruste Juxx eerily reminding y’all that’s what it’s all about at the end of the day. “Back in Style” by Ras Kass gives off that funky west coast energy in lieu of the waterproof MC himself making it clear Da Beatminerz are back at it again, but then “Champion” by Mickey Factz gets back on the east coast tip excelling in hopes of seizing the moment for clientele.

“Martial Law” by Apathy rawly declares that your whole block will get popped since he’s firing missiles over a piano-driven boom bap beat just before “Fear None” by Da Villins adds kicks & snares on top of a gospel sample advising to learn early so you don’t have to fear shit. “It’s All 4 U” by Halley Hiatt & Al Skratch fuses boom bap & R&B tackling themes of romance just before the passionate “Can’t Live Without It by Marquee & Monifah prior to another “Live from Bushwick General Hospital” skit showcasing their musical inclination rapping AND singing.

Black Moon gets together on “Anti” taking back to basics since maybe it’s been too long since their outstanding comeback album Rise of da Moon even though that was almost 5 years ago while “The Birds” by Bishop Lamont jumps on top of more kicks & snares showing off crazier flows. “Adore [H.E.R.]” by Keith Murray hypnotically picks up from there calling women the most beautifullest thing in God’s creation while “Where You From?” by Loaf Muzik for a decent hardcore anthem about being dressed to kill.

“B-Ville Pioneers” by Lil’ Fame & Steele unites 1/2 of both M.O.P. & Smif N Wessun to represent the Hell outta Brownsville while “Cheeba” by Camp Lo & Stahrr moves on from there with a chilled out theme for the smoker’s that is until “It’s All 4 U” remix swaps out Al Skratch’s verse in favor of a new one from AZ, outdoing the original. “100 Proof” by Ras Kass gets on some jazzy boom bap shit personifying alcohol & after a final “Live from Bushwick General Hospital” skit, “My Year” by De La SoulPharoahe Monch & Rasheed Chappell ends the album with everyone talking about the streets 1 last time.

Turns out Walt & Evil Dee have been working on Stifled Creativity for 15 years now in the midst of doing other things like DJing all over the world, it’s just that they were inching their way up to this point especially after the last Black Moon album. Now that we’re finally here, the duo are returning having a better grasp on reality when it comes to down to certain things & it makes a welcoming comeback. They both stick to their signature sound being the Boom Bap Ambassadors they are relying more on samples than Fully Loaded w/ Statik & a mostly solid guest-list.

Score: 8/10

Source: UndergroundHipHopBlog.com

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Today in Hip-Hop History: Black Moon’s Debut Album ‘Enta Da Stage’ Turns 30 Years Old!

blackmoon

On this date in 1993, Buckshot Shorty, the 5 Foot MC amd DJ Evil Dee released their first full-length album, Enta Da Stage, in 1993 on Nervous Records. This is undoubtedly one of the most pivotal albums to the sub-genre now coined as “backpack rap”.

With total in-house production from Evil Dee and The Beatminerz’ Mr. Walt, Enta Da Stage tells the narrative of the gritty streets of Crown Heights, Brooklyn from the perspective of young, Black teenagers submerged in that environment. With a very cinematic feel, the album captures the essence of the unforgiving streets while maintaining its conceptual focus of using the music to magnify the environment. The album also introduced fans to the poetic, weed-puffing duo Smif N Wessun and Heltah Skeltah, the origin of the late, great Sean Price.

Recorded entirely in the world-renowned and now-defunct D&D Studios, tracks that propelled the project include songs like “I Got Cha Opin”, “How Many MCs”, which was powered by a KRS-One sample, and the lead single, “Who Got The Props?”, the track that would forever etch Black Moon in Hip Hop history.

Salute to Buck, Evil Dee, 5Ft., Mr. Walt, Dru Ha, and the rest of the Duck Down/Boot Camp Clik family for this timeless classic!

The post Today in Hip-Hop History: Black Moon’s Debut Album ‘Enta Da Stage’ Turns 30 Years Old! first appeared on The Source.

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Today in Hip-Hop History: Black Moon Drops Their Debut Album ‘Enta Da Stage’ 28 Years Ago

Screen Shot 2021 10 19 at 2.08.15 PM

On this date in 1993, Buckshot Shorty, the 5 Foot MC amd DJ Evil Dee released their first full-length album, Enta Da Stage, in 1993 on Nervous Records. This is undoubtedly one of the most pivotal albums to the sub-genre now coined as “backpack rap”.

With total in-house production from Evil Dee and The Beatminerz’ Mr. Walt, Enta Da Stage tells the narrative of the gritty streets of Crown Heights, Brooklyn from the perspective of young, Black teenagers submerged in that environment. With a very cinematic feel, the album captures the essence of the unforgiving streets while maintaining its conceptual focus of using the music to magnify the environment. The album also introduced fans to the poetic, weed-puffing duo Smif N Wessun and Heltah Skeltah, the origin of the late, great Sean Price.

Recorded entirely in the world-renowned and now-defunct D&D Studios, tracks that propelled the project include songs like “I Got Cha Opin”, “How Many MCs”, which was powered by a KRS-One sample, and the lead single, “Who Got The Props?”, the track that would forever etch Black Moon in Hip Hop history.

Salute to Buck, Evil Dee, 5Ft., Mr. Walt, Dru Ha, and the rest of the Duck Down/Boot Camp Clik family for this timeless classic!

