Tag Archives: Ali Shaheed Muhammad

Today In Hip Hop History: A Tribe Called Quest Dropped Their Debut Album ‘The People’s Instinctive Travels And The Path To Rhythm’ LP 34 Years Ago

atribecalledquest

Ahead of its time to say the least, A Tribe Called Quest’s experimental, alternative, jazz rap was originally unappreciated by mainstream audiences. It took six years for the Tribe’s first album to hit gold. The album might not have been a huge commercial success at first, but their innovative and comedic sound beautifully balanced the light-hearted social consciousness of their tracks. Although “People’s Instinctive Travels and the Paths of Rhythm” was critically acclaimed, some critics felt that the inspired lyricism and unique humor was at times overshadowed by the group’s immaturity and lack of focus. Their debut album did, however, generate buzz within the Alternative Hip Hop community that has gained them a devout cult following. Today “People’s Instinctive Travels and the Paths of Rhythm” is certified gold, and in The Source Magazines’s 100 Best Rap Albums. Other accolades include a 5 mic rating from The Source, 4 stars out of 5 by The Rolling Stone Album Guide, and a 3.5 out of 4 stars by the Chicago Tribune.

Regardless of which generation you belong to, every true Hip Hop fan can remember the first time they heard “Can I kick It?” by saying “yes I can!”…and how it changed their perception of the genre. In honor of this special day in Hip Hop history we did some digging and found old school Source articles reviewing “People’s Instinctive Travels and the Paths of Rhythm”, so feel free to take a look at the history.

The post Today In Hip Hop History: A Tribe Called Quest Dropped Their Debut Album ‘The People’s Instinctive Travels And The Path To Rhythm’ LP 34 Years Ago first appeared on The Source.

The post Today In Hip Hop History: A Tribe Called Quest Dropped Their Debut Album ‘The People’s Instinctive Travels And The Path To Rhythm’ LP 34 Years Ago appeared first on The Source.

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Today In Hip Hop History: A Tribe Called Quest Dropped Their Debut Album ‘The People’s Instinctive Travels And The Path To Rhythm’ LP 34 Years Ago

atribecalledquest

Ahead of its time to say the least, A Tribe Called Quest’s experimental, alternative, jazz rap was originally unappreciated by mainstream audiences. It took six years for the Tribe’s first album to hit gold. The album might not have been a huge commercial success at first, but their innovative and comedic sound beautifully balanced the light-hearted social consciousness of their tracks. Although “People’s Instinctive Travels and the Paths of Rhythm” was critically acclaimed, some critics felt that the inspired lyricism and unique humor was at times overshadowed by the group’s immaturity and lack of focus. Their debut album did, however, generate buzz within the Alternative Hip Hop community that has gained them a devout cult following. Today “People’s Instinctive Travels and the Paths of Rhythm” is certified gold, and in The Source Magazines’s 100 Best Rap Albums. Other accolades include a 5 mic rating from The Source, 4 stars out of 5 by The Rolling Stone Album Guide, and a 3.5 out of 4 stars by the Chicago Tribune.

Regardless of which generation you belong to, every true Hip Hop fan can remember the first time they heard “Can I kick It?” by saying “yes I can!”…and how it changed their perception of the genre. In honor of this special day in Hip Hop history we did some digging and found old school Source articles reviewing “People’s Instinctive Travels and the Paths of Rhythm”, so feel free to take a look at the history.

The post Today In Hip Hop History: A Tribe Called Quest Dropped Their Debut Album ‘The People’s Instinctive Travels And The Path To Rhythm’ LP 34 Years Ago first appeared on The Source.

The post Today In Hip Hop History: A Tribe Called Quest Dropped Their Debut Album ‘The People’s Instinctive Travels And The Path To Rhythm’ LP 34 Years Ago appeared first on The Source.

