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Recording Academy Launches GRAMMY GO™ Partnership with Coursera

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Recording Academy Launches GRAMMY GO™ Partnership with Coursera

The Recording Academy® has announced a groundbreaking partnership with Coursera, a renowned online learning platform, to introduce GRAMMY GO™. This innovative initiative offers a range of courses designed specifically for music creators and industry professionals, aligning with the Academy’s commitment to supporting and empowering all music community members.

GRAMMY GO on Coursera features diverse specializations tailored to emerging talents and established figures in the industry. The curriculum, taught by Recording Academy members, including GRAMMY® winners and nominees, delivers practical insights and real-world lessons that learners can immediately apply to their careers.

“Whether it be through a GRAMMY Museum® program, GRAMMY Camp® or GRAMMY U®, the GRAMMY organization is committed to helping music creators flourish, and the Recording Academy is proud to introduce our newest learning platform GRAMMY GO in partnership with Coursera,” said Panos A. Panay, President of the Recording Academy. “A creator’s growth path is ongoing, and these courses have been crafted to provide learners with the essential tools to grow in their professional and creative journeys.”

The inaugural Coursera specialization, “Building Your Audience for Music Professionals,” is now open for enrollment. Led by Joey Harris, international music and marketing executive, this course features insights from industry luminaries such as Rock & Roll Hall of Fame inductee Jimmy Jam, GRAMMY winner Janelle Monáe, and three-time GRAMMY winner Victoria Monét. Participants will learn essential strategies for cultivating a dedicated audience and establishing a strong brand presence in today’s dynamic music landscape.

GRAMMY GO will soon unveil its second course, “Music Production: Crafting An Award-Worthy Song.” Led by Carolyn Malachi, a Howard University professor and GRAMMY nominee, this course will enhance participants’ technological and audio skills. It will feature appearances by renowned figures, including GRAMMY winners CIRKUT and Hit-Boy and Recording Academy CEO Harvey Mason Jr.

“We are honored to welcome GRAMMY GO, our first entertainment partner, to the Coursera community,” said Marni Baker Stein, Chief Content Officer at Coursera. “With these self-paced online Specializations, aspiring music professionals all over the world have an incredible opportunity to learn directly from iconic artists and industry experts. Together with GRAMMY GO, we can empower tomorrow’s pioneers of the music industry to explore their passion today.”

Beyond its educational offerings, GRAMMY GO is a digital hub for career pathways and industry insights, providing valuable resources for music professionals. For more information and enrollment, visit go.grammy.com and explore the available courses on Coursera.

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Recording Academy Announces Eligibility Period for 67th Annual GRAMMY Awards

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Recording Academy Announces Eligibility Period for 67th Annual GRAMMY Awards

As the music industry gears up for the 66th Annual GRAMMY Awards on February 4, 2024, the Recording Academy has already set the stage for the 67th Annual GRAMMY Awards in 2025. The eligibility period for the 67th GRAMMY Awards spans from Saturday, September 16, 2023, through Friday, August 30, 2024.

This timeline has been strategically designed to allow ample time to thoroughly process all entries, ensuring the integrity of the awards process. Additionally, it enhances the Online Entry Process (OEP) by synchronizing the conclusion of the eligibility period with the end of the OEP period. The Recording Academy’s meticulous planning sets the foundation for another spectacular musical excellence celebration in the coming year.

READ MORE: Trevor Noah Set to Return as GRAMMYs Host for Fourth Consecutive Year

Last month, Harvey Mason Jr., CEO of the Recording Academy, passionately emphasizes the pivotal role of voting in the upcoming GRAMMY season in a heartfelt message to Recording Academy Voting Members. Acknowledging the extraordinary influence held by the world’s leading community of music professionals, Mason underscores their power to shape the future of music and impact global culture.

As a witness to the profound contributions of Recording Academy members, Mason encourages active participation during this critical time. Their votes, he believes, have the potential to initiate fundamental shifts in the music industry and beyond. Mason’s message serves as a rallying call for members to recognize and harness their collective influence, reinforcing the importance of each vote in shaping the destiny of the GRAMMY Awards and the trajectory of the music landscape.

You can read his open letter below:

Dear Recording Academy Members,  

Thanks to our Recording Academy Voting Members for voting in October, and congratulations to them on producing an excellent, diverse slate of nominees for the 66th GRAMMY Awards! On Nominations Day, we saw countless heartwarming reactions and a whole new set of first-time nominees stamped “GRAMMY-nominated” in front of their titles. In all, over 900 music creators were able to announce their work was deemed excellent by their fellow music creators, true experts in their crafts. 

