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9 Hip-Hop Songs That Have Sampled The Voice of Dr. Martin Luther King Jr.

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The world has come to stand and acknowledge the 50-year mark of the assassination of a man who is defined as being the most influential civil rights leader in American history, Dr. Martin Luther King Jr. On April 4, 1968, as he stood on the balcony of Lorraine Motel in Memphis, Dr. King was fatally struck with a bullet by James Earl Ray, an unlawful racist. The striking assassination of Dr. King follows a sturdy 14-year reign serving as a dominant figure in the civil rights movement fighting for the security of legal rights for African Americans. It was a fight drilled with nonviolence and civil disobedience, being burgeoned by the vile acts of racial segregation, disenfranchisement, and exploitation of all hanging from the centerfold of racism.

The powerfully symphonic voice of Dr. King in his iconic “I Have A Dream” speech delivered at the 1963 March on Washington sets the tone for emotional empowerment. It is currently the most sampled Dr. King audio recording in hip-hop history. In honor of Dr. Martin Luther King Jr and his sound legacy. Here are nine hip-hop songs sampled by the legendary leader’s voice.

1. Sadat X “Return of the Bang Bang” (2010)

Reigning from the silver-tongued posse who is bound to their divine blackness is Sadat X of Brand Nubian on the solo tip with “Return of the Bang Bang.” The unorthodox emcee takes to the mic to drop insight about his daily journey as a seasoned vet returning to the game. In his signature abstract style, Sadat uses Dr. King’s “I Have a Dream” passage to serve rightful diction in his tunnel of bars. “Return of the Bang Bang” is featured on Sadat’s 2010 sequel gem Wild Cowboys II.

2. Heavy D & the Boyz “A Better Land” (1989)

One of the golden era’s finest, the late Heavy D is pouring his soul out in rhyme in “A Better Land” with his boyz about improving the meager conditions of impoverished communities. The telling track starts with a sample of Dr. King’s “I Have A Dream” speech that ends with one of his most acquainted quotes, “We hold these truths to be self-evident that all men, are created equal.”

3. Edo G feat. Masta Ace “Wishing” (2004)

Donald Trump is not the first President of the United States to be highly scorned by most of his country. Back in 2004, George W. Bush was in office, turning America’s dream into a nightmare with his jest-like measures. Edo G and Masta Ace took to the mic to release their wishes while demanding intrinsic change in the American way. After Masta Ace crops the title of a dreamer, Dr. King’s infamous line about his dream for freedom and justice in Mississippi hoards the track.

4. Cyhi Da Prynce “Ring Bellz” (2010)

Cyhi Da Prynce is honoring his cultural edge through the barrels of black history in “Ring Bellz” a song from his 2010 mixtape Royal Flush. While mixing his braggadocios persona with black excellence, the G.O.O.D. music wordplayer takes it from Fredrick Douglass to Stokely Carmichael, with the profound words from Dr. King’s beloved speech leading the track.

5. Common feat. will.i.am “A Dream” (2006)

Chicago’s renowned poet in rhyme Common teamed up with will.i.am of The Black Eyed Peas for a true hip-hop measure that reflects on the progression and condition of blacks in a known racist America, the way Dr. King stood sturdy for titled “A Dream.” Owning the same desire for nation zenith, just as King, it was sensible for the abstract collab to start with King’s pacifying “We gonna work it out” saying.

6. Grandmaster Flash and The Furious Five “The King” (1988)

With Melle Mel being heralded as one of hip-hop’s earliest conscious rappers, the lingering legacy of Dr. King has certainly played a role during hip-hop’s infancy. The hip-hop pioneer rocks the mic with delight honoring the deeds of Dr. King by recognizing the Civil rights icon’s brightest accomplishments while calling for the bells of freedom. “He brought hope to the hopeless, strength to the weak.”

7. Wu-Tang Clan “Never Let Go” (2014)

Known for their supremely motivational rap hymns, the Wu-Tang Clan hit the masses with a dream driven tune in signature fashion. Docking off of their sixth studio album A Better Tomorrow is “Never Let Go” an ode to survival during challenging times. Before Masta Killa leads and after U-God anchors the track, a courteous potent chunk of Dr. King’s “I Have a Dream” speech is heard where the beloved leader makes one of his most bracing points, “For many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny. And they have come to realize that their freedom is inextricably bound to our freedom.”

8. Boogie Down Productions “Love’s Gonna Get’cha (Material Love)” (1990)

Emphasis is something KRS-One has mastered as a lyricist. Amid the prime of Boogie Down Productions‘ fourth studio album Edutainment comes its top single “Love’s Gonna Get’cha (Material Love),” a song that serves as a warning about the detrimental lust that comes with chasing after material things. To throw emphasis on “movin’ on,” the voice of Dr. King chanting the phrase from his final speech “I’ve Been to the Mountain Top.”

9. Immortal Technique feat. Chuck D, Brother Ali, and Killer Mike “Civil War” (2011)

Budding off of the musically factious Immortal Technique‘s 2011 compilation album The Martyr is “Civil War” featuring Chuck D, Brother Ali, and Killer Mike, an unapologetic effort to audibly express “trying to survive cultural assassination,” the great PE lead makes it clear in the chorus. The track samples a selection of King’s final speech, where the iconic leader encourages the destruction of fear in exchange for glory.