The post Today in Hip-Hop History: Black Moon Drops Their Debut Album ‘Enta Da Stage’ 28 Years Ago appeared first on The Source.

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J. Period Aims To Create Live Mixtape With Legends, Instead Makes Classic Concert Experience

Producer and DJ, J. Period has a track record that can’t be denied. He knows what joints are Party starters. He has the vernacular of musicology that in both inter generational, transcends race/ social class and sonically verbose. Alas he is the last of a dying breed of musician (yes, this writer believes djs are musicians) that can rock any crowd, but has chosen to be faithful to the cultural roots that wooed him into the soil of Hip-Hop. Without a doubt, he is unapologetically down with the classics and clearly effing with true spitkickers.

So when the announcement was made he was doing a mixtape with three of rap musical giants, Pharoahe Monch, Black Thought and Rakim, fans were certain that history was gonna be made.

And it was…

Black Moon’s dj, Evil Dee warmed the crowd up with classics during his super energized set. People from every walk of life danced and sang/rapped to the 80’s and 90’s hits as each breakbeat took you back to The Tunnel, Red Zone or the Limelight.

When the Voice of God assured the restlessly anxious audience that the show would start in 10 minutes, folk got giddy. Edging their way to the front, their faces anticipated the magic that these three emcees on one stage promised. And then it happened…. Right before our eyes the whole energy shifted (which is what concerts are supposed to do… shifted the energy of the fan).

Pharoahe Monch hopped on the stage spitting hits from his Organized Konfusion days, as well as his Rawkus tenure. Monch is one of the most underrated emcees around (people get caught in his lyricism to give him the props for being so explosive on stage). In his set, he introduced a talented goddess of a sister named Maimouna Youssef (aka MuMu Fresh) who remained on and off set all night lending her majestic vocals and rhyme styling to the magic of the evening.

As his set ended, Smif-N-Wessun took center stage. Scratch that, they took the stage and shot up the place with a furry of hits that made The Cocoa Brovaz the jewel of the Duck Down massive. Bombastic describes their performance. Bold and blatantly Brooklyn rude boy. Steele with his playful showmanship and. Tek with his rugged grasp of wordplay kept cheers intermixing w J. Period’s clever reconstruction of these classic jams.

But despite how mega Smif-N-Wessun’s set was, their moment was topped by Dres from Black Sheep who single handedly mesmerized The crowd with only two joints. Did you hear me… only two joints.

From the time that “For a second, I reckon, I got ya double checking… Then again when to your needs did I beckon?” the people lost their minds. It had been so long since anyone has seen Dres rock the mic and he did not disappoint. The sing songy verses  in “Flavor Of The Month” of this 90s joint did not lose any of the razzle dazzle after 20 years. Dres also has not rusted (though noticeably grey). By the time he got to “The Choice is Yours,” the audience became orgasmic. But like a teasing lover…. he was not satisfied with how the crowd held back on their climax.
In disbelief the shouted out that the crowd was missing what was really happening… that this was history… and gave some an out for being too young to appreciate the mandatory choreography that goes with the chorus and pulled Chi Ali out to do a complete rewind. After rewinding, the start up was the blast that he was itching to get. “Engine. Engine. Number 9. On the New York transit line. If my train goes off the track… pick it up, pick it up, pick it up!” The place went crazy. The show could have ended there and we would have been happy… especially since he had a special guest hype man, an adult Chi Ali.
 Sensory overload started to set in. Thank God for artist Peekaso, who right before our eyes, painted a portrait of Pharoahe Monch, Black Thought and Rakim. His gifts allowed us an organic alternative that help folk catch their breaths and collect their minds after being so caught up in the ecstatic cornucopia curated by J. Period.
Black Thought was next up on the live mixtape experience. Sans the Roots crew, he pushed out joints after joints. But what made him knock heavy was his tribute to old school forefathers that influenced. A true emcee knows when to pull those kinds of tricks out the bag to give his fans something new and innovative. There must be something in the Schuylkill Punch, because each word had the same intensity as his legendary freestyle on Flex. Plus… he was fly… them boots my “g.” Out of his performance his imitation of the late great Guru’s voice was breathtaking. As an engaged Yasiin Bey watch from behind J. Period who was getting busy on the tables and beat machines, Tariq gave a performance that displayed lyricism, showmanship and crowd control. It was so good, it should have solidified him in your top 5 greatest rappers ever.
By this time, the artist Peekaso’s masterpiece was almost complete.
This meant only one thing: Rakim is about to have church. Dressed in the most buttered blinged-out Pelle Pelle, he epitomized what we believe is 1980’s street hustle. Performing (what could be said is) the diamond dusted soundtrack of a certain segment of Hip-Hop, the venue quaked with headnodding, neck-wopping GenXers. The crowd erupted when he brought out his partner in crime, Eric B. Rakim really didn’t have to do that much work because the audience showed so much love, recited his rhymes for it. For many, just having him there was enough. People wanted to give back the love that he has give through lyric and rhyme for so many years.  Rakim is said to be on everyone’s rap Mt. Rushmore. Nas has said that he influenced him. Few people will say that his rhyme pattern did not influence them. J. Period’s live mixtape showcased why. Rakim is simply the greatest rapper to ever touch the mic.
When the live mixtape drops fans who weren’t there, will experience much more than a good album. They will feel what it felt like to live through 1988 – 1999, during an era of rap when giants where born. J. Period, you did it again.

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