On this date in 1985, James Todd Smith better known as LL Cool J dropped his first full-length LP on Def Jam Records. Primarily produced by Rick Rubin besides “I Need A Beat”, which was produced by DJ Jazzy Jay, Radio was a pivotal LP for not only LL and Def Jam, but for an evolving Hip Hop landscape that had just seen the rapid decline of b-boying and jams in the park. This was also the era in which the crack epidemic hit the streets and all of the major players used LL Cool J as the prototype image of how a hustler is supposed to look.
Songs like “I Can’t Live Without My Radio” and “Rock The Bells” dominated airwaves as well as influenced other artists of that time period with his braggadocios content and virtually forceful delivery. The song that actually got Cool J the deal with Def Jam, “I Need A Beat”, was written and recorded when LL was only 15 years old, making him not only Def Jam’s first solo artist but also their youngest.
Salute to Cool J, Rick Rubin, Russell Simmons, Jazzy Jay, and everyone at Def Jam from that era that helped put together this timeless classic!
On this date 38 years ago, Adam Horowitz (Ad Rock), Adam Yauch (MCA), and Michael Diamond (Mike D), aka The Beastie Boys, released their sophomore LP Licensed To Ill on the Def Jam Imprint under Columbia Records.
On the heels of the successful LL Cool JRadio album and the cult classic flick Krush Groove, Def Jam head honcho Russell Simmons decided to head in the most unconventional direction with the quasi-punk rock/Hip-Hop trio for Def Jam’s follow-up to those monumental releases. The original title of this release was Don’t Be A Faggot, but Columbia Records pushed Simmons to change the homophobic title.
Rated as one of The Source Magazine‘s Top 100 Best Albums, Licensed To Ill received the coveted five-mic status, a precedent for Jewish Hip-Hop artists. In less than six months after its release, this critically acclaimed project earned the Beastie Boys a platinum plaque, led by the singles “Brass Monkey,” “No Sleep Til Brooklyn,” “Hold It Now, Hit It,” and the storytelling smash “Paul Revere.”
Unfortunately, crew member MCA lost his battle with cancer in 2012, which caused a resurgence in the album’s popularity and sales.
Salute to Def Jam, Russell Simmons, Ad Rock, Mike D, and the continued legacy of MCA for creating such a timeless Hip-Hop classic!
On this day in Hip-Hop history, Brooklyn’s own Jay-Z released his would-be retirement album, The Black Album. Although there was virtually no pause between The Black Album and new Jay-Z music (collaboration albums with R. Kelly and Linkin Park were released the following year), this album is easily the greatest retirement project of all time.
This album sounds more like a greatest hits album than the eighth project of an illustrious career. Starting with the first track, “December 4th”, this album takes the listener on a nostalgic journey. This opening tale of Hov’s origin sets the album’s tone and properly introduces Jay to an industry he feels has taken him for granted. This album is an opus to Jay’s distaste for the rap game. On numerous tracks, specifically “Encore” and “What More Can I Say”, Hov can be heard stating his frustration with being the one-punch man (a fictional superhero who can defeat any opponent with merely one punch, causing him to become bored with superhero work) of Hip Hop.
Aside from staking his claim as the greatest, Hov spent this album perfectly juggling his unique brand of bragging with the dropping of street knowledge you couldn’t pay for. Singles “Change Clothes” and “Dirt Off Your Shoulder” are perfect examples of the particular swagger Jay-Z brought to rap. His mature yet flamboyant lyricism is on par with the life described by Robin Leach. As the album progresses, Jay increasingly begins to put his would-be competition in its place with sheer willpower. From “Threats” to “Lucifer” it seems Jay is directly challenging the rest of the rap world to get on his level before they never again get the chance.
The album ends with two songs that could interchangeably be used as an outro. Both “Allure” and “My 1st Song” show Jay-Z coming to terms with the final chapter of his career coming to a close, even if he was planning a comeback.
Featuring production from Kanye West, Just Blaze, The Neptunes, Timbaland, 9th Wonder, Rick Rubin, DJ Quik, and even Eminem, it’s easy to see why this album is as amazing as it is. Aside from the prolific production team, Jay-Z put together one of his most successful albums without any features (aside from a hook sung by Pharrell). Commercially, the album peaked at #1 on both the Top R&B/Hip-Hop chart and the Billboard 200 chart (where it appeared twice, each for a week). The album also went triple platinum in the United States and appeared on music charts of eight different countries.
On this date thirty six ago, Hip-Hop’s greatest storyteller Slick Rick dropped his debut LP The Great Adventures Of Slick Rick on the Def Jam imprint.