Dr. King’s call for sound justice fused into a faithful dream for African Americans has thrived its way into hip-hop culture out of the purpose of nature. The infancy of hip-hop culture is a result of movements that brewed during Dr. King’s time. Movements that were centered in the fight for justice and art of freedom such as the Black Panther Party and Black Arts Movement, who all commonly owned a desire to climb the path of racial justice. The youth of hip-hop’s beginnings dreamed of topnotch mobility out of the hood, reversing the culture of police brutality, and several cases of discrimination ceased. Now, since the culture has grown into a universal phenomenon, Dr. King’s dreamy element of justice is emblematic in hip-hop whenever he is sampled on a track.

The post 9 Hip-Hop Songs That Have Sampled The Voice of Dr. Martin Luther King Jr. first appeared on The Source.

The post 9 Hip-Hop Songs That Have Sampled The Voice of Dr. Martin Luther King Jr. appeared first on The Source.

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Royce 5’9, T.I. & CyHi Use Bold Bars To Redefine The Meaning Of Savage (Video)

Yesterday (November 14), Royce 5’9 released a powder keg of bars in the song “Black Savage.” Produced by the decorated MC, the song was posted on social accounts by the NFL, reportedly tied into JAY-Z’s Inspire Change initiative with the league. However, the song is not about football. Instead, the track—which comes at a time Royce has suggested a followup to 2018’s highly-acclaimed The Book Of Ryan—is about redefining what it means to be labeled “a Black savage.” A firing squad of elite MCs, including T.I. and CyHi The Prynce join Nickel Nine to flip a disparaging term on its head and show what excellence really looks like. The new video, featuring all of the MCs, as well as singer White Gold on the hook, and veteran Atlanta, Georgia MC providing a bridge, opens with a quote. “You have to decide who you are and force the world to deal with you, not the idea of you,” attributed to author James Baldwin. With bold bars, these artists make a soulful song that demonstrates how savagery can be a virtue. It takes place in a stylish nighttime mansion party that celebrates the good life and heritage at once. Fellow Slaughterhouse co-founder Kxng Crooked makes a cameo in the visual. Royce 5’9’s Most Powerful Song Of His Career Is A Call For Solidarity & Pride Royce opens with an example of why he continues to reach new ground with his songwriting at the same time he begins a production career.“I don’t believe in your white Jesus and Last Supper’s / I place value on brothers who never had justice / I am a Black savage / Ali and Foreman in Zaire, fighting for Black magic / Rifles and flag jackets / Mama was suicidal, Papa had bad habits / Product of true survival / Rocker, like Black Sabbath / Hoppin’ up out the Chevy / Pac, Biggie, and Machiavelli / O.G., like Nas and Reggie / Culture like ‘Ox’ in Belly / Vulgar like Akinyele / Focused like Dr. Sebi / We did it your way, but now the culture is boppin’ to our Sinatra medley / I’m limitless energy / They gimmicks and imagery / Kendrick, Cole, and the Kennedy’s / Lyrical Holy Trinity / General of the city / They into promoting silly beef / Keepin’ it Willie D / Weezy on the ‘A Milli’ beat / Dreamchaser facing the enemy like my ni**a Meek / Tyler Perry writing my winning speech like it’s Emmy week / Heart of gold, never sold my soul, gun weighs a ton / Hov tellin’ Lori Harvey no at the Roc Nation brunch,” he raps. CyHi opens the song with a melodic nod to Kurtis Blow and Lauryn Hill. “If I ruled the world / I would return all the gold that was stole’ / We upholster the nose on the Sphinx, it’s a world war / They try’na take the soul outta Soul / Ni**as say I sold out; I never sold out a show,” he begins, pointing out some historical savagery. “I don’t hang with pawns / I’m Genghis Khan,” he charges a few bars later. CyHi’s Atlanta neighbor T.I. closes out the song, addressing the people who judge him for his past. “You could never be me / Knew who I was before I got out the trap to sell the CD / I been shoulder-to-shoulder with gangstas facing LAPD / Felony after felony, still they be yellin’ me free / Now, my philosophy / Is no possession or apostrophe / ‘Cause ain’t no use bein’ in prison; you ain’t gotta be / Ironically, we dodge a crazy cracker with hammers / Just how they used to dodge a ni**a with braids and bandana / Man, it been more mass-killin’s than its been days in the year / Wonder if fighting for it worth it as much as leaving it here.” The former felon-turned-mogul admits the mistakes of his past without being shy about condemning the violence permeating society, and reminding his listeners where it seems to come from. Royce 5’9’s Book Of Ryan Is A New Chapter & Proof That He Is 1 Of Hip-Hop’s Greatest MCs This Detroit-to-Atlanta connection marks one of the most potent collaborations of 2019. Royce 5’9 is two-for-two (following the explosive “Field Negro”) in a relatively quiet year to date. New music from Royce is currently available on the official Ambrosia For Heads Playlist. T.I. & Teyana Taylor Hunt Traffickers & Abusers In A Powerful New Video #BonusBeat: Royce 5’9’s making of “Black Savage” episode:

Source: AmbrosiaForHeads.com

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Kanye West Admits To Using Ghostwriters

For those Yeezy fans who may have thought different, it’s true. Kanye West does NOT write all of his rhymes.

Among all of the other controversial tweets that Ye sent out this week, one that may have slipped under the radar was the one where the Chi-Town emcee admitted that “Violent Crimes” on this year’s Ye album was written by one of his trusty penmen.

Even though it’s a well known fact that West employed RhymeFest to write his epic “Jesus Walks” hit ,but now Yandhi has no problem admitting it.

With CyHi(CyHi da Prynce), Cons(Consequence) and Pardi(Pardison Fontaine) scribing Kanye’s darts, he has a lot more time on his hands to piss people off in the political arena with his pro-MAGA views in alliance with President Trump.

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