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Ghostface speaks on not watching the Wu Tang series because it was not his story
Hot 97 Who’s Next Brick City Edition Competition
Joey Bada$$ Praises Cardi B’s “Imaginary Playerz” for Capturing New York Hip-Hop Spirit
Cardi B’s rendition of JAY-Z’s “Imaginary Players,” has a fan in Joey Bada$$. The single, flipped to be titled “IMAGINARY PLAYERZ,” is detailed to be of the true New York…
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Chance the Rapper Releases “Just a Drop” Video Featuring Jay Electronica
On the heels of his triumphant return with the release of Star Line, Grammy-winning independent innovator Chance the Rapper has unveiled the official video for “Just a Drop,” his soulful…
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Lil Nas X Arrested for Battery on Police Officer in California
Lil Nas X was arrested for battery of a police officer. He is currently being held in Balley Jail in Van Nuys, California. According to the Los Angeles County Sheriff,…
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”Supreme Clientele 2” Feels Like Vintage Ghostface Killah Albeit Sharper (Album Review)
New York veteran Ghostface Killah of the almighty Wu-Tang Clan with his 17th solo LP. One of hip hop’s most prolific storytellers & easily the most consistent member of the Clan exemplified by Ironman, Supreme Clientele, FishScale, Apollo Kids, 12 Reasons to Die & Sour Soul just to name a few. Ghostface Killahs in the fall of 2019 stands as one of the only few duds in his discography along with More Fish & the Mass Appeal Records debut Set the Tone (Guns & Roses), continuing the Legend Has It series with Supreme Clientele 2 finally seeing the light of day.
After the Redman intro, the first song “Iron Man” opens with a boom bap instrumental talking about having Wall Street bugging over helium stocks whereas “Sample 420” featuring M.O.P. sees the trio coming together for a fly gangsta rap cut. “Curtis May” featuring Conway the Machine & Styles P talks about their bars being prescribed out here like it’s medicine while “4th Disciple” dustily tells the story of a homie of his losing his life in a shootout.
“Windows” embraces a more soulful direction stylistically talking about his crew mobbin’ & him dartin’ but after the “Pause” skit, “Georgy Porgy” exuberantly clarifies that he ain’t here to play no games. After the “Force MD” skit, “Break Beats” jazzily flexes that he can get right with God & go back to Hell just before the funky “Beat Box” talks about a shawty who happens to be in her own lane.
Scram Jones producing the lead single “Rap Kingpin” sampling “My Melody” by Eric B. & Rakim for a sequel to “Mighty Healthy” while “The Trial” featuring GZA, Method Man, Pillz, Raekwon & Reek da Villain after the “Sale of the Century” skit vividly portrays themselves in a courtroom with a judge. Nas joins Starks for the soulful “Love Me Anymore” talks about how foul people can be while the crooning “Soul Thang” featuring DriZ, Iceman, Pillz, NEMS, Reek da Villian, Supreme-Intelligence & Sun God finds everyone going back-&-forth with one another.
“Metaphysics” was a tight remix to “Typhoon Rap” by Meyhem Lauren featuring Action Bronson while the soulful “Candyland” unpacks tons of candy & drug wordplay. After the “Lenny Green” skit, “The Zoom” samples “Zoom” by the Commodores for a passionate love ballad & the final song “You Ma Friend” featuring Method Man ahead of the “Knuckles” outro finishes with an ode to friendship.
The 3rd entry in the Legend Has It saga & the Yapp City Records founder’s 2nd offering under the Mass Appeal umbrella redeems Ghostface Killah from the mediocrity of Ghostface Killahs & Set the Tone (Guns & Roses) by presenting itself as an echo of a chamber that never dosed although I’d prefer both Only Built 4 Cuban Linx…, Pt. II & Muddy Waters 2 when discussing sequel albums. One of hip hop’s greatest storytellers who’s seen it all & lived it twice feels more like his vintage self than his last couple albums except he’s sharper, looser, freer & finding new ways to flip the script.