Now, it’s time to select the winners, and the responsibility rests solely on the votes of Voting Members and their peers. Thousands of GRAMMY voters will be exercising the power that only they have to participate in the final round of voting for the 66th Annual GRAMMY Awards, which is open now through Thursday, Jan. 4, 2024, at 6 p.m. PT/9 p.m. ET. 

Our incredible nominees are relying on Recording Academy Voting Members — their talented and admired peers — to listen to and evaluate their work for a chance to not only become “GRAMMY-nominated,” but “GRAMMY-winning.”  

The outcome of their votes can have a lasting impact on music and what our peers and music fans listen to for years to come. The winners that GRAMMY voters select will have the power to shape the future of music. 

So again, I ask our Recording Academy Voting Members to please listen carefully and evaluate each recording with integrity as they select who they feel is the best in music this year. To all GRAMMY voters, join your peers and utilize your power to make a difference.  

Thank you and see you at Music’s Biggest Night on Sunday, Feb. 4! 

Cheers, 
Harvey Mason Jr. 
CEO, Recording Academy 

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Recording Academy CEO Stresses the Importance of GRAMMY Voting

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Recording Academy CEO Stresses the Importance of GRAMMY Voting

Harvey Mason Jr., CEO of the Recording Academy, passionately emphasizes the pivotal role of voting in the upcoming GRAMMY season in a heartfelt message to Recording Academy Voting Members. Acknowledging the extraordinary influence held by the world’s leading community of music professionals, Mason underscores their power to shape the future of music and impact global culture.

As a witness to the profound contributions of Recording Academy members, Mason encourages active participation during this critical time. Their votes, he believes, have the potential to initiate fundamental shifts in the music industry and beyond. Mason’s message serves as a rallying call for members to recognize and harness their collective influence, reinforcing the importance of each vote in shaping the destiny of the GRAMMY Awards and the trajectory of the music landscape.

You can read his open letter below:

Dear Recording Academy Members,  

Thanks to our Recording Academy Voting Members for voting in October, and congratulations to them on producing an excellent, diverse slate of nominees for the 66th GRAMMY Awards! On Nominations Day, we saw countless heartwarming reactions and a whole new set of first-time nominees stamped “GRAMMY-nominated” in front of their titles. In all, over 900 music creators were able to announce their work was deemed excellent by their fellow music creators, true experts in their crafts. 

Now, it’s time to select the winners, and the responsibility rests solely on the votes of Voting Members and their peers. Thousands of GRAMMY voters will be exercising the power that only they have to participate in the final round of voting for the 66th Annual GRAMMY Awards, which is open now through Thursday, Jan. 4, 2024, at 6 p.m. PT/9 p.m. ET. 

Our incredible nominees are relying on Recording Academy Voting Members — their talented and admired peers — to listen to and evaluate their work for a chance to not only become “GRAMMY-nominated,” but “GRAMMY-winning.”  

The outcome of their votes can have a lasting impact on music and what our peers and music fans listen to for years to come. The winners that GRAMMY voters select will have the power to shape the future of music. 

So again, I ask our Recording Academy Voting Members to please listen carefully and evaluate each recording with integrity as they select who they feel is the best in music this year. To all GRAMMY voters, join your peers and utilize your power to make a difference.  

Thank you and see you at Music’s Biggest Night on Sunday, Feb. 4! 

Cheers, 
Harvey Mason Jr. 
CEO, Recording Academy 

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The Recording Academy Adds Three New Grammy Categories Including Best African Music Performance

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The 2022 Grammys Move to Las Vegas, Set April 3 Date

The Recording Academy has made significant changes for the upcoming 66th Annual GRAMMY Awards. Three new categories have been added, including Best African Music Performance, Best Alternative Jazz Album, and Best Pop Dance Recording.

Moreover, the categories of Producer Of The Year, Non-Classical, and Songwriter Of The Year, Non-Classical, have been moved to the General Field, allowing all GRAMMY voters to participate. These decisions were made at the Recording Academy’s recent Board of Trustees meeting in May 2023, reflecting their commitment to inclusivity and recognizing diverse musical genres. Stay tuned for more updates on the highly anticipated awards ceremony.

