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Big K.R.I.T. Explains How Using Other Producers Made Him A Better Writer (Video)

Big K.R.I.T. is finishing the decade strong. In 2010, he delivered a mixtape that elevated the medium in the form of K.R.I.T. Wuz Here. Earlier this year, he offered fans another high-level album in K.R.I.T. IZ HERE. It was an appropriate bookend in a decade where the MC/producer left an indelible mark on the Rap genre. Interviewed on camera at AFH TV (and currently available for all to watch), Big K.R.I.T speaks on getting out of his comfort zone with the production on his latest album. Rico Love, DJ Khalil, and longtime Timbaland collaborator Danja took the reigns, with Krizzle doing just one track. With extra space on his plate, the 33-year-old Mississippi native focused on writing some of his most prolific bars yet. Big K.R.I.T. Flaunts His Roots To Show The Beauty & Depth Of Mississippi (Video) At the 8:00 mark, K.R.I.T says, “[I felt] challenged as a writer for the first time. It took a lot for me to get out of my comfort zone with that, but it allowed me to experiment with what I got to say and a little bit more. I think it shows on this album, which is gonna make it difficult for the next album.” He goes on to say, “I know what kick I wanna use. What snare I wanna use. Samples I heard or Shazamed. I’ma flip it my way. I get in with these producers, and they might be aware of my music. They might see me in a different place or different space, or they might be like ‘Man, this would be a great record for you to do with this person.’ What I have to do is find that humility in myself as an artist to collaborate. It’s a collective effort to make something great and us as rappers, we do it all the time. We do features. We do hooks. But the producer in me has never been as open to like just ‘Hey man! What kick you think [works here?] What hook you think? What snare you think?’ This is the first time I’m like, ‘I got the sample. I don’t know how to flip it. I know you know how to play instruments. What you think about this?’ Then, we create something grand. So now my dream still comes true because I viewed this sample, for I have been listening for four, five years. I’m working with the producers I want to work with, and the artist in me gets to write over it. It becomes K.R.I.T IZ Here. It becomes this record. It becomes ‘Make it Easy.’Big K.R.I.T. Explains How Platinum Rappers Can Be Broke In A Complex Freestyle Elsewhere in the interview, Big K.R.I.T. discusses the ways that K.R.I.T. IZ HERE collaborator Lil Wayne has influenced him. He also breaks down some of the heavier bars from the summertime Multi Alumni release. IN 2010, Big K.R.I.T. Updated A Souls Of Mischief Classic For A New Day This AFH TV conversation is one of several episodes with Big K.R.I.T. We are currently offering free 7-day trial subscriptions.

Source: AmbrosiaForHeads.com

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Big K.R.I.T. Says He Is Still A King In His 1st Music Of 2018 (Audio)

In 2018, Big K.R.I.T. has been playing it more low key than usual. He had a musical supervisor’s role on Bun B’s Return Of The Trill album, while also providing some heavy vocals in spots. Earlier in the year, the MC/producer also teamed with DJ Premier and Royce 5’9, care of PRhyme’s “Made Man.” Still, for the artist who made Ambrosia For Heads readers’ “Best Album Of 2017” (thanks to 4eva Is A Mighty Long Time) K.R.I.T. was more off of the musical grid than usual. Today (November 16), he has changed that in a big way. Almost exactly a year after 2017’s offering, Krizzle hits Heads off with with a three-song EP, THRICE X. There are less than 10 minutes of music in the three-song offering, but it is all about quality—which is evident. The production here (care of K.R.I.T. on “Higher” and “Glorious”) has contemporary drums but still maintains that slow and deliberate bounce. Big K.R.I.T.’s 4eva Is A Mighty Long Time Is Your Best Rap Album Of 2017. K.R.I.T. Speaks THRICE X as an audio playlist:

The opening track,“Higher (King Pt. 6),” seems to be somewhere between a prayer and an exploration of the word “God.” For the sake of being thorough, the initial installments in this series of royal raps are: “King” from 2008’s See Me On Top III, “King’s Blues” from 2011’s ReturnOf4Eva, “King Without A Crown” from 2013’s King Remembered In Time, “King Of The South” on 2014’s Cadillactica, and “King Pt. 4” from 2015’s It’s Better This Way. Part 4 seems actually to be Part 5, but we’re not going to question this Meridian monarch. “(My God) If I cry tears, am I less of a man? / (Whoa, God) My father never did, so his blood pressure / (Higher) Than mine, I pray he find / (The power) To shed tears for me / (The power) To accept these gifts from me / (The power) The jewels that he did give me / (Much higher) Worth more than diamonds and chains and Rollies / (Found God) In the Good Book at a hotel / (My God) I don’t really know her, but I know it well,” he raps, blending praise with real-life circumstances. Bun B, T.I. & Big K.R.I.T. Are 3 Southern Rap Kings & You Better Recognize (Video) Second up is “Glorious,” where he explains that everybody wants a piece of him these days. Instead of seeing the situation with Def Jam as a negative, on the hook here he talks about “[getting] up out that deal.” It’s hard not to feel the triumph when he proclaims, “Life of a loner / Keep it ridin’ like Winona / Sittin’ on chrome / Ignorin’ my phone / Like where were they when I was homeless / Now I got whip appeal / Now I got chips to deal.” On the last joint (produced by Supah Mario), “Look What I Got,” the rapper formerly known as Kritikal is bragging about what he has earned, while also talking about what it took to get it. He talks about the years of grinding it took just to get a shot, and then the years of grinding after that to get to the top.

Source: AmbrosiaForHeads.com

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