Tag Archives: 90s hip hop

2Pac’s Prison Letter to Madonna Will Go Up For Auction Starting at $100K

Tupac Shakur and Madonna shared a lot in common on both a professional and personal level (see: “Madonna MC: 10 Times Madame X Flexed Her Hip-Hop Cred“), so much so that Pac was driven to write a letter to Madonna during his highly-publicized stint in prison back in 1995. Now, following the pop queen’s failed attempt to appeal the sale of it last month, that letter will now go to auction for a starting price set in the six figures.


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One of the most significant music artifacts to ever come to auction. This handwritten love letter from Tupac Shakur to Madonna is being offered at auction for the first time ever. This now famous, extremely personal, three-page handwritten and signed letter was written by Tupac Shakur to Madonna from prison. Tupac addressed the letter to “M”, dated it, “Jan 15 1995, 9:30 A.M.” and signed it “Always, 2PAC, Tupac Shakur” in black ink on lined paper. The deep connection between Tupac and Madonna is seen throughout the letter. He writes about their relationship in terms of race and celebrity status, and how societal norms affect their relationship, writing “I must apologize to you. Because like you said I haven’t been the kind of friend I know I am capable of being. Not because I am evil or because you weren’t worthy but at the risk of sounding over dramatic, the effects of racism make it difficult for a young black man to properly show affection for an older white woman.” He further writes about his fears about his own death, which he feared would come soon, writing, “If there is any information you can share with me regarding Jack & crew please do it could very well be a matter of live & death”. The letter is going up for sale in less than a week on July 17th! Register now, link in bio! #gottahaverockandroll #tupacfan #tupacfans #tupac #tupacnews #2pacnews #madonna #madonnanews #madonnamemorabilia #madonnacollection #madonnacollector #madonnacollectors #tupacmemorabilia #tupacshakur #2pac #2pacvideos #news #rapnews #auctionnews #entertainmentnews #memorabilia #rapmemorabilia #musicmemorabilia #rockmemorabilia #auction #onlineauction #onlineauctions #rockauction #rapauction

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Tupac wrote this “love letter” during January 1995, a month after he and Charles Fuller had been convicted on rape charges and incarcerated with a multimillion-dollar bail. The three-page note reads very apologetic, mainly because it’s pretty much a “can-we-just-be-friends”-style break-up letter. One of the most prominent points he makes about needing the break came down to race unsurprisingly enough. He writes, “…at the risk of sounding over dramatic, the effects of racism make it difficult for a young black man to properly show affection for an older white woman. Can U understand that?[sic]” He goes on to state that the idea of them basically being a ’90s power couple, him being a West Coast Rap King and her being the Queen of Pop, would’ve made her seem “open & exciting” while making him look as if he’s “letting down” the rap community that uplifted him to that status in the first place. The emotional note is clearly a stamp of decades-old music history, but whether or not it evades the privacy of two pop icons, or if its even worth the minimum of $100,000 USD overall, is still up for debate.

The auction for Tupac’s love note (i.e. “friendzone letter”) to Madonna will go live starting next Wednesday (July 17) over on GottaHaveRockAndRoll.com. Hear the duo’s unreleased remix of her ‘Bedtime Stories‘ album cut “I’d Rather Be Your Lover” below:

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Today In Hip Hop History: Gang Starr’s Critically Acclaimed LP ‘Daily Operation’ Dropped 27 Years Ago

Nothing beats a classic rap record, and few MCs were dropping them on the regular quite like legendary ’90s rap duo Gang Starr. The group, consisting of Guru holding things down on the mic and DJ Premier handling the head-bumping production, dropped six albums in their career before calling it quits in 2003. While a reunion album was reportedly planned, unfortunately Guru passed away on April 19, 2010 before the project could be completed or properly executed overall. While the Hip-Hop community definitely took a blow due to the loss, the work they did create while recording together influenced the genre in ways that we’re still seeing today. One LP that specifically represents Gang Starr’s influential legacy is their third album Daily Operation, which celebrates its 27th anniversary today.


Chrysalis Records


Comprised of jazz-tinged samples and lyrics that illustrated life in the streets of New York City during the early ’90s, Daily Operation saw Gang Starr striding smoothly towards the legendary status that we now place the group in today. The project is East Coast inspired through and through, from recording the LP entirely at the dearly missed D&D Studios on West 37th Street in Midtown Manhattan all the way to lamenting about Brooklyn on the opening track “The Place We Dwell.” Other standout cuts include “I’m The Man,” featuring the sole credited cameos by Group Home member Lil Dap and Jeru the Damaja, “B.Y.S.” — cleverly abbreviated for “Bust Yo’ Shit” — and the lead single “Ex Girl to Next Girl” that gave us one of the most 90s-looking music video ever created.