MC Ricky D came on the scene with the “Original Human Beat Box” Doug E. Fresh in 1985 with the party anthem “The Show” and the X-rated flip side “La Di Da Di”. His highly anticipated debut LP is one of Hip Hop’s iconic projects that presented a concept, maintained a tempo with timeless lyrics and unforgettable beats courtesy of The Bomb Squad and Rick himself.
Being one of the few albums in the history of The Source that received the coveted Five Mics, it’s hard to pinpoint just a handful tracks that made the album stand out, however, there are some all-time favorites that still ring relevant three decades later. Storytelling tracks like “The Moment I Feared,” “Treat Her Like A Prostitute” and “Indian Girl” were reminiscent of his “La Di Da Di” days of X-rated rap. Rick served up some classic songs that are still bangin’ in the clubs to this day, including “Children’s Story”, “Mona Lisa” and the epic “Young World”.
Salute The Ruler, his DJ Vance Wright, Rick Rubin, The Bomb Squad and the entire Def Jam squad from the heyday for this timeless classic!
On this date 37 years ago, Adam Horowitz (Ad Rock), Adam Yauch (MCA), and Michael Diamond (Mike D) aka The Beastie Boys, dropped their sophomore LP Licensed To Ill on the Def Jam Imprint under Columbia Records.
On the heels of the successful LL Cool JRadio album and the cult classic flick Krush Groove, Def Jam head honcho Russell Simmons decided to head in the most unconventional direction with the quasi-punk rock/Hip-Hop trio for Def Jam’s follow up to those monumental releases. The original title of this release was Don’t Be A Faggot, but Columbia Records pushed Simmons to change the homophobic title.
Rated as one of The Source Magazine‘s Top 100 Best Albums, Licensed To Ill received the coveted five-mic status, a precedent for Jewish Hip Hop artists. In less than six months after its release, this critically acclaimed project earned the Beastie Boys a platinum plaque, lead by the singles “Brass Monkey,” “No Sleep Til Brooklyn,” “Hold It Now, Hit It” and the storytelling smash “Paul Revere.”
Unfortunately, crew member MCA lost his battle with cancer in 2012, which actually caused a resurgence in the album’s popularity and sales.
Salute to Def Jam, Russell Simmons, Ad Rock, Mike D and the continued legacy of MCA for creating such a timeless Hip Hop classic!
On this day in Hip-Hop history, Brooklyn’s own Jay-Z released he would-be retirement album The Black Album. Although there was virtually no pause between The Black Album and new Jay-Z music (collaboration albums with both R. Kelly and Linkin Park were released the following year), this album is easily the greatest retirement project of all time.
In its entirety, this album sounds more like a greatest hits album than the eighth project of an illustrious career. Starting with the first track, “December 4th”, this album takes the listener on a nostalgic journey. This opening tale of Hov’s origin sets the tone of the album and properly introduces Jay to an industry that he feels has taken him for granted. This album is an opus to Jay’s distaste with the rap game as a whole. On numerous tracks, specifically “Encore” and “What More Can I Say”, Hov can be heard stating his frustration with being the one punch man (a fictional superhero who can defeat any opponent with merely one punch causing him to become bored with superhero work) of Hip Hop.
Aside from staking his claim as the greatest, Hov spent this album perfectly juggling his unique brand of bragging with the dropping of street knowledge you couldn’t pay for. Singles “Change Clothes” and “Dirt Off Your Shoulder” are perfect examples of the particular swagger Jay-Z brought to rap. His mature yet flamboyant lyricism is on par with the life described by Robin Leach. As the album progresses, Jay begins more and more to put his would-be competition in its place with sheer willpower. From “Threats” to “Lucifer” it seems Jay is directly challenging the rest of the rap world to get on his level before they never again get the chance.
The album ends with two songs that could interchangeably be used as an outro. Both “Allure” and “My 1st Song” show Jay-Z coming to terms with the final chapter of his career coming to a close, even if he was planning a comeback.
Featuring production from Kanye West, Just Blaze, The Neptunes, Timbaland, 9th Wonder, Rick Rubin, DJ Quik, and even Eminem, it’s easy to see why this album is as amazing as it is. Aside from the prolific production team, Jay-Z put together one of his most successful albums without any features (aside from a hook sung by Pharrell). Commercially, the album peaked at #1 on both the Top R&B/Hip-Hop chart and the Billboard 200 chart (where it appeared twice, each for a week). The album also went triple platinum in the United States and made appearances on music charts of eight different countries.
On this date in 1985, Hip-Hop bigwig Russell Simmons along with film producer Michael Schultz unveiled the Hip-Hop glory days fairy tale about the early days of Def Jam in the Warner Brothers distributed Krush Groove.