“The Recording Academy is proud to announce these latest Category changes to our Awards process. These changes reflect our commitment to actively listen and respond to the feedback from our music community, accurately represent a diverse range of relevant musical genres, and stay aligned with the ever-evolving musical landscape,” said Harvey Mason jr., CEO of the Recording Academy. “By introducing these three new Categories, we are able to acknowledge and appreciate a broader array of artists – and relocating the Producer Of the Year and Songwriter Of The Year Categories to the General Field ensures that all our voters can participate in recognizing excellence in these fields. We are excited to honor and celebrate the creators and recordings in these Categories, while also exposing a wider range of music to fans worldwide.”

Descriptions for the new categories are below:

Best African Music Performance

A track and singles Category that recognizes recordings that utilize unique local expressions from across the African continent. Highlighting regional melodic, harmonic and rhythmic musical traditions, the Category includes but is not limited to the Afrobeat, Afro-fusion, Afro Pop, Afrobeats, Alte, Amapiano, Bongo Flava, Genge, Kizomba, Chimurenga, High Life, Fuji, Kwassa, Ndombolo, Mapouka, Ghanaian Drill, Afro-House, South African Hip-Hop, and Ethio Jazz genres.

Best Pop Dance Recording

Recognizes tracks and singles that feature up-tempo, danceable music that follows a pop arrangement. Eligible Pop Dance recordings also feature strong rhythmic beats and significant electronic-based instruments with an emphasis on the vocal performance, melody and hooks. Dance remixes are eligible in the Best Remixed Recording Category only and may not be entered in Best Pop Dance Recording.

Best Alternative Jazz Album

This Category recognizes artistic excellence in Alternative Jazz albums by individuals, duos and groups/ensembles, with or without vocals. Alternative Jazz may be defined as a genre-blending, envelope-pushing hybrid that mixes jazz (improvisation, interaction, harmony, rhythm, arrangements, composition, and style) with other genres, including R&B, Hip-Hop, Classical, Contemporary Improvisation, Experimental, Pop, Rap, Electronic/Dance music, and/or Spoken Word. It may also include the contemporary production techniques/instrumentation associated with other genres.

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The Recording Academy Takes Federal Effort to Limit Use of Song Lyrics in Court to Capitol Hill

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Congressmen Jamaal Bowman (D-NY) and Hank Johnson (D-GA) from the Recording Academy® joined them at a press conference on Capitol Hill to announce the reintroduction of the Restoring Artistic Protection Act. The Restoring Artistic Protection Act would restrict the use of song lyrics in court, a prevalent practice that disproportionately harms rap and hip-hop musicians. It is intended to preserve artists’ freedom of creative expression.

Harvey Mason Jr., the CEO of the Academy, and Rico Love, the chair of the Academy Black Music Collective, among others, spoke on behalf of the industry and as artists about the significance of adopting this law and guaranteeing that all artists can freely express themselves without worrying that their work would be criminalized.

The announcement follows the Recording Academy’s Annual GRAMMYs on the Hill®, a two-day event that recognized 13-time GRAMMY® winner Pharrell Williams, Senate Majority Leader Chuck Schumer, and Senator Bill Cassidy for their steadfast support of music creators. It also brought together music creators and members of Congress from both parties to advocate for the Restoring Artistic Protection Act, the HITS Act, the American Music Fairness Act, and reform of the Recording Industry Association of America.

“GRAMMYs on the Hill has been bringing music creators to Capitol Hill for more than 20 years to elevate policy issues that impact our community. Today, we’re proud to see our Academy members’ commitment to advocacy come to life with the reintroduction of the Restoring Artistic Protection Act. We must safeguard artists’ freedom to create at all costs and work to eradicate the biases that come with the unconstitutional practice of using lyrics as evidence. We are grateful to Congressmen Johnson and Bowman for their unwavering commitment to music people and look forward to working alongside them to advance this issue.”

– Harvey Mason jr., CEO, Recording Academy and Rico Love, Chair, Recording Academy Black Music Collective

“This legislation is long overdue,” said Congressman Johnson. “For too long, artists – particularly young Black artists – have been unfairly targeted by prosecutors who use their lyrics as evidence of guilt, even though there is no evidence that the lyrics are anything more than creative expression. When you allow music and creativity to be silenced, you’re opening the door for other realms of free speech to be curtailed as well. The government should not be able to silence artists simply because they write, draw, sing, or rap about controversial or taboo subjects. The Restoring Artistic Protection Act (RAP Act) would protect artists’ First Amendment rights by limiting the admissibility of their lyrics as evidence in criminal and civil proceedings.”

