Tag Archives: malibu ken

Malibu Ken (Aesop Rock & TOBACCO) – “Tuesday” (Video)

Hot off the holiday weekend, Malibu Ken, the duo of verbose Hip-Hop mainstay Aesop Rock and analog-synth experimenter TOBACCO (of Black Moth Super Rainbow), have expressed gratitude for the week’s most underrated day with a fresh video for “Tuesday,” a standout from their self-titled album (released back in January).

Source: UndergroundHipHopBlog.com

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Malibu Ken – Self-titled (Album Review)

Malibu Ken is a new duo consisting of indietronica producer Tobacco out of Pittsburgh, Pennsylvania & legendary New York wordsmith Aesop Rock. They announced their formation late last year & after a few singles, they’re delivering their full-length debut with the help of Rhymesayers Entertainment.

The album kicks off with “Corn Maze”, where Rock talks about privacy over an 8-bit sounding instrumental. The song “Tuesday” describes an average titular day over a druggy beat while the track “Save Our Ship” gets cryptic over some synths & guitars. The song “Sword Box” spits battle bars over some haunting synths while the track “Dog Years” looks back at his youth over another 8-bit sounding beat.

The song “Acid King” vividly recalls the story of his friend Gary being murdered over a minimal synth instrumental while the track “Suicide Big Gulp” seems to be discussing depression over a synth-funk beat. The song “1+1=13” talks about luck over a spacious beat while the track “Churro” vividly talks about an eagle killing a cat over over a trippy beat. The album then finishes off with “Purple Moss”, where Aes goes back to a more introspective approach over a somber beat.

Overall, this is a pretty solid album. It’s too short only running at 34 minutes, but Aesop Rock’s lyricism is more intelligent than ever & Tobacco’s synthesizer heavy production suits his stories very well.

Score: 8/10

Source: UndergroundHipHopBlog.com

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Aesop Rock Still Has A Flare For Intricate Wordplay & Bugged Out Visuals

Lyrical wunderkind Aesop Rock was a standout sensation during the Underground Hip-Hop boom of the late 1990s and early 2000s. His poetic imagery and didactic bars were complex conundrums that many listeners enjoyed unraveling. The MC/producer worked with the likes of MF DOOM, El-P, and the Weathermen during a celebrated time in Rap music, especially in New York.

While Aesop made his name as an artist with the Mush label, and later, on El’s Definitive Jux squad, this decade he’s been rolling with the Rhymesayers family, co-founded by Atmosphere. As recently as 2016’s The Impossible Kid, Rock has made some of his best Hip-Hop in years. He keeps the art exciting through interesting visuals, rugged flows, and compelling takes on the state of the culture.

Aesop Rock Mourns A Fallen MC & Spits Personal Bars Of Pain (Video)

Outside from his respected solo catalog, Aesop has enjoyed the craft of collaboration. The Portland, Oregon transplant has side groups/projects with fellow Weathermen alum, Cage (2 of A Kind), Homeboy Sandman (Lice), Rob Sonic & DJ Big Wiz (Hail Mary Mallon), Kimya Dawson (The Uncluded), and his latest endeavor, Malibu Ken, with producer Tobacco. The latter duo just released the video for their second single, the slightly uncomfortable and purposefully awkward “Corn Maze.”

As he is prone to do, Aesop raps about his nervous and awkward tendencies. He transforms his own experiences into a poetry so esoteric, it demands dozens of listens to decipher. The beat is similarly challenging but the fuzzy drums and synth plinks are exactly the kind of sound-bed Rock excels on.

This 2003 Conversation With MF DOOM Is The Interview Of His Career

The quirky visuals of “Corn Maze” are a handled by Rob Shaw, Aesop’s longtime videographer. The animation is clearly a tribute to Saturday morning cartoons from the early 1980s, but will likely remind many of Adventure Time as well. The plot is simple: three adventurers must unite to stop gargantuan, cyborg rat.

