Tag Archives: Bukshot

Bukshot Fills the Shoes of an “Antagonist” (Album Review)

Louisville, Kentucky emcee & Mobstyle Music founder Bukshot subtly dropping his 10th studio LP. From his lengthy solo discography to the groups & duos that’s formed with some of the biggest names that the underground has to offer, there’s no question that dude’s been putting it down for the culture for a grip at this point. Double Dragon had reunited a couple months ago for their sophomore effort Big Trouble with Double Dragon heavily inspired by the movie Big Trouble in Little China & is finally releasing Antagonist exactly 6 months to the day as Boondox’ most recent EP Black Winter.

After the “Villadictorian” intro, the first song “Bad Guy” produced by none other than MIKE SUMMERS a.k.a. 7 opens with a trap beat talking about being a villain whereas “I Was There” featuring Ill Bill goes for boom bap vibe to discuss never being afraid of the outcome & buckin’ at opps at every opportunity. “No More Fight” keeps it in the basement instrumentally finding his mind drifting further as time goes on leading into “Martyrs” bringing a doomsday atmosphere talking about handling business.

“All I See is Red” featuring Str8jaket likens themselves to the inaugural IWGPヘビー級王座, former 12-time WWE world champion, WWE tag team champion, 2-time WWE Hall of Famer & Real American Beer founder Hulk Hogan alongside fellow WWE Hall of Famer Eric Bischoff in light of their new promotion Real American Freestyle (RAF) Wrestling holding it’s first show in a couple months just before “Darkest Night” dastardly talks about wanting to see the sun rise.

Jamie Madrox joins Buk on the cavernous trap single “Tear It Off” to talk about being in a standoff & burning the whole place down because their enemies don’t wanna stand tall while “My Woods, My Rules” after the “Hanzel & Gredel” skit morbidly portrays himself as a serial killer riding in a cabin in the forests. “Turbulence” featuring the Lune Squad & Str8jaket unites the quartet over some hellish background vocals talking about being living nightmares & “Chess” finishes with 1 last trap joint checkmating these heretics.

In the context of this being labeled as the first act of the Antagonist series, that tells me we’re more than likely getting a sequel or two at some point down the road & I wouldn’t mind that since the beginning entry of it has gotta be the the most I’ve enjoyed a Bukshot solo project in a while. Maybe even surpassing Weirdo as my new favorite of his. 7’s production on this one balances boom bap & trap as opposed to his recent output with Buk focusing more on the latter subgenre with the Mobstyle founder showing a villainous side to himself.

Score: 9/10

Source: UndergroundHipHopBlog.com

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Double Dragon’s 2nd Album “Big Trouble with Double Dragon” Reminisces Over the 80s (Album Review)

This is the sophomore effort from underground superduo Double Dragon. Consisting of Louisville, Kentucky emcee & Mobstyle Music founder Bukshot as well as San Jose, California goth hop pioneer Kung Fu Vampire respectively, these guys made their eponymous debut as a unit in the beginning of 2021 taking their chemistry to new heights after making a name for themselves individually for the past few decades & collaborating with one another on several instances. 3 years later, they’re reforming to break down the Big Trouble with Double Dragon.

After the “Dragons of the Black Pool” intro, the first song “Big Trouble” produced by MIKE SUMMERS a.k.a. Seven works in a Chinese sample & elements of horrorcore getting pleasure of tasting blood whereas “Ruthless” ominously talked about the ruthlessness of the duo that has been absent for 4 long years. “Out the Mud” featuring C-Mob reflects making it after coming from absolutely nothing just before “Creatures” talks about leaving the Double Dragon imprint in your forehead when it’s all said & done.

“Nemesis Me” hooks up a prominent vocal sample during the hook breaking down the concept of being your own worst enemy leading into “Mushroom Clouds” talking about having a blast & turning the speakers all the way up loud. “Gods of War” featuring Str8jaket dabbles with trap metal letting it be known we’re in the middle of the apocalypse while “Lurkers” talks about Double Dragon being creators & advising to respect the shooter.