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Today In Hip Hop History: A Tribe Called Quest Dropped Their Debut Album ‘The People’s Instinctive Travels And The Path To Rhythm’ LP 33 Years Ago

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Ahead of its time to say the least, A Tribe Called Quest’s experimental, alternative, jazz rap was originally unappreciated by mainstream audiences. It took six years for the Tribe’s first album to hit gold. The album might not have been a huge commercial success at first, but their innovative and comedic sound beautifully balanced the light-hearted social consciousness of their tracks. Although “People’s Instinctive Travels and the Paths of Rhythm” was critically acclaimed, some critics felt that the inspired lyricism and unique humor was at times overshadowed by the group’s immaturity and lack of focus. Their debut album did, however, generate buzz within the Alternative Hip Hop community that has gained them a devout cult following. Today “People’s Instinctive Travels and the Paths of Rhythm” is certified gold, and in The Source Magazines’s 100 Best Rap Albums. Other accolades include a 5 mic rating from The Source, 4 stars out of 5 by The Rolling Stone Album Guide, and a 3.5 out of 4 stars by the Chicago Tribune.

Regardless of which generation you belong to, every true Hip Hop fan can remember the first time they heard “Can I kick It?” by saying “yes I can!”…and how it changed their perception of the genre. In honor of this special day in Hip Hop history we did some digging and found old school Source articles reviewing “People’s Instinctive Travels and the Paths of Rhythm”, so feel free to take a look at the history.

The post Today In Hip Hop History: A Tribe Called Quest Dropped Their Debut Album ‘The People’s Instinctive Travels And The Path To Rhythm’ LP 33 Years Ago appeared first on The Source.

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Today in Hip-Hop History: A Tribe Called Quest Dropped Their Sophomore LP ‘Low End Theory’ 31 Years Ago

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On this date in 1991, Queens emcees Q-Tip, and the late Phife Dawg, along with their DJ Ali Shaheed Muhammad, formally known as A Tribe Called Quest, released the group’s second full-length studio album Low End Theory.

The sophomore jinx did not come into play with this project from Tribe, with both Tip and Phife’s rhyme quality better than anything heard from them before. With the Abstract quarterbacking most of the production on the project, with the co-production assistance from Mr. Muhammad and Skeff Amslem, the result is a creative masterpiece. It must also be mentioned that the real-life issues were affecting the group. Phife announced he had diabetes, to firing the World Famous DJ Red Alert as the group’s manager proved that the Tribe was ready for the next level of their career.

As for the album’s highlights, Low End Theory is one of the genre’s conceptual albums that cannot be understood unless listened to in its entirety. From the album’s beginning on “Excursions,” which would cause the average Tribe fan to anticipate the sound of a People’s Instinctive Travels Part 2 until you hear the bass line come in for “Buggin’ Out,” which was possibly the best lyrical showing by Phife on all of ATCQ’s albums. While songs like “Rap Promoter” and “Show Business” talk about the uncertainty of the Hip-Hop industry, tracks like “The Infamous Date Rape” and “Everything Is Fair” talk about social issues that plague urban communities.

Supreme salute to the Tribe, rest in peace to Phife and the Jive Records squad for helping to bring the people such an essential piece of Hip-Hop history 31 years ago.

The post Today in Hip-Hop History: A Tribe Called Quest Dropped Their Sophomore LP ‘Low End Theory’ 31 Years Ago appeared first on The Source.

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Los Angeles Band Katalyst Partners With Adrian Younge and Ali Shaheed Muhammad for Next Installment of “Jazz Is Dead Series 2”

Over the last decade, the Los Angeles-based band Katalyst has carved out a name for themselves as bearers of the community-driven jazz scene, popping up on major releases while remaining an integral incubator for outstretched corners of the emerging sound. The group members have become favorites of Jazz Is Dead, appearing on stage with legends like Ronnie Laws and Lonnie Liston Smith. Bandleader Greg Paul can be heard with Gary Bartz and Roy Ayers on their respective releases with the label. Here, the nascent superstars convene with maestros Adrian Younge and Ali Shaheed Muhammad to document their chameleonic pallet and ever-growing profile as one of the most exciting emerging groups in the genre, all featured here on Katalyst JID013.

“Where they are now is where Earth, Wind & Fire was before they named themselves Earth, Wind & Fire, or even early Headhunters,” reflects Muhammad. “They are of that ilk, and watching those guys to me is the equivalent of watching a young Max Roach or a young Herbie Hancock; but they are not that. They are Katalyst, they are themselves.”