Aesop’s wordplay is as sharp as ever. In the second verse he raps, “In a lavish rabbit hole with no rabbits/  Young dumb dust bunnies jump into traffic / Casually gussied up and done feeling unsung and savage / Punk we have come for your cabbage / I’m bad news travel like a rat through your cabinet / Spaz Twenty paw pads full of scabs / Often a false ad full plaid all dander / Blast off black jackdaws on his antlers / Zero faithers / Wearily fear his neighbors / Some day we’ll find a way to make these billionaires obey us / Some day we’ll earn a subdivision gaudier than reprobates / Who sit around impressed and guess the order of the Tetris rain / With Biblical as reckoning / Son of surly Satan torn asunder / Private number, public urination / We socialize with pundits who encompass all the wrong stuff / I count the bread quick, I got some walls up.” The full-length album is due next month on RSE.

Slug Unpacks Atmosphere’s New Album & Puts His Rumored Alchemist LP To Bed (Video)

Press photo by Ben Colen.

Lyrical wunderkind Aesop Rock was a standout sensation during the Underground Hip-Hop boom of the late 1990s and early 2000s. His poetic imagery and didactic bars were complex conundrums that many listeners enjoyed unraveling. The MC/producer worked with the likes of MF DOOM, El-P, and the Weathermen during a celebrated time in Rap music, especially in New York.

While Aesop made his name as an artist with the Mush label, and later, on El’s Definitive Jux squad, this decade he’s been rolling with the Rhymesayers family, co-founded by Atmosphere. As recently as 2016’s The Impossible Kid, Rock has made some of his best Hip-Hop in years. He keeps the art exciting through interesting visuals, rugged flows, and compelling takes on the state of the culture.

Aesop Rock Mourns A Fallen MC & Spits Personal Bars Of Pain (Video)

Outside from his respected solo catalog, Aesop has enjoyed the craft of collaboration. The Portland, Oregon transplant has side groups/projects with fellow Weathermen alum, Cage (2 of A Kind), Homeboy Sandman (Lice), Rob Sonic & DJ Big Wiz (Hail Mary Mallon), Kimya Dawson (The Uncluded), and his latest endeavor, Malibu Ken, with producer Tobacco. The latter duo just released the video for their second single, the slightly uncomfortable and purposefully awkward “Corn Maze.”

As he is prone to do, Aesop raps about his nervous and awkward tendencies. He transforms his own experiences into a poetry so esoteric, it demands dozens of listens to decipher. The beat is similarly challenging but the fuzzy drums and synth plinks are exactly the kind of sound-bed Rock excels on.

This 2003 Conversation With MF DOOM Is The Interview Of His Career

The quirky visuals of “Corn Maze” are a handled by Rob Shaw, Aesop’s longtime videographer. The animation is clearly a tribute to Saturday morning cartoons from the early 1980s, but will likely remind many of Adventure Time as well. The plot is simple: three adventurers must unite to stop gargantuan, cyborg rat.

Aesop’s wordplay is as sharp as ever. In the second verse he raps, “In a lavish rabbit hole with no rabbits/  Young dumb dust bunnies jump into traffic / Casually gussied up and done feeling unsung and savage / Punk we have come for your cabbage / I’m bad news travel like a rat through your cabinet / Spaz Twenty paw pads full of scabs / Often a false ad full plaid all dander / Blast off black jackdaws on his antlers / Zero faithers / Wearily fear his neighbors / Some day we’ll find a way to make these billionaires obey us / Some day we’ll earn a subdivision gaudier than reprobates / Who sit around impressed and guess the order of the Tetris rain / With Biblical as reckoning / Son of surly Satan torn asunder / Private number, public urination / We socialize with pundits who encompass all the wrong stuff / I count the bread quick, I got some walls up.” The full-length album is due next month on RSE.

Slug Unpacks Atmosphere’s New Album & Puts His Rumored Alchemist LP To Bed (Video)

Press photo by Ben Colen.

Source: AmbrosiaForHeads.com

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