As for “In the Void”, we have Bukshot & Kung Fu Vampire wickedly discussing the clouds turning black & hearing white noise until “Where the Pieces Fit” brings Buk Norris at the altar looking for forgiveness figuring put the placements of these metaphorical puzzle pieces. “Sun Don’t Shine” featuring Gorilla Voltage brings both duos together to bring karma on your doorstep, but then “Cooler in a Coffin” suggests one would look better off dead.

“Never Say Die” hooks up these pianos & bells throughout that I find to be pretty infectious asking to be taken back during the days of Saturday cartoons during the 1980s while “Black Smoke” warns where those who’ll be disrespecting the Double Dragon will be taken. “Stranger Things” featuring Joey Cool closes Big Trouble with Double Dragon by homaging the Netflix series in honor of its upcoming 5th & final season.

When you look at the fact that both members of Double Dragon grew up in the 80s, it only makes sense for them to do a sophomore effort inspired by the film Big Trouble with Little China because the listening experience will be enhanced for anyone who’s seen that movie. Any huge fan of 1980s pop culture & hidden Easter eggs can say it does a little extra for you if you familiarize yourself with the movie on top of Seven’s quality production & the chemistry feeling tighter.

Score: 8/10

Source: UndergroundHipHopBlog.com

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Blaze Ya Dead Homie & Bukshot Walk Us Down the “Blockwork Morgue” Prod. by MIKE SUMMERS a.k.a. Seven (EP Review)

Here we have a brand new collaborative EP between alongside Detroit, Michigan emcee Blaze Ya Dead Homie & Louisville, Kentucky emcee Bukshot. One of whom broke out within the underground by signing to the Insane Clown Posse’s very own label that runs beneath the streets Psychopathic Records for his 2000 eponymous debut EP & the full-length debut1 Less G n da Hood, with the other notable for founding Mobstyle Music. Both of whom have collaborated with each other numerous times in the past & are taking it further with Blockwork Morgue.

After the “Night at the Morgue” intro, the first song “Blockwork” produced by MIKE SUMMERS a.k.a. Seven starts with an off-the-wall trap heater explaining the way shit works around the block whereas “Panicking” featuring Jamie Madrox delves further down the hardcore rabbit hole altogether getting everyone against them in panic mode. “Do It” fuses boom bap & rap rock talking about how they was out in the streets pushing weight while the grisly “War Story” addresses the people who want beef with them.

“J.A.F.U.D. (Just Another Fucked Up Day)” featuring Monoxide on the remix puts some rap rocks influences up on display as the official closer of the EP talking about going through another stale day & the remix of “Take an L” featuring Drive-By off Helter Skelter: The Accomplices II includes a new verse from Boondox that can hang with the original highlight from that previously mentioned album in Buk’s discography.

Buk’s been teasing this EP for almost a couple months now & I’m happy that he decided to finally put it out after a phat opening set at the St. Andrew’s Hall basement The Shelter for the release party of the House of Krazees’ reunion LP 31 last night. Seven’s production doesn’t miss & both MCs elevate their chemistry by colliding 2 unique worlds in the underground wicked shit scene to start Devil’s Night 2024.

Score: 8/10

Source: UndergroundHipHopBlog.com

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Celebrate Halloween in Detroit with House of Krazees, Twiztid & Insane Clown Posse

This time of the year is usually a big deal in Detroit, Michigan for underground heads & juggalos altogether. This year’s Fright Fest hosted by Majik Ninja Entertainment will be a 2-night event at the historic St. Andrew’s Hall & it’s basement The Shelter celebrating the House of Krazees’ release of their 4th album 31 tonight with the openers being Long Live Evil founders Alla Xul Elu, Mobstyle Music founder Bukshot, Dark Lord Vader King Gordy from Van Dyke & Harper, Mastamind of Natas, Anybody Killa performing a special Native Funk set, The Michigan Misfits & NBK followed by the demented duo themselves Twiztid consisting of Jamie Madrox & Monoxide headlining their annual Devil’s Night show tomorrow alongside Blaze Ya Dead Homie, Anybody Killa, Boondox, Insane E & The Funeral Portrait opening. The Shelter is notable for being one of the first stages that Eminem ever performed & the main building St. Andrew’s saw him opening for House of Krazees in 1997, which subsequently lead to both the Quincy Jones of hip hop himself Dr. Dre signing Em to Aftermath Entertainment/Interscope Records & Twiztid signing to Psychopathic Records after HoK had initially dissolved following the formation of HaLFBrEED a year later.