Katalyst is a collective of contemporary producers, composers, session musicians, and writers featuring pianists Brandon Cordoba and Brian Hargrove (brother of the late Roy Hargrove), saxophonists David Otis and Corbin James, trombonist Jonah Levine, trumpeter Emile Martinez, percussionist Ahmad Dubose, drummer Greg Paul, and bassist Marlon Spears.

The web of influences that ties Katalyst together immediately leaps from the headphones on tracks like “Reflections” and “Corridors,” which channel the Soulquarian energy of James Poyser and the late Roy Hargrove, as well as Jazz-Funk astral travelers like Lonnie Liston Smith and Norman Connors.

Fluttering in and out of gravity, the drums and keys oscillate between contemplation and exuberance. The album’s first single “Juneteenth” is a triumphant celebratory number, a commemoration of a history that has long been obscured and outright denied, featuring swooping horns and stomping percussion. The track focuses on the holiday which came to be celebrated as the true end to slavery, removing the whitewashing of the Reconstructionist narrative that Lincoln “freed the slaves,” but rather, had failed to free anyone not under his jurisdiction. It is a reminder not only of the inhumane crimes committed by this nation, but of the perseverance to recognize the truth. On the track bearing the same name, Katalyst pays tribute with like-minded urgency, as the percussion marches forward and horns announce the inevitably of justice prevailing.

The group’s second single “Daybreak” is a deceptively languid track. Imagine the soundtrack to this city of quartz that floats you along the 10 freeway, above the crawl, towards a deeper feeling of the concurrent states of bliss and anxiety that coexist in Los Angeles.

“Katalyst is the first time that we recorded a younger group for Jazz Is Dead, and it was very interesting for me to learn from them, to learn how newer cats are thinking in the studio and to find ways I can grow,” shares Younge. “We all grow with all these musicians in watching not only their amazing musicianship but also their sonic bond together. The fact that they know how to control their volume together its like they represent what a band really is and I just feel very fortunate that we were allowed to record new music with these young living legends.”

On “Summer Solstice,” the group channels the distinct smell of ocean breeze. “Dogon Cypher” is taut and precise, while maintaining the group’s spontaneity, the kinetic percussion and supernatural synthesizer reminiscent of fellow contemporary Angeleno jazz innovators the West Coast Get Down. There may be no better introductory track to the group than album opener, “The Avenues,” an inspiring four minutes that captures the ensemble’s wide influences and makes an unimpeachable case for their ascendancy, with flourishes of DJ Premier and Pharoah Sanders.

 “They are the babies of hip hop and jazz,” says Muhammad, “and they are having a different conversation, so to be able to sit with them… it’s very different from the other records, and I just love having the opportunity to work with them and mix it up.”

Despite their incredible talent and artistic vision, Katalyst is not here to save jazz. To position the multifaceted group and its multi-talented members as such would be to discredit the tremendous accomplishments and acclaim that they have garnered collaborating on stage and in the studio with some of the world’s biggest stars. Rather than preserve any such outdated notions of what is and isn’t, the collective’s music is a mission to pollinate, and reposition jazz for a new generation while paying respect to the giants whose shoulders they stand on. In which case, Katalyst JID013 is the ideal mission statement, a rallying call for curious listeners, as well as an open invite to anyone new to the party.

Source: UndergroundHipHopBlog.com

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Happy 49th Birthday To The Late Phife Dawg! Check Out The Top 5 Phife Verses Of All Time

On this day in 1970, the second lyrical half of A Tribe Called Quest, Phife Dawg was born. Born Malik Isaac Taylor in Queens, New York, Phife was one-fourth of one of the most influential groups in Hip Hop culture; A Tribe Called Quest. It’s been almost four years since Phife lost his battle with diabetes, however, his music will live on for eternity.

On many of ATCQ’s tracks, fans have always rightfully celebrated Q-Tip’s lyricism, but rarely gave Phife Dawg his proper due. In posthumous honor of his birthday, we have put together a list of his top five hottest verses to shine light on the unsung lyrical phenom that is Phife Dawg.

5. “Electric Relaxation” On this standout track from the album Midnight Marauders, Phife and The Abstract went toe to toe, trading off verse without a hook until the song ended, with standout bars like, “Let me hit it from the back, girl I won’t catch a hernia/Bust off on your couch, now you got Seaman’s Furniture..”and let’s not forget, “I like ‘em brown, yellow, Puerto Rican or Haitian/Name is Phife Dawg from the Zulu Nation..”