The key to Gang Starr is that, while none of their albums ever crossed Top 5 status on the Billboard 200 — their highest placement happened in 1998 when Moment of Truth hit #6 — sales were never the thing that represented their affect on the game; the music always came first and foremost. Daily Operation received all sorts of critical acclaim nonetheless, and we even included it on our “100 Best Rap Albums” list for The Source‘s 100th issue (January 1998). So, while it only reached #65 on the Billboard 200 and faired slightly better on the Top R&B/Hip-Hop Albums chart at #14, those numbers mean nothing when compared to the slick verses, smooth-yet-rugged instrumentals and thought-provoking bars that still makes this album a certified classic almost three decades after its original release.



Give Daily Operation by Gang Starr a spin today to celebrate the album’s 27th anniversary, and also read our original review of the album from The Source Issue #33 (June 1992) below:

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Today In Hip Hop History: West Coast Legend Spice 1 Drops Self-Titled Debut LP 27 Years Ago

Whether you’re hanging in Coachella Valley or simply mourning the loss of Crenshaw’s fallen hero Nipsey Hussle like the rest of us, West Coast Rap is definitely being bumped at high volumes this weekend. That’s why we had to show some love to the Hayward homie Spice 1 on this lovely Sunday, which happens to fall on the 27th anniversary of his debut self-titled album.


Jive


Two years before appearing alongside MC Eiht and Scarface on our June ’94 cover (Issue #57), the rapper born Robert Lee Green Jr. delivered this banger for the Bay Area, which went on to reach way beyond his hood. The album was a big label follow-up to his well-received street EP Let It Be Known, which sold almost 100K in pure sales as an independent release. Once Jive came into the picture, the seven-song project was re-released and retitled as Spice 1, including five songs from the original project in addition to nine new ones. The switch up paid off, with the revamped version giving us the classic cut “Welcome to the Ghetto” and going on to sell almost half a million records.



The tracks on Spice 1 sound like quintessential G-Funk, translated through singles like “187 Proof” and the reggae-tinged “East Bay Gangster,” all the way to deep cuts like “Peace to My Nine” and the low-rider classic “City Streets.” It’s clear to see his style & delivery is inspired by the rap icon that discovered him — Spice 1 hails from Oakland’s The Dangerous Crew created by Too $hort — but the connection is less “flow biting” and more “of the same kin.” At the end of the day, it all just sounds like good gangsta rap.



The initial success of the album helped it rank in the top 20 of Billboard’s R&B/Hip-Hop Albums chart at #14, later achieving gold certification by RIAA. “Welcome to the Ghetto” proved to be a hit as well, rising to #39 on the Hot R&B/Hip Hop Singles & Tracks chart and also appearing on the Hot Rap Singles where it faired the best at #5. It ultimately marked a good start to a career that would go on to produce 12 studio albums and more than a handful of compilation LPs and collab albums, the latest being as recent as 2015 with his Bossolo-assisted project Thug Therapy.



We crowned him as one of the 115 greatest MCs from 1988 to 2003 for our 15th anniversary (Issue #167), and we stand by that sentiment as he rings in 27 years of his debut project. The Bay Area is home to an important sound and time in Hip-Hop, and Spice 1 helped cultivate that. Salute, king!

Happy 27th anniversary to Spice 1’s debut album! Let us know which tracks you’re bumping today by hitting us on Facebook and Twitter, and read the Spice 1 review we penned back in June 1992 for The Source Issue #33 below:

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Today in Hip Hop History: Mobb Deep Dropped Their Debut Album ‘Juvenile Hell’ 26 Years Ago

You wouldn’t be blamed for thinking Mobb Deep’s near-perfect album The Infamous… was their debut project, especially given it’s well-deserved critical acclaim over the years. However, the East Coast rap duo actually popped up on the scene a whole two years prior with Juvenile Hell on April 13, 1993, and today we’re looking back on the rookie rap offering on the LP’s 26th anniversary.


