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KRS-One Shows Why He’s A Miracle On A Song From His New Mixtape

KRS-One is recording a new project, Street Light. “This is the light for the street, and this light of the street,” he explains of the title. “[The other meaning of the title is] the actual street light was the original source of Hip-Hop’s power.” Pioneers, including the Cold Crush Brothers, have documented using New York City’s public utilities to power turntables, mixers, and speakers in the 1970s block parties and park jams. In a way that was not possible in the 1980s and 1990s, Kris Parker is documenting the creation of his forthcoming mixtape in real-time. Following two recent videos that show The Teacha bringing his books of rhymes into the recording booth, KRS creates a song. KRS-One Speaks About The Power Of Hip-Hop To Change The World (Video) Joined by a female vocalist, the R&B-tinged track features a chorus, “I am a miracle.” One of Hip-Hop’s most influential MCs sprinkles in his lyrical seasoning from an adjacent room. “I woke up realizing I am a miracle / Starting with the umbilical cord, I am a miracle / Forget whatever I can afford, I am a miracle / Walking with the strength of a lord, spittin’ lyrical,” he charges. “How am I even spitting at all? That’s a miracle / ‘Thirty years, KRS-One, how are we still hearing you?’” The Boogie Down Productions co-founder asserts that he represents the pinnacle of culture, riding the beat. The MC/producer flashes a smile while laying his vocals, which keep the same cadence. “Standing on principle / While others steady dissin’ you / But still showin’ love livin’ above, that’s a miracle / They tried to put the fear in you / Act like they wasn’t hearin’ you / But that was minimal / You remain the miracle / No hate or bitterness, ’cause both are reciprocal / Not to become hateful toward hate? That’s a miracle / The rent due / And the landlord? He ain’t hearin’ you / But the check with no money on it just cleared for you,” spits the Criminal Minded author (along with late partner DJ Scott La Rock). KRS-One Is Working On New Music & He’s In The Studio With Dr. Dre In the second half of the video, KRS-One thanks Dr. Dre (who he took a studio photo with in 2018), while detailing the upcoming work. “We recorded it all these studios and got all these different sounds. But I needed to come to a studio like this so that everything can now sound the same. Everything can now have the same power, inflection, this kinda thing—tone, and all that.” Video shows the often under-acknowledged producer tweaking knobs at the boards. In the last two minutes of the video, KRS teases another excerpt from these recordings. The creator says that Street Light will be available at tour stops at the KRS-One site. Wonder What A 1977 New York City Park Jam Sounded Like? Press Play… (Mix) Videos featuring KRS-One are available at AFH TV. We are currently offering free 7-day trials.

Source: AmbrosiaForHeads.com

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The LOX Flip A BDP Classic To Declare Their Run Is Never Over (Video)

The LOX are three of the most prolific MCs in all of Hip-Hop. Styles P alone has released four projects this year. However, when he, Jadakiss, and Sheek Louch come together, it often awakens a spirit in Rap fans that has been burning bright for more than 20 years.

On 2018 group single “Never Over,” D-Block assures the faithful fans that they will never abandon ship. Instead, the Yonkers, New York trio teams up with trusted veteran hit-maker Rockwilder (Red & Meth, De La Soul, JAY-Z). However, while Rock’s sound around Y2K was a baton-carrying movement out of sampling, he goes back to his stacks of wax for this one. The LOX sample Boogie Down Productions’ iconic “The Bridge Is Over” for their Roc Nation single. The beat uses elements of the chorus as well as that out-of-tune piano that the group played on the original (reportedly at the suggestion of Nice & Smooth’s Greg Nice).

The LOX Say Biggie Took Shots At Them On Their Own Record (Video)

The video treatment is simple, and as expected for the assertive message. It’s a black-and-white affair with flashing lights, shades, knit caps, and a whole lot of attitude. These one-time Ruff Ryders are concrete to the core. Styles raps first, then Donnie, followed by a hard clean-up verse from ‘Kiss. He begins, “I can go anywhere as long as I got the toast / I do it for the East as long as I got the coast / Go out on my shield as long as I got my oath / And Hip-Hop can never be dead as long as I got a post / Grown man Rap, that’s the kiddie section / I was the fly on the wall in the Biggie session / Soaked it all up, spit it out, with aggression.

Since 2016’s Filthy America…It’s Beautiful, The LOX founders are back in the lab with a fire in their bellies. This month Jada’ and Holiday Styles shared a track with Kendrick Lamar on Swizz Beatz’ “Somethin’ Dirty/Pic Got Us.”

Source: AmbrosiaForHeads.com

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