The 31st annual Hallowicked will be taking place at the Masonic Temple on Halloween this Thursday with performances from their former mentors & Psychopathic Records founders Insane Clown Posse consisting of the Duke of the Wicked Violent J & the Southwest Strangla Shaggy 2 Dope, who severed ties with MNE at the beginning in 2017 with the CEO of their Chapter 17 Records subsidiary Ouija Macc opening alongside Shaggytheairhead, Wakko the Kidd & Monster Wolf to cap off the Train of Terror Tour & begin Ouija’s upcoming Kicc da Wickit Tour with C17 recording artist Darby O’Trill as a special guest. ICP’s even doing a 80s hair metal set at The Majestic on Devil’s Night shortly after a pay-per-view put together by their Juggalo Championship Wrestling (JCW) promotion on the independent circuit that same evening, to which Violent J serves as the Commissioner of.

Source: UndergroundHipHopBlog.com

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Bukshot Rings in Friday the 13th with “When Hell Freezes” (EP Review)

This is the 18th EP from Louisville, Kentucky emcee & Mobstyle Music founder Bukshot. From his lengthy solo discography to the group & duos that’s formed with some of the biggest names that the underground has to offer, there’s no question that dude’s been putting it down for the culture for a grip at this point. He just dropped the ferocious Never Safe last spring prior to his appearances at Astronomicon around that same time & is now seeing fit to put When Hell Freezes up on DSPs in light of Friday the 13th.

After the “Kafkaesque” intro, the title track truly opens up the EP with a cinematically haunting instrumental courtesy of 7 airing out those who want him out of the game prior to the almighty Alla Xul Elu & Lo Key tagging along for the apocalyptic trap banger “Rise Up” talking about running this shit from underneath. Stevie Stone comes into the picture for the cavernous “We Was” looks back to the days on the block while the song “Chant” with the Super Famous Fun Time Guys sees the trio over some kicks & snares talking about having these ways of crushing their dreams. The penultimate track “Death Dance” with the Lune Squad has a more morbid trap flare to it confessing they see their skeletons dancing & the Godsynth-produced “Beat ‘Em Up” ends with The Underground Avengers linking up with Zitro for a fight anthem.

Mobstyle have been rightfully experiencing a rise in popularity within the underground wicked shit scene within the last 3 years & if this is how Buk’s gonna ring in 2023, then it only increases my anticipation for what Mobstyle has coming down the pipe such as Cabal’s sophomore album The Bottomless Pit & of course The Horde’s eponymous debut. The production’s knocking, nearly every feature comes correct & Buk sounds as ruthless as before.

Score: 8/10

Source: UndergroundHipHopBlog.com

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The Horde Announces Debut Album “The End is Nigh”, Unveils “Grimace”

Southern underground duo The Horde gears up for their full-length debut The End is Nigh dropping next year with the new song “Grimace”.

Source: UndergroundHipHopBlog.com

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The Horde Announces Debut Album “The End is Nigh”, Unveils “Grimace”

Southern underground duo The Horde gears up for their full-length debut The End is Nigh dropping next year with the new song “Grimace”.

Source: UndergroundHipHopBlog.com

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The Berzerkers’ Eponymous Debut EP Shows Great Chemistry Between Bukshot & Mr. Grey (EP Review)

The Berzerkers are a newly formed underground duo consisting Louisville veteran Bukshot & Gilroy’s very own Mr. Grey. First time they worked with each other was a decade ago when Buk hopped on “Ruthless” off of Grey’s solo debut Remain Raw alongside the latter’s former Gorilla Voltage cohort ClockworC as well as Insane Loc. They’re also 2/3 of the trio Cabal with Lo Key, whose well received full-length debut The Watchers just celebrated it’s 1-year anniversary recently & The Berzerkers are properly introducing themselves in the form of a debut EP.