Score: 8/10
Source: UndergroundHipHopBlog.com
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”Child of a Kingsman” is Wildchild’s Way of Tributing Hip Hop’s Veterans (Album Review)
Oxnard, California veteran Wildchild hitting us with his 5th album. A member of the Lootpack alongside DJ Romes & one of my top 10 producers of all-time Madlib, his first couple solo efforts Secondary Protocol & Jack of All Trades under Stones Throw Records & Fat Beats Records respectively, although T.G.I.F. (Thank God It’s Funky) & Omowale would be received more moderately in comparison. Regardless, I still went into Child of a Kingsman hoping for it to be his best since Jack of All Trades.
“A Kingsman’s Flowers” begins by take everyone on a trip down memory lane in order to explain the definition of a kingsman whereas “Season of Kingsmen” produced by Nottz talks about preserving hip hop since he like many holds it dearly to his heart. “Change for My 2¢” heads for a jazzier direction instrumentally to make some powerful social commentary just before the synth-heavy “Wing Chun” talks about remaining undefeated.
Things take a funkier turn on “Multiverse” feeling as if the boom bap in him has been restored whenever his feet touch the floor leading into “Bat Signal” talking about how he don’t play. The beat Nottz whips up on “Mr. Pinocchio & Positive People” feels reminiscent of the late J Dilla touching base regarding crooked cops while “Freedom Riding” talks about the late John Lewis.
“Black Man Blues” turns the jazz influences back up so he can break down the hardships of being an African American feeling as if his glory is trying to be silenced & after the “Where the Poem Lady?” interlude, MAYAH takes over a good portion of the vocals during “Kingsmen” for a neo-soul jam continuing the themes of preserving the culture’s 4 elements & the overlooked element of knowledge.
The song “My Utopia” brings a drumless guitar beat into the picture describing what a perfect world would look like to him & after the “Brown Identity” interlude, “Welcome Home” ahead of the Antwone Fisher outro officially completes Child of a Kingsman by recapping a trip that Wildchild took to Soweto, South Africa with the MC/producer superduo Liberation.
Conceived during his time away from making music to focus on being a father, Child of a Kingsman stands out as potentially the finest example of Wildchild’s ability to make room in his songs for other artists to shine. Blending jazz & neo-soul together, he makes it a commitment to unify cultures through music & paying homage to all of hip hop’s veterans with intricately powerful songwriting.
Score: 8/10
Source: UndergroundHipHopBlog.com
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”The 5th” Further Cements Coast Contra’s Evolution (EP Review)
Here is the 3rd EP from Los Angeles, California jazz rap/trap group Coast Contra consisting of RioLoz, Eric Jamal & Ras Kass’ twin children Taj Austin & Ras Austin. Their debut album Apt. 505 in the spring of 2022 received significant acclaim & their debut EP The Old Way the next fall, coming off being featured on Masta Ace & Talib Kweli’s latest albums Richmond Hill & The Confidence of Knowing respectively followed by the Austin twins’ appearance on Kamasi Washington’s 5th album Fearless Movement a year ago. Marco Polo produced my favorite EP of theirs yet In Case You Forgot at the start of 2025 & The 5th has arrived on DSPs after being exclusive to EVEN for a month.
“Rulaz” produced by Dem Jointz aggressively opens up shop talking about having no weak links around them whereas “Don’t Worry” hooks up a piano instrumental from Tae Beast suggesting not to stress over money because it doesn’t make you rich. “N2G” dabbles with trap to talk about them runnin’ it up in the midst of their new beginning while the 5 & a half minute “Woman” finds themselves experiencing a love like no other. “God’s Grace” lastly caps off the EP by smoothly talking about everything being alright & today being a good day.
I wouldn’t put it above In Case You Forgot personally, but The 5th still marks a sharp evolution from Coast Contra’s viral freestyles to fully-formed songs by showcasing the group’s lyrical depth along with their commitment to legacy & the cinematic sound they’ve become known for. The production has more trap elements than its predecessor did almost 8 months ago & I don’t mean that as a con, it just further cements the quartet’s variety.
Score: 7/10
Source: UndergroundHipHopBlog.com
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Eric Bellinger Introduces All Wins Entertainment: A Transformative Journey into Independent Music Distribution
In a bold and visionary move, Grammy-winning singer, songwriter, and producer Eric Bellinger has unveiled his independent music distribution company, All Wins Entertainment (AWE). This pivotal step marks a significant…
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