This cinematic, quasi-musical was told in a very unique manner, with almost all of the artists playing themselves as the story is being told; The Fat Boys, Run-D.M.C., Kurtis Blow, Jeckyl and Hyde, the Beastie Boys and Sheila E. all starred as themselves, while being managed by Russell(ironically, played by Blair Underwood) and a young Rick Rubin before they became the icons that they are recognized as today. The flick even gives a quick peek into how Def Jam’s rookie and first solo artist L.L. Cool J was recruited in Def Jam’s NYU dorm “office”.
The movie’s soundtrack boasts more than a few hits, such as The Fat Boys’ “All You Can Eat”. LL’s “I Can’t Live Without My Radio”, the original “If I Ruled The World” by Kurtis Blow, which was famously remixed by Nas and Lauryn Hill a decade after the movie’s release and the title track by The Krush Groove All Stars.
Shout out to all of the legends who were quarterbacked by Hip-Hop’s Barack Russell Simmons in making this Def Jam biopic forever a Hip Hop classic!
Last week, legendary producer Rick Rubin’s interview with Anderson Cooper was released. The interview caught many people’s attention after the Def Jam co-founder and pioneers of hip-hop admitted to knowing nothing about music.
“No. I have no technical ability. I know nothing about music,” Rubin told said on 60 Minutes. “Well, I know what I like and what I don’t like. And I’m decisive about what I like and what I don’t like.”
When he was asked what he was being paid for, Rubin said: “The confidence I have in my taste and my ability to express what I feel has proven helpful for artists.”
Many were befuddled by Rick Rubin’s admission while some even said that Rick Rubin’s success was due to him just being a white man. Chuck D, founder of Public Enemy, came out to defend Rubin, saying that art is what someone feels.
Chuck D wrote in response on Twitter: “On Rick Rubin I will tell you this. Art is what you feel no one should tell you what Art should come out of you. He gets that. Many artists want things in exchange for their art from love to money. A whole other thing. Rick feels you out in a sea of others wanting the same thing.”
On Rick Rubin I will tell you this. Art is what you feel no one should tell you what Art should come out of you. He gets that. Many artists want things in exchange for their art from love to money. A whole other thing. Rick feels you out in a sea of others wanting the same thing.
On this date in 1985, James Todd Smith better known as LL Cool J dropped his first full-length LP on Def Jam Records. Primarily produced by Rick Rubin besides “I Need A Beat”, which was produced by DJ Jazzy Jay, Radio was a pivotal LP for not only LL and Def Jam, but for an evolving Hip Hop landscape that had just seen the rapid decline of b-boying and jams in the park. This was also the era in which the crack epidemic hit the streets and all of the major players used LL Cool J as the prototype image of how a hustler is supposed to look.
Songs like “I Can’t Live Without My Radio” and “Rock The Bells” dominated airwaves as well as influenced other artists of that time period with his braggadocios content and virtually forceful delivery. The song that actually got Cool J the deal with Def Jam, “I Need A Beat”, was written and recorded when LL was only 15 years old, making him not only Def Jam’s first solo artist but also their youngest.
Salute to Cool J, Rick Rubin, Russell Simmons, Jazzy Jay, and everyone at Def Jam from that era that helped put together this timeless classic!
On this date 36 years ago, Adam Horowitz (Ad Rock), Adam Yauch (MCA), and Michael Diamond (Mike D) aka The Beastie Boys, dropped their sophomore LP Licensed To Ill on the Def Jam Imprint under Columbia Records.
On the heels of the successful LL Cool JRadio album and the cult classic flick Krush Groove, Def Jam head honcho Russell Simmons decided to head in the most unconventional direction with the quasi-punk rock/Hip-Hop trio for Def Jam’s follow up to those monumental releases. The original title of this release was Don’t Be A Faggot, but Columbia Records pushed Simmons to change the homophobic title.
Rated as one of The Source Magazine‘s Top 100 Best Albums, Licensed To Ill received the coveted five-mic status, a precedent for Jewish Hip Hop artists. In less than six months after its release, this critically acclaimed project earned the Beastie Boys a platinum plaque, lead by the singles “Brass Monkey,” “No Sleep Til Brooklyn,” “Hold It Now, Hit It” and the storytelling smash “Paul Revere.”
Unfortunately, crew member MCA lost his battle with cancer in 2012, which actually caused a resurgence in the album’s popularity and sales.
Salute to Def Jam, Russell Simmons, Ad Rock, Mike D and the continued legacy of MCA for creating such a timeless Hip Hop classic!