4. “La Schmoove” This was a featured verse from Phife Dawg on a track by Brooklyn rap tongue twisters Fu Schnickens. On this track, Phife had the third verse, yet opened it like it was his own song saying,

Now here I go, once again with the ill flow/Other MC’s that rap, their style is so-so..”

3. “Scenario” Being one of the most popular songs on A Tribe Called Quest’s Low End Theory album, Phife Dawg’s opening verse is one that rings in the ears of many rap fans.

“Ayo, Bo knows this, and Bo knows that/ But bo don’t know jack cause Bo can’t rap//Well what do you know, the Di-Dawg, is first up to bat/No batteries included and no strings attached.”

2. “Award Tour” Another cut from Midnight Marauders, Award Tour was a huge success for A Tribe Called Quest. It also houses some of Phife Dawg’s strongest metaphors.
“I have a quest to have a mic in my hand/without that, it’s like Kryptonite and Superman/So Shaheed come in with the sugar cuts//Phife Dawg’s my name, but on stage, call me Dynomut..t”

“So, next time that you think you want something here/Make something dope or take that garbage to St.Elsewhere..”

1. “Buggin Out” Coming from their most popular album, this is regarded as Phife’s illest bars. Phife Dawg spits two of the hardest verses on the album on this one record.
“Yo microphone check one, two, what is this?/The five foot assassin with the roughneck business/I float like gravity, never had a cavity/Got more rhymes than the Winans got family..”

“You soar off to another world, deep in your mind/But people seem to take that, as being unkind/’Oh yo he’s acting stank,’ really on the regal?/a man of the fame not a man of the people/believe that if you want but I tell you this much/riding on the train with no dough, sucks..”

The post Happy 49th Birthday To The Late Phife Dawg! Check Out The Top 5 Phife Verses Of All Time appeared first on The Source | The Magazine of Hip Hop Music,Culture and Politics.

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Today in Hip-Hop History: A Tribe Called Quest Dropped Their ‘Midnight Marauders’ LP 26 Years Ago

On this day in Hip-Hop history, A Tribe Called Quest Released their third studio album Midnight Marauders. As the group’s most popular work, this album marked the height of Hip Hop’s Afrocentric/hippie movement.

Aside from content, this album’s cover is it’s most distinctive quality. It features a full frontal portrait of the same black, green, and red woman from the The Low End Theory cover as well as headshots of some of the more well known rappers of the time, including Dr. Dre, Afrika Bambaataa, Busta Rhymes, Chuck D., Ice-T, Kool Moe Dee, MC Lyte, Del tha Funky Homosapien, P. Diddy, Heavy D, Too $hort, The Pharcyde, The Beastie Boys and more.

With this album, Tribe took a slight step away their heavy jazz influence to perpetuate a funkier vibe. Ali Shaheed Muhammad’s production sounded more on this album like something you would hear on the radio in the early 90’s (with a Tribe twist of course). The largest change, however, came in the realm of lyricism. Over their four year quest, Q-Tip and Phife Dawg picked up linguistic skills that come full circle on this album. Their cadence, flow, and diction all show signs of improvement along with the length and depth of their metaphors. Although this album features less subject-specific tracks than their previous work, the two show that they have finally figured out how to intrigue the minds of both the Hip-Hop faithful and everyday music listener.

Commercially, Midnight Marauders is the A Tribe Called Quest’s highest selling album. The album sold over 1,000,000 copies within it’s the first year, making it a platinum hit. It also peaked #70 on the UK album charts, #8 on the Billboard 200, and took the top spot Top R&B/Hip-Hop chart.

A lot of the album’s success is due to its timeless classic of a single “Award Tour” which peaked at #47 on the Billboard Hot 100. Its influence has spanned decades with the track being referenced by the likes of Wale, Kanye West, Common, Azealia Banks, and Justin Timberlake.

The post Today in Hip-Hop History: A Tribe Called Quest Dropped Their ‘Midnight Marauders’ LP 26 Years Ago appeared first on The Source | The Magazine of Hip Hop Music,Culture and Politics.