4th & B’way/Island/PolyGram Records


Way before blessing us with “Shook Ones” and “Survival of the Fittest,” Kejuan Muchita and Albert Johnson — you may known them better as Havoc and Prodigy, respectively — were just two teens from NYC trying to make their mark in the rap game. The group had just changed their name to Mobb Deep after spending the prior year as “Poetical Prophets,” the name they’d get their first taste of fame under in our own Unsigned Hype section circa July 1991 for The Source #22 (see below). The album was distributed through 4th & B’way Records, the label Eric B. & Rakim saw success with five years prior on their classic debut Paid in Full, and was supported by the singles “Peer Pressure” and “Hit It from the Back.” Although the album didn’t take off with either single, it set the guys up with a rugged sound they could perfect & make a blueprint out of to come back and dominate just a few years later.


Mobb Deep’s first appearance in The Source, back when the 16-year-old duo went by “Poetical Prophets.” (Issue #22; July 1991)


Even without critical or fan-supported success, Juvenile Hell still had its gems. From the Big Noyd-assisted “Stomp Em Out,” with its jazzy sample and call-out style chorus, to “Flavor for the Non Believes,” which recalls their Poetical Prophets days demo tape Flavor for the Nonbelievers, each track is a sonically-authentic product of the boom bap era at its peak. The sole charting single, “Hit It from the Back,” even made it to #18 on the Billboard Hot Rap Singles. Above everything though, this was Prodigy and Havoc’s first time showing the world that they could produce just as well as they rap, which of course we’d see them show off on an even greater scale later in the group’s career.



Overall, Juvenile Hell will always be remembered as the start of a Hip-Hop legacy that will continue on even in the absence of Prodigy, who sadly passed away a few years ago on June 20, 2017 due to complications from his lifelong battle with sickle cell. Through albums like this one, as well as The Infamous…, Hell On Earth and Infamy among others, his legacy will continue to live on and the group will always be seen as legends to the game.

Celebrate the 26th anniversary of Mobb Deep’s debut album Juvenile Hell by giving it a spin today, and let us know some of your favorite tracks by hitting us on Facebook and Twitter! Also, read the original review from The Source Issue #45 (June 1993) below:

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1 Year After Craig Mack’s Passing, Look Back At Another Song That Has Flava

One year ago today (March 12, 2018), the late-night news of Craig Mack’s passing felt like an essential piece of 1990s Rap fabric was ostensibly gone forever. The 47-year-old Long Island, New York representative died from natural causes. His legacy was connected to the genre’s elite from the genesis of his career as the EPMD-affiliated “MC EZ” through being Bad Boy Records’ first flagship artist. Meanwhile, like many 1980s and 1990s veterans, Craig Mack’s impact on the genre may have seemed lost in the mainstream discussion at the time of his passing. Although he periodically checked back in, just as he did on Erick Sermon’s “Come Thru” single in January of 2018, Craig had shrugged off the industry that, according to many, had already treated him poorly time and time again. He relocated to South Carolina, and tended to his faith. It was part of a personal and spiritual journey following a reportedly long and bumpy road since a perceived fallout with Combs and Bad Boy. However, even in places of worship, Craig Mack was undeniably an MC. Craig Mack Explains Why He Chose Redemption Over Revenge, In His Last Interview (Video) Sean “Puffy” Combs helped bring Mack to stardom with his gold-selling debut album Project: Funk Da World and platinum single “Flava In Your Ear” (including its blockbuster remix). Both the LP and single put Bad Boy in the driver’s seat for East Coast Hip-Hop’s resurgence, and Mack kick-started the steamroll for the brand on wax and in his music videos. However, during Bad Boy’s 1994 “Big-Mack” campaign, Biggie’s “Juicy” offering shifted attention, and fast. After parting ways with Bad Boy in the mid-’90s, Craig Mack did still make music. He followed with a sophomore album. Twenty years after that, he was said to be at work with Erick Sermon on more material at the time of his passing. Moving to the independent Scotti Bros./Street Life label for 1997’s Operation: Get Down, the spotlight on Craig Mack had dimmed by the industry standards, even if the talent had not. Erick Sermon Reveals The Real Reason Craig Mack Did Not Join The Bad Boy Reunion Tour By the June release, Biggie was murdered in Los Angeles three months prior. Apart from Puffy and Faith Evans, Bad Boy’s roster and sound already looked vastly different from its 1994 breakthrough. Much of Rap was changing its direction and content. Now working with Eric B. and a production ensemble including Johnny J (Tupac, Thug Life, Candyman) and Ty Fyffe (Wreckx-N-Effect, JAY-Z), and Prince Markie Dee (aka Mark Morales), Craig Mack still had clever bars and command with the microphone. Look no further than “Today’s Forecast,” a concept track and Fyffe production. Mack compares himself to a descriptive assortment of weather and natural disasters. “I’ma reign, reign forever / Rain like bad weather,” proclaims the MC. He likens his cