Grindset Motivates Listeners to Stay Alive & Rightfully Enjoy Their Self-Titled Debut (Album Review)

Grindset is a MC/producer duo from Detroit, Michigan consisting of Fatt Father on the mic & DJ Jewels behind the boards. Both of whom have been putting it down for the city for a little over 2 decades now & have actually worked with each other a little bit in the past, but are now forming like Voltron & delivering a self-titled debut.

“Mindset = Grindset” kicks off the album with some strings & a vocal sample to spit that organic boss talk whereas “Get ‘Em” takes a grimier route keeping them shook. “Welcome to the Eastside” goes into soulful territory describing what it’s like in titular part of Detroit, but then “Bar After Bars” flips “After Laughter (Comes Tears)” by Wendy Rene urging everyone to watch how he does it right lyrically.

Meanwhile on “I’m the One You Call”, we have Fatts over some more crooning samples calling out people who be shit-talking 1 minute & needing something the next leading into Twin Towers coming together along with Trick-Trick for the solemn “Used to Be” talking about being used. Finale comes into the picture for the rugged “Tried & True” talking logistics just before the vibrant “These Heaux” talks about not having time for such.

“I’m Not the One” shoots for a more tranquil aesthetic describing how crazy the love of his life can be while “NoMoe” atmospherically talks about not letting stress consume him any longer. The song “Son & Eye” with DJ Oreeyo marks a return to the boom bap to tag team ‘em lyrically like father, like son while the penultimate track “Go Mode” with Oba Rowland is a grim trap banger talking about the titular headspace. “Tops New Tenant” then sends off the album by declaring himself as such over a lounging instrumental.

If this is just the beginning of Grindset, then I’m very much looking forward to hearing what they have in store down the road because this is a highly impressive debut from the duo. I admire how they give off a more traditional hip hop sound & coat it with a modern texture along with the range of moods that each cut puts me in.

Score: 9/10

Source: UndergroundHipHopBlog.com

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Horrorcore Veteran Insane Poetry is Still Killing the Game with “Violent Art” (Album Review)

This is the 9th full-length album from Los Angeles horrorcore pioneer Insane Poetry. Originally composed of 6 members members from 1988-2003, the named would be carried on solely by their Day 1 frontman Cyco ever since. But since 2010, he’s made himself quite at home with Lyrikal Snuff Productionz. Especially his last album Wicked Killagraphy a year & a half ago, which is already being followed up by Violent Art in light of The Generations of Snuff Tour.

“Museum Stabbing” is a soulfully produced opener thanks to the homie Dead Heat with Insane Poetry talking about how there’s no limits to this kind of art which I respectfully agree with to a certain extent, but then “I Wrote a Book About It” works in a misty boom bap instrumental telling the listeners what he did to leave them under the Earth or to make your jugular squirt. Donnie Menace tags along for “I Spent a Whole Summer” shoots for a more cinematic approach in terms of sound to talk about strategizing whereas the Cody Manson assisted “8 Weeks” returns to soul territory confessing they hear this woman’s voice in their head even after she’s been dead for that long.

As far as “On Demon Time” goes, we have Lex the Hex Master accompanying Cyco over a beat with some rock undertones to it to belittle their lyrical competition leading into M.M.M.F.D. spitting that wicked shit on “What’s the Body Count” returning to the boom bap. “Out the Cage” with Claas switches onto the trap lane talking about their killer instincts being let loose while the song “Who” takes a dustier route revealing himself to be the one who has everyone tuned in his art of violence. “Lay ‘Em Down” brings in some attracting piano melodies promising to body you where you stand & “Mask Down” is a soulful closer telling the wankstas that this isn’t their vacation.

LSP’s been on a ROLL this year now that Darby O’Trill dropped his Devereaux-produced 4th album Gully & even Cody Manson putting out his sophomore effort E=MC Skelter last Friday. Now that we have Violent Art, it’s an equally great follow-up to Wicked Killagraphy. I think his production choices are still continuing to improve & the performances from not only him, but every feature deliver some consistently murderous verses.

Score: 8/10

Source: UndergroundHipHopBlog.com

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Ill Bill Kicks Off “BILLY” Rollout By Dropping “Once Upon a Time in Canarsie” Ft. Lord Goat

It’s been almost 2 years since Ill Bill gave the world La Bella Medusa on Devil’s Night & to ring in the 2nd half of 2022, he’s linking up with his Non Phixion bandmate Lord Goat for the Stu Bangas-produced ”Once Upon a Time in Canarsie” off the cult leader’s upcoming 8th album BILLY.

Source: UndergroundHipHopBlog.com

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Cardi B Releases New Banger “Hot Sh*t” Featuring YE and Lil Durk

Cardi B Reveals Lil Durk and Kanye West Will Be on Her New Single Releasing Friday

After announcing her new single “Hot Shit” on Monday, Cardi B has officially gifted her fans. The new song, featuring YE and Lil Durk, is now available. “Hot Shit” is produced by Tay Keith.

“I think this record is actually older than ‘WAP,’” Cardi revealed in a Twitter space conversation, according to Complex. “It is everyone’s favorite.”

Last week, Cardi B signaled new music was on the way, letting her fans know that she is channeling her 2020 energy.

You can hear Cardi’s latest single, “Hot Shit,” below.

The post Cardi B Releases New Banger “Hot Sh*t” Featuring YE and Lil Durk appeared first on The Source.

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Experience A Walk Around LA With Boy Pierce

Born in Wilmington, Del., Boy Pierce learned about music production by creating mashups in college. Dedicated to succeeding, he then traveled to New York City to further pursue his music aspirations. He has successfully opened up for great talents and MCs like MC Lars, Froggy Fresh, I Fight Dragons, MC Chris, and Mac Lethal. Boy Pierce also creates music video content, one of which went viral. “Nick Foles” surpassed 850,000 views online. 

LA was the 2nd city Boy Pierce visited during his ‘Airbnb’ Tour last year, where he worked remotely for 10-weeks in the western USA.

“I stayed in both Hollywood and Downtown LA. I had no friends and no car during this venture, so I did what my inner New Yorker would do – simply walked around and explored. This animated music video tells the story of a complete outsider walking around Los Angeles with zero agenda. I stumble organically upon attractions like the bustling food hall at Grand Central Market and The Last Bookstore. I explore independently during the first verse then, like the second chorus says, “I match on dating apps and meet a girl in Malibu.” We proceed to go on dates for the next two weeks, everything from eating dinner on the Pacific Ocean to playing air hockey at Dave and Buster’s. I created the music using a midi keyboard and my production software, in a downtown loft in Los Angeles. The repeating chorus “I’m walking round LA, not a single thing to do” naturally popped in my head as I was composing the music. I would then walk around the city with my headphones, listening to the beat on repeat, writing down the things I saw and the places I stumbled upon. The microphone I used to record the vocals was even purchased in downtown LA – a handheld vocal microphone that was convenient for travel, as opposed to the normal bulky mic-stand and reflector shield I’m accustomed to.” 

A true SoCal piece of Art.

Source: UndergroundHipHopBlog.com

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