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Q-Tip Explains The Changes In Hip-Hop That Led To ATCQ’s Breakup

Q-Tip and Elton John have worked together on music. Elton appeared on A Tribe Called Quest’s final album, courtesy of the song “Solid Wall Of Sound.” The Rock & Roll Hall Of Fame-inducted British songwriter, singer, and pianist provided additional vocals to the track that sampled his “Bennie And The Jets” song which topped the charts in 1974. Last year, Q-Tip and Demi Lovato covered another mid-’70s Elton cut, 1976’s “Don’t Go Breaking My Heart” collaboration with Kiki Dee.

The Abstract is the latest guest on Sir Elton John’s Rocket Hour Radio on Apple’s Beats 1. The full episode premieres this afternoon (March 21). In clips, the host tells Tip about how much of a fan he has been of Tribe. “I’m so thrilled to do this show with you. A Tribe Called Quest are probably the seminal Hip-Hop band of all time, I think,” asserts John. In another section, John notes, “I remember starting out seeing bands like N.W.A and Public Enemy in London at the Hammersmith Odeon. And then De La Soul and people like that. And it’s just—there’s something wonderful about you guys coming together and all the different members.”

Q-Tip & Kendrick Lamar Link On A Song That Sounds Like Vintage A.T.C.Q (Audio)

Elton alludes to the breakup of A Tribe Called Quest. Although the group performed together at times during the 2000s and released one song in 2003, many were astonished by 2016’s reunion album, We Got It from Here… Thank You 4 Your Service, dropping just months after the death of Phife Dawg. “We kind of, you know—it gets to the point where it’s like a marriage as every [artist has said] before me. It got a little funky there. But we always loved each other; we all grew up with each other. The times were kind of changing [in the late 1990s]. ‘Cause when we started, [Hip-Hop] was more of a group thing. And then, 10 years later—it’s a very trendy thing, the Hip-Hop [genre] sometimes, [and] it was getting to be a solo man’s game. And we were kind of on the outs and [separating] just happened,” Q-Tip reveals.

In 1999, one year after The Love Movement, he stepped forth with gold-certified solo debut Amplified. Phife Dawg followed with 2000’s Da Ventilation: DA LP. Meanwhile, Ali Shaheed Muhammad went on to co-found Lucy Pearl. In 2004, he dropped his solo, Shaheedullah and Stereotypes. Another founding Tribe member, Jarobi White, formed evitaN with Dres of Black Sheep.

The Kennedy Center Put Q-Tip In Charge Of Hip-Hop Culture & He Built A Dream Team To Help

Elton points to Tribe’s subsequent reunion. “We did [get back together]; we did okay,” Q-Tip responds. He then asks Elton about his early work in the band Bluesology. Tip suggests how challenging group dynamics can be.

Elsewhere in the conversation, Q-Tip updates fans. Approaching a decade since Kamaal The Abstract released, he reveals, “I’m working with Mary J. Blige.” Elton John says he is glad to hear that. “That’s my sis’ right there.” XXL magazine also reports that Q-Tip is collaborating on something with Danny Brown. In another clip, Tip confirms, “I’m working on solo records—plural; I’m working on three records.” For years, Q-Tip has suggested his next solo album would be The Last Zulu.

Big Boi Explains Just How Real The OutKast & A Tribe Called Quest Joint Album Was (Video)

For a period, Q-Tip was believed to be signed to Kanye West’s G.O.O.D. Music. It is unclear if that remains the case.

Q-Tip and Elton John have worked together on music. Elton appeared on A Tribe Called Quest’s final album, courtesy of the song “Solid Wall Of Sound.” The Rock & Roll Hall Of Fame-inducted British songwriter, singer, and pianist provided additional vocals to the track that sampled his “Bennie And The Jets” song which topped the charts in 1974. Last year, Q-Tip and Demi Lovato covered another mid-’70s Elton cut, 1976’s “Don’t Go Breaking My Heart” collaboration with Kiki Dee.

The Abstract is the latest guest on Sir Elton John’s Rocket Hour Radio on Apple’s Beats 1. The full episode premieres this afternoon (March 21). In clips, the host tells Tip about how much of a fan he has been of Tribe. “I’m so thrilled to do this show with you. A Tribe Called Quest are probably the seminal Hip-Hop band of all time, I think,” asserts John. In another section, John notes, “I remember starting out seeing bands like N.W.A and Public Enemy in London at the Hammersmith Odeon. And then De La Soul and people like that. And it’s just—there’s something wonderful about you guys coming together and all the different members.”