“Rap, hip-hop and every lyrical musical piece is a beautiful form of art and expression that must be protected,” said Congressman Bowman Ed.D. “I am proud to introduce the RAP Act alongside Rep. Hank Johnson. Our judicial system disparately criminalizes Black and Brown people, including Black and Brown creativity. For example, Tommy Munsdwell Canady is a young 17-year-old kid serving a life sentence whose conviction heavily relied upon lyrics he wrote. I was deeply moved to hear that Mr. Canady continues to pursue his art in the face of our carceral systems that would otherwise stifle Black art. He is not an outlier. Evidence shows when juries believe lyrics to be rap lyrics, there’s a tendency to presume it’s a confession, whereas lyrics for other genres of music are understood to be art, not factual reporting. This act would ensure that our evidentiary standards protect the First Amendment right to freedom of expression. We cannot imprison our talented artists for expressing their experiences nor will we let their creativity be suppressed.”

Since the 2000s, there have been more than 500 cases where prosecutors have presented song lyrics as evidence in court against an artist defendant. Rap was evaluated more negatively than other music genres, according to a 2016 study by criminologists at the University of California. This finding highlights the possibility that prejudice against rap lyrics could inappropriately impact jurors when admitted as evidence to prove guilt. To correct this mistake, the Recording Academy has led the charge in limiting the use of an artist’s lyrics — among other forms of creative expression — as evidence in court cases, protecting the First Amendment rights of artists nationwide.

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Grammys To Drop Nomination Review Committee After The Weeknd Boycotts 2021 Award Show

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Screen Shot 2021 05 03 at 9.23.19 AM

Many artists have boycotted the Grammys but none have seen results like The Weeknd after his 2021 boycott.

The Grammys announced a major change is coming to future award shows.

On Friday the recording Academy announced changes to the list of rules to “reflect its ongoing commitment to evolve with the musical landscape” and “ensure that the Grammy Awards rules and guidelines are transparent and equitable.”

The most notable  update is the decision to remove the nomination Review Committee which were groups of “15-30 highly skilled music peers who represented and voted within their genre communities for the final selection of nominees.”

The Weeknd dragged the secret committees After being tapped to perform at the award show but not receiving a single nomination despite having a commercially successful year. 

“The Grammys remain corrupt. You owe me, my fans and the industry transparency…” He tweeted after the  2021 nominations were released ahead of the show.

The Weekend double down on his comments during an interview with The New York Times and said that he will continue to boycott The Grammys indefinitely.

“Because of the secret committees,” the singer told The New York Times, “I will no longer allow my label to submit my music to the Grammys.”

Harvey Mason Jr., chair and interim president/CEO of the Recording Academy, Said he understood why the weekend was disappointed about not being nominated. 

“I was surprised and can empathize with what he’s feeling. His music this year was excellent, and his contributions to the music community and broader world are worthy of everyone’s admiration. We were thrilled when we found out he would be performing at the upcoming Super Bowl and we would have loved to have him also perform on the Grammy stage the weekend before,” Mason Jr. said.

What are your thoughts on the Grammys making this update after The Weeknd called them out ahead of the 2021 award ceremony?

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Recording Academy to Honor Dr. Dre for His Production Legacy

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The Grammys plan to honor Dr. Dre for his production legacy during next year’s ceremony.

On Friday (Nov. 1) the Recording Academy announced that they will be honoring the six-time Grammy award-winning producer at the 13th annual Producers & Engineers Wing.

The event is going down on Jan. 22, 2020 and will kick off the Grammy Week celebration ahead of the 62nd annual Grammy Awards on Jan. 26.

“Dr. Dre is an influential force in music,” said Deborah Dugan, President/CEO of the Recording Academy, in a press release. “Dre breaks boundaries and inspires music creators across every genre. His evolution as a producer solidifies him as a leader of the pack within our industry, and we watch in amazement as he continues to shape the future of music.”

Dre’s catalog expands across three decades. The OG hitmaker started his career in the late 1980s as a DJ before joining the gangsta rap group, NWA. In 1991, he co-founded Death Row Records with Suge Knight and birthed his classic debut album, The Chronic. He also had a hand in Snoop Dogg’s classic LP, Doggystyle, and Tupac Shakur’s, All Eyez on Me.

Down the line, he produced songs for Eminem, 50 Cent, The Game, LL Cool J, Xzibit, Jay-Z, and so many others. But his legendary status is deeper than music.

He founded Beats Electronics in 2008 with Jimmy Iovine and sold it to Apple for $3 billion in 2014.

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