After the “Solomon Says” intro, “Death Circus” is a cavernous opener daring listeners to step inside whereas “Oxygen Thieves” morbidly talks about those not deserving to breathe the same air as them. “Dark Path” has a more futuristic sound to it confessing that the road they’re traveling is deep underground while the track “Bottomless” by Cabal is a deranged prelude to the trio’s sophomore effort The Bottomless Pit coming next summer. The penultimate song “Red Team” returns to a more daunting route talking about how no one can fuck with them & prior to the “Upon Activation” outro, “Bullet Catcher” ends the EP with a petrifying trap banger getting murderous lyrically.

My expectations for this were very high considering how much I enjoyed Operation: Delirium & even though you can’t go wrong with either one, I’d have to say The Berzerkers a tad bit more. Buk & Grey ping off each other very well lyrically with Seven going for a more rawer sound in comparison to the range of sounds he displayed on Grey’s latest EP.

Score: 9/10

Source: UndergroundHipHopBlog.com

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“Never Safe” Finds Bukshot at His Most Ferocious (EP Review)

Bukshot is a 47 year old MC from Louisville, Kentucky who’s been around for a quarter of a century at this point whether it be his lengthy solo discography or groups/duos with some of the biggest names that the underground has to offer. The last we heard from him on his own was Night of the Zombie back in the fall & in light of his appearances at Astronomicon this weekend, he’s enlisting former Strange Music in-house prouder Seven behind the boards for his 17th EP.

After the “Under the Surface” intro, the title track kicks off the EP in his wicked shit bag down the thrilling instrumental whereas “Asleep” works in some pianos to diss the woke. “Role Mode” goes into cloudier territory getting more vulnerable lyrically just before “Molotov” mixes keys with guitars showing motherfuckers that he’s a problem. The song “Hog-Tied” has a more dramatic aesthetic to it declaring his lack of respect for anyone who plots against him while the penultimate track “Round Here” ghoulishly cautions everyone not to stop coming around his turf. “Alright” then closes out the EP by incorporating elements of orchestral brushing off his haters.

Now 2021 had to be one of if not the biggest year in Mobstyle Music’s history & for this to be the label’s way of keeping the ball rollin’, I’m highly impressed. Buk sounds incredibly ferocious on the mic & on top of that, Seven production is absolutely chilling & compliments the aggressive bars very well.

Score: 8/10

Source: UndergroundHipHopBlog.com

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Cabal – “The Watchers” (Album Review)

Cabal is a newly formed supergroup consisting of Bukshot, Lo Key & Mr. Grey. Up to this point each of the members have worked with one another, but we haven’t heard them all together at once. Bukshot just dropped Double Dragon’s self-titled debut with Kung Fu Vampire back in February & just about a month ago, Lo Key put out a his Metanoia EP paying homage to nu metal. I also loved Gorilla Voltage’s 2 albums through Majik Ninja Entertainment (especially Gods & Claws), so I’m very excited to see what they trio are gonna pull off on this debut album of theirs. Especially since they got Seven behind the boards for the whole thing.

After the “Monolith of Xaos” intro, the first song “Horn of Hades” is a heinous look at the trio having crazy thoughts as of late whereas “Shadow People” goes into a trap direction talking about being stuck in a familiar place. The title track works in some haunting synth melodies saying they don’t like what they see & after the “Dark Assembly” skit, the trio come back to in action to proclaim themselves as “Death Merchants”. Meanwhile on “The Spawning”, we get a dastardly depiction of Cabal being Hellspawn just before taking listeners through their inner turmoils on the petrifying “Madness in Me”.

I think “Devil Inside” has the best hook on the entire album as the trio speak on something in them wandering the darkness spiritually & after the “Offering of Souls” skit, the song “Don’t Go in the Basement” works in some organ & synth melodies to paint a picture of Hell. The penultimate track “Maelstrom” with the Super Famous Fun Guys & the Venomous 5 finds the 10 emcees aggressively proclaiming themselves as the wickedest creatures, but then “Phanchasm” ends the album by talking about learning things you should never learn.

If you loved the Double Dragon album, then you might enjoy The Watchers just as much it not more. All 3 of the members have great chemistry with one another & Seven just knocks it out of the park in terms of the overall sound of it.

Score: 9/10

Source: UndergroundHipHopBlog.com

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