Q-Tip & Kendrick Lamar Link On A Song That Sounds Like Vintage A.T.C.Q (Audio)

Elton alludes to the breakup of A Tribe Called Quest. Although the group performed together at times during the 2000s and released one song in 2003, many were astonished by 2016’s reunion album, We Got It from Here… Thank You 4 Your Service, dropping just months after the death of Phife Dawg. “We kind of, you know—it gets to the point where it’s like a marriage as every [artist has said] before me. It got a little funky there. But we always loved each other; we all grew up with each other. The times were kind of changing [in the late 1990s]. ‘Cause when we started, [Hip-Hop] was more of a group thing. And then, 10 years later—it’s a very trendy thing, the Hip-Hop [genre] sometimes, [and] it was getting to be a solo man’s game. And we were kind of on the outs and [separating] just happened,” Q-Tip reveals.

In 1999, one year after The Love Movement, he stepped forth with gold-certified solo debut Amplified. Phife Dawg followed with 2000’s Da Ventilation: DA LP. Meanwhile, Ali Shaheed Muhammad went on to co-found Lucy Pearl. In 2004, he dropped his solo, Shaheedullah and Stereotypes. Another founding Tribe member, Jarobi White, formed evitaN with Dres of Black Sheep.

The Kennedy Center Put Q-Tip In Charge Of Hip-Hop Culture & He Built A Dream Team To Help

Elton points to Tribe’s subsequent reunion. “We did [get back together]; we did okay,” Q-Tip responds. He then asks Elton about his early work in the band Bluesology. Tip suggests how challenging group dynamics can be.

Elsewhere in the conversation, Q-Tip updates fans. Approaching a decade since Kamaal The Abstract released, he reveals, “I’m working with Mary J. Blige.” Elton John says he is glad to hear that. “That’s my sis’ right there.” XXL magazine also reports that Q-Tip is collaborating on something with Danny Brown. In another clip, Tip confirms, “I’m working on solo records—plural; I’m working on three records.” For years, Q-Tip has suggested his next solo album would be The Last Zulu.

Big Boi Explains Just How Real The OutKast & A Tribe Called Quest Joint Album Was (Video)

For a period, Q-Tip was believed to be signed to Kanye West’s G.O.O.D. Music. It is unclear if that remains the case.

Source: AmbrosiaForHeads.com

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Today in Hip-Hop History: ATCQ Drops Their ‘Low End Theory’ Album 27 Years Ago

On this date in 1991, Queens emcees Q-Tip and the late Phife Dawg along with their DJ Ali Shaheed Muhammad released the group’s second full-length studio album Low End Theory.

The sophomore jinx definitely did not come into play with this project from Tribe, with both Tip and Phife’s rhyme quality better than anything heard from them before. With the Abstract quarterbacking most of the production on the project, with the co-production assist from Mr. Muhammad and Skeff Amslem, the result is a creative masterpiece. It must also be mentioned that the real-life issued affecting the group, from Phife announcing he was a diabetic to firing the World Famous DJ Red Alert as the group’s manager proved that the Tribe was ready for the next level of their career.

As for the album’s highlights, Low End Theory is one of the genre’s conceptual albums that cannot be understood unless listened to in its entirety. From the album’s beginning on “Excursions”, which would cause the average Tribe fan to anticipate the sound of a People’s Instinctive Travels Part 2 until you hear the bass line come in for “Buggin’ Out”, which was possibly the best lyrical showing by Phife on all of ATCQ’s albums. While songs like “Rap Promoter” and “Show Business” talk about the uncertainty of the Hip-Hop industry, tracks like “The Infamous Date Rape” and “Everything Is Fair” talk about social issues that plague urban communities.

Supreme salute to the Tribe, rest in peace to Phife and the Jive Records squad for helping to bring the people such an important piece of Hip-Hop history!

The post Today in Hip-Hop History: ATCQ Drops Their ‘Low End Theory’ Album 27 Years Ago appeared first on The Source.

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