Tag Archives: Features

ICYMI: T-Pain Reveals List of Multiple Collaborators We Can Expect

T Pain Collaborators

T-Pain reveals his collaborators list with Tech N9ne, Erica Banks, Yung Bleu, Jimmie Allen, Ty Dolla $ign, and more.

Ever since T-Pain found his DM’s the Nappy Boy crooner has been in high demand.

On Tuesday, T-Pain took to Twitter and shared his long list of collaborators that he agreed to work with. T-Pain explained in several tweets some of the pressure he’s under, balancing a full work load and staying creative. Adding, that his own project Precious Stones has been pushed back multiple times.

“I wanna start this thread off by saying I’m definitely not complaining about this but I don’t think we know what kind of pressure we put on others. This isn’t for the fans,” T-Pain shared in the first post, which included his list of features.

T-Pain added that his collaborators list is confirmed. He will complete all the features as he has accepted the job.

“I literally can’t keep up with the ppl that aren’t on this list that hit me everyday to add work to my crazy work load.”

“So! This is the list of features I actually HAVENT done yet that I’ve gotten since the whole “situation” a while back and I’ve promised to deliver. This is just features that I actually WANT to do. I’ve talked to these ppl personally and accepted the job.”

The “Bartender” rapper turnt singer shared the list was in order of request. It looks like we’ll be getting an Erica Banks Nappy Boy collab soon.

“If you ask me for a feature at this point, just know that this list is in the order that the requests were received so there’s no way to get to the top of the list.”

Which T-Pain collaboration are you ready to hear first?

The post ICYMI: T-Pain Reveals List of Multiple Collaborators We Can Expect appeared first on The Source.

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T-Pain Reveals List of 19 Collaborators He’s Agreed to Do Records With

T Pain collaborators

T-Pain reveals his collaborators list with Tech N9ne, Erica Banks, Yung Bleu, Jimmie Allen, Ty Dolla $ign, and more.

Ever since T-Pain found his DM’s the Nappy Boy crooner has been in high demand.

On Tuesday, T-Pain took to Twitter and shared his long list of collaborators that he agreed to work with. T-Pain explained in several tweets some of the pressure he’s under, balancing a full work load and staying creative. Adding, that his own project Precious Stones has been pushed back multiple times.

“I wanna start this thread off by saying I’m definitely not complaining about this but I don’t think we know what kind of pressure we put on others. This isn’t for the fans,” T-Pain shared in the first post, which included his list of features.

T-Pain added that his collaborators list is confirmed. He will complete all the features as he has accepted the job.

“I literally can’t keep up with the ppl that aren’t on this list that hit me everyday to add work to my crazy work load.”

“So! This is the list of features I actually HAVENT done yet that I’ve gotten since the whole “situation” a while back and I’ve promised to deliver. This is just features that I actually WANT to do. I’ve talked to these ppl personally and accepted the job.”

The “Bartender” rapper turnt singer shared the list was in order of request. It looks like we’ll be getting an Erica Banks Nappy Boy collab soon.

“If you ask me for a feature at this point, just know that this list is in the order that the requests were received so there’s no way to get to the top of the list.”

Which T-Pain collaboration are you ready to hear first?

The post T-Pain Reveals List of 19 Collaborators He’s Agreed to Do Records With appeared first on The Source.

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Ruth E. Carter Designs Crown Royal x Coming 2 America Limited-Edition Pack

Crown Royal x Coming 2 America

Source: Crown Royal / Crown Royal

Crown Royal has linked up with the forthcoming Coming 2 America sequel and have included design royalty in the mix. Iconic costume designer Ruth E. Carter was tapped to create a limited-edition Crown Royal x Coming 2 America pack for the whisky brand.

Crown Royal x Coming 2 America

Source: Crown Royal / Crown Royal

The work of the Oscar-winning Costume Designer resonated with Crown Royal, which plans to celebrate heroes of the Black community throughout Black History Month and beyond. In case you’re unfamiliar, Carter’s handiwork can also be seen in Marvel’s Black Panther. Or, you might recognize her handiwork in a gang of Spike Lee films including School Daze, Do The Right Thing, Mo’ Better Blues, Jungle Fever, and Malcolm X. Her impeccable eye for bold colors and timely fashion in her costume design always help convey engaging stories she’s become a part of and has made her world-renowned.

As for Crown Royal x Coming 2 America, the limited-edition pack features a bottle of Crown Royal Fine De Luxe Blended Canadian Whisky which comes dripped in regal purple and gold-stitched jacquard bag. The bag and colors are a nod to the royal roots of Crown Royal. Also, each bottle arrives nestled in collector’s edition Coming 2 America packaging that includes a take on the sash Eddie Murphy’s Prince Akeem character wears in the film.

Available in select locations, the pack will cost you a rather reasonable $24.99. Check out detailed photos of the Crown Royal x Coming 2 America packaging below.

Coming 2 America will premiere on Amazon Prime Video on March 5.

Crown Royal x Coming 2 America

Source: Crown Royal / Crown Royal

Source: HipHopWired.com

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CERTIFIED FRESH: Australian-American Rap Duo GUMBO Music Talk Debut EP, Expat Life & BLM

GUMBO Music Nate & Kevin

Source: Kai Godeck / GUMBO

Nate Wade and Kev Hannibal of the Hip-Hop duo GUMBO Music were raised in North Carolina and New York City, respectively, but didn’t even end up meeting until they were both on the other side of the world. Now based in Australia, the two men have forged a friendship rooted in fatherhood, expatriate experiences and Hip-Hop.

This ‘rap duo’ idea just happened to work out just as COVID-19 peaked worldwide and global shutdowns were already underway.

“With most ex-pats, you just sort of gravitate towards those you assimilate with,” Nate shares. “So it becomes a group of African Americans, a very small group, there aren’t a lot of us, but we’ve known each other for so long, just being homies. The music thing didn’t start for us until six months ago.”  

Before they started working together, both Nate and Kev were doing their own writing, solo. But their debut EP, This Is GUMBO, fits like a glove, it’s a cohesive project that showcases Nate and Kev trading slick one-liners and sharp concepts on everything from the title track to songs like the blithe “You and Me,” a meticulous love story complete with a surprise ending. “It’s crazy how the music really just came together so easy. It was so organic,” Kev explains. “It was too smooth, too good to be true, to be honest. It was just, ‘I’ll see you on Tuesday so we can record.’ And we were writing up as we were together. There were barely any times that we wrote outside of being in the studio together.”

When the whole world was in the thick of the COVID pandemic, two American expats living in Australia, decided to join forces and call themselves GUMBO without even realizing that musically, they would end up being each other’s perfect ingredient.

GUMBO Music Nate & Kevin

Source: Kai Godeck / GUMBO

 

Hip Hop Wired: What’s life like out there? How is it raising kids in Australia? 

 

Nate: Life out here is… They like hanging out, taking days off and going to the beach. Their work ethic is very different, they lead a life of leisure as some would say.

 

Kev: Raising kids here, we just try and give them balance. I started taking my daughter home twice a year before COVID so she’s getting to understand and see, “Okay. This is my family here. This is American culture.” She’s still young so you know, you have to spoon feed them our culture, who we are, what we’re about and where we come from. She’s always like, “Daddy, I wanna go back to Grandma Sherry’s house.” She knows there’s a big difference between the two. She’s like, “There are so many buildings! So many lights in New York!”

And here there are just beaches and trees…

 

HHW: What’s it like creating an EP in the middle of a pandemic so far from home?

Nate: It’s kinda like a gift and a curse almost, because when acts were able to come here prior to COVID, you could access people a lot easier than we probably could back home because it’s a numbers game, all of Australia is Florida, population-wise, [but geographically] It’s as big as the States. It’s just that there’s nobody here and you can’t live in the middle, there’s no water. So everyone lives on the coastline. There’s only five million people in all of Australia, so imagine trying to subclass them into music, then trying to subclass those people into Hip-Hop, them numbers change. Drastically.

 

HHW: There’s some semblance of a Black Lives Matter movement going on down there, correct? 

Nate: I think what they had going on in Australia at the same time, which didn’t get a lot of media attention, was that the Aboriginal people had been having a lot of deaths in custody, so they’ve been fighting their own fight where they kinda moved in unison together. 

Kev: They kinda piggybacked off the movement because they consider themselves the original Black man as well.

Nate: The white people there, they stole the land of the Aboriginals and put their flag on it. The same thing that happened here, happened in the West Indies, happened in the States… The British moved around the world doing the same thing.

I believe in the 1970s they still had the White Australian Policy.

Kev: It was only 50 years ago, when the Aboriginal people were considered human beings.

 

HHW: What’s it like to be a Black man in Australia right now?

Nate: I feel like in the States we dealt with racism more directly because we’re grassroots Americans. Like, our grandparents went through what they went through so we’re only one or two generations removed from that. When most expats move to wherever they move to around the world, you see how powerful Black culture is around the world. Our friends back home? They don’t understand that until they leave. Black culture is the most duplicated thing you’ll ever see. Even here. There are white kids that would die to be a part of that culture. You realize how much of an impact it actually has, from music to fashion to everything. You realize the impact that it has on the rest of the world. And it’s huge.

 

HHW: It’s always interesting because no one has to be convinced that Black culture matters, but Black lives? It’s a whole issue.

Nate: It’s people’s interpretation of what Black Lives Matter means. We know where it stems from as in the core of police brutality and things like that, but it starts with us too and how we treat each other and how we… Some of these are vicious cycles that we’re not going to fix in a conversation or some years, it’s just what we have to constantly work on.  

 

HHW: You talked about the group of African-American expats out there, how did you guys manage to strengthen your friendship beyond being from the same place?

Kev: It was more about us keeping our children together to see other beautiful little Black girls, because it’s so whitewashed here. So our main purpose was to keep our daughters together and continue building a family inside of this country and it was like, “Well, we both do music.” Then COVID hit and we were like, “Let’s just do music.”

 

HHW: And the music is legit. You two sound as if you’ve been working together for years.

Nate: I think what helped us is that we both grew up loving the same things. Loving the Lox and Mobb Deep, loving Little Brother and all the other Hip-Hop we fell in love with. So we figured we’d try and make that from a genuine place. We’re not doing it for the ‘likes.’ We don’t need the money, we have normal jobs. We just like doing that shit, that made it easy, It’s like a heavenly flow.

 

HHW: What are your favorite songs from the project?

Nate: I actually like “This is GUMBO” because it’s not a traditional song, it’s really just rapping for three minutes. Usually it’s like: Hook, Chorus, Hook, Chorus. Then “See ya later.” I just like the concept where it just flows.

Kev: For me, I think “Serious” is my favorite because my music has been changing over the last few years. People are always telling me, “Just rap. Rap like where you from…” But I’m into the storytelling thing because I wanna take it into other avenues, you know what I mean? So we just decided to rap so people know we have songs for the girls, songs with a little aggression from not being able to go home, missing family and things like that. Sometimes I wish I was back in my grandmother’s basement in Queens so I could get into that grimy energy: gunshots, people screaming outside, the cabs, etc. Doing those types of songs have me feeling like I went back home in my mind for a second.  

 

HHW: The world seems to be watching the U.S. government and the man in the White House right now and although you two aren’t here, your families are. What are your thoughts on the space America’s in right now?

Nate: Everybody works for Fox News all of a sudden and everybody has a damn degree in Political Science. Man, I don’t know. What’s scary is that he still got 74 million votes. So I look at it like, Democrats have four years to get it together. If they fuck up in these next four years, you better believe he’s coming back with a vengeance. So I hope they do right. Because they’re glitter acting like gold too.

Kev: I just feel like, no matter who’s in office… At this point, so much has happened to us as a people, like, what else can happen? Even during the Obama administration, we had our Black man in there but more people were killed by the police. More has happened to us under their administration than anything else. So I just feel like it’s more about us, and what we’re gonna do for each other and with each other. Putting our money together, trying to stand together… All the president is, is a puppet anyway for the most part. They don’t really control anything. So again, I feel like they’re done so much already, what more can they do to us? Except for what they’re doing now, making us get vaccines, which, who knows what they’re putting in there… They took our banks, Black Wall Street, from chained slavery to the school to prison pipeline now. I just feel like it’s on us now.

Source: HipHopWired.com

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Jay-Z Raised $6 Million At The Shawn Carter Foundation Gala [Photos]

Shawn Carter Foundation Gala

Source: Kevin Mazur / Getty

Jay-Z might’ve once again run afoul of the culture by criticizing Colin Kaepernick’s handling of his Saturday workout for NFL teams, but the living Hip-Hop legend continues to do good for those in need and this past weekend was no different.

On Saturday night (Nov. 16) Jay-Z threw a one-night only charity event for the Shawn Carter Foundation and was able to raise $6 million thanks to a star-studded guest list that attended the gala and donated their time and money.

Complex is reporting that entertainment heavyweights such as Tyler Perry, Meek Mill and even Robert Kraft made their way to the Seminole Hard Rock Hotel & Casino in Hollywood, Florida for the intimate one-time affair. Headlined by an exclusive performance by Alicia Keys, attendees were also treated to a high stakes game of blackjack hosted by Hova himself with a $100K buy-in and a $500K jackpot. Word is technology entrepreneur Marcelo Claure beat out Jay-Z and Yo Gotti to walk away with the half-a-mil purse. Had Jay won you know it would’ve looked too suspect to everyone in attendance. Just saying.

As for the $6 million raised at the event, proceeds will be going to the Shawn Carter Foundation which Jay founded with his mother, Gloria Carter, back in 2003. The foundation provides low-income students with scholarships, college workshops, and the opportunity to study abroad.

Love him or hate him, Jay out here trying to do what he can with what he has. Can’t be mad at that.

Check out photos from the night of opulence, for a good cause, below.

Source: HipHopWired.com

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No Trophies: 15 Star Rappers Who Have Never Won A Grammy

Nas Celebrates His New Album Hip Hop is Dead At His Black & White Ball - December 18, 2006

Source: Johnny Nunez / Getty

The late, great Phife Dawg famously rapped, “I’ll never let a statue tell me how nice I am.” The words ring true when it comes to the Grammy Awards, which often have been lacking when it comes to its respect for Hip-Hop culture. 

Back in the day, the Grammys would even air the Rap category winners during the proper show. Too many the slights still continue, like Jay-Z sitting in the front row only to go 0-8 in Grammy wins in 2018.

Needless to say, the relation with the culture is still strained at best, with artists like Drake, Kendrick Lamar and J. Cole all essentially curving the Grammys after being asked and passing on performing.

Considering the amount of Hip-Hop legends, who have dropped quality material only to never take home a Grammy Award, you can’t blame. Like Phife insinuated, a Grammy Awards will never make you a great MC, but the acknowledgment would still be cool.

As evidence, check out the eyebrow-raising list of Hip-Hop artists who have never won a Grammy in the gallery.

Photo Getty

 

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Grand Hustle’s Translee Talks “Generation WTF,” Tip’s Activism

Translee

Source: Grand Hustle / Grand Hustle

Translee has a busy afternoon in Midtown Manhattan. After flying up from Atlanta first thing in the morning, the Grand Hustle signee is at the AKOO offices just outside of Times Square shooting a few visual shorts for the brand.

Later, he’s scheduled to continue his press run throughout the city. Right now though, the Huntsville, AL native is still, sitting at a glass top conference table in the center of the office and ready to discuss his most recent project, Freedom Summer.

He’s also teasing his next joint Good Afternoon, slated to be released at the top of 2019.  Translee is at peace, even with everything consistently changing around him. He’s at the head of his Digital Native Culture brand and this relatively new venture with Grand Hustle has taken him to new heights.

During the Hustle Gang tour in 2017, he garnered a slew of new listeners. People who didn’t necessarily know that Translee had been rocking small stages all over Atlanta since his Who is Translee? debut in 2009. It was on the circuit where he met Grey — the rapper who devastated that Shirley Caesar “You Name It” sample two Thanksgivings ago, and became a viral sensation because of it. Here we are, two years later and Grey and Translee meet again on Freedom Summer.

The self-described “content based reality rapper” is still managing to incorporate his real life into his projects. “I look for rap in everything I do,” he says. “So it’s like, if it comes to me…” The album also features the effervescent and clever “Catch This Wave” with Tip and a couple other tracks showcasing Omari Hardwick and his spoken word lyrics—Translee calls both men, friends. He’s celebrating his freedom to do what feels right, when it feels right, far beyond the dog days of summer — it’s more like, a forever thing.     

HipHopWired: This album, Freedom Summer, is pretty political. You always seemed have that vibe, since your start but it shows up much more on this one.

Translee: I feel like we all just gotta keep growing and evolving. Rap keeps me growing. Whenever I put out music and people respond to it however they respond to it, that helps me, boosts me up and keeps me going. I’ve gotten messages where people say: “I was literally gon’ kill myself, but I listened to your music, smoked a blunt and changed my mind.” Or messages where kids are like: “Me and my mom, we’ve never agreed on anything my entire life but for the first time, my mom agreed on your music…”

HHW: It was a bridge…

Translee: Yeah it was a bridge for my music to be the one thing they agreed on. So when that happens, for me, it’s no feeling like that. I guess I feel like I’ve grown because I want to continue hearing things like that. And also, I like to make the music I want to hear.

HHW: How’s Huntsville been about your signing to Grand Hustle and all? Are they loving it?

Translee: Yeah. It’s really dope, man. Huntsville is a supportive city, but you know, it’s in Alabama so you know it’s gon’ be Alabama. It’s definitely a dope place to be from. I think being from there has even helped me be able to come to New York and maneuver, it teaches you a lot about life, growing up there.

HHW: You have a song “Owe Me To the Game” where you claim to have said that to T.I. directly. Did that actually happen?

Translee: I literally said that. We were sitting at a table something like this right here. It was one of those moments… I didn’t mean it like: “You owe me…” But it was like, “You owe somebody like me who speaks the truth to the game, to give it balance.” Him being the King of the South and me being from the south, it’s only right. I said in the song, “If Cole had Jay / Kendrick had Dre /  Then coming from the south I need Tip to see my vision…” So that’s why I felt that way. Me and Chris [Hunter, his manager] used to always talk about it. “Like, man.. If anybody…” Which isn’t to say that you want or need the cosign, but everybody needs a cosign. Every big artist has gotten a cosign. So it’s not only the cosign but it’s wanting to have the direction of someone who came before you and having that respect of those who came before you.

HHW: So how’s it been since The Co-Sign?

Translee: It’s been a beautiful process and when I look back on my life, I wanna be able to say I chased my dreams and that’s a beautiful thing.

HHW: Before Paper Trail, Tip was T.I.P., these days, he’s more of an activist. He spoke about injustice then but from the perspective of a street dude, whereas now he seems to speak from a different place. Do you feel like your partnership has allowed him to open up even more in that regard?

Translee: I think that I definitely benefited from him being in that mindset because I think he heard a lot in my music that was exactly where his mind was. So I think I definitely benefited and I still do. And we’re growing together. I want all the songs we do to be groundbreaking but I wanna push the message that we’re black kings. Black Gods. That’s what we on.

HHW: Grey is on the album which was a nice touch.

Translee: Grey is super dope. One of the best rappers and he has his Plant Based Drippin’ movement which is key in this game, to have something to attach to your name. And it’s natural, he ain’t try to come up with some gimmick, him and his girl Nicki, they’re true vegans. And that record we did together, it’s powerful.

HHW: There always seems to be this battle between the sect that believes Hip-Hop is a youth culture and the fact that, at this point, people have actually grown up in it, entering and nearing the end of their middle age, still into Hip-Hop. Now we have grown up rap. Generational Hip-Hop. Your song “Generation WTF” kind of speaks to that in a way, right?

Translee: Hip-Hop was initially a youth thing but now we got Jay at 48 [years old], putting out a number one rap album. Mind you, it’s Jay, but Hip-Hop has gotten older now. My dad is 55 and he listens to rap every single day. He loves it, he buys albums and is a participator in it. So it’s like, you didn’t have that at first. They ain’t wanna hear that sh*t. Now, it’s spreading out, even when you listen to Kendrick Lamar, kids don’t listen… Well, it’s like they do but they don’t really tune in to what he’s actually saying. It’s not a diss because Kendrick has a million kid fans but I’m saying he’s fine because there’s a whole other block of people who support it.

Speaking to “Generation WTF,” it was me talking to a kid my little brother’s age, around 14, 15. But it’s the vibe because now we worship the drug user, where before, we were talking about the drug seller. It was the drug selling culture, those were the n*ggas who was on. Now? N*ggas don’t give a f*ck about the dope dealing rappers no more. It’s about how many more drugs you can do or how much higher you can get. So now, when I see rappers with a bunch of tats on their face and colored hair, doing hella drugs? I’m like, “Oh yeah, they finna blow up. He’s about to be outta here.” That’s where we at but you know… It is what it is. I’m just gonna continue to speak my truth because people still support my sh*t.

HHW: So will the new project be an extension of Freedom Summer?

Translee: Yes. I think that all my projects will be an extension of the last because you’re still getting me. But I feel like Good Afternoon is such a dope phrase and the fact that it drops at the top of the year is like, “Bam!” I’m getting on a bunch of records, beatwise, where I think people will like that I’m talking my sh*t. We just kinda just footloose and fancy free on this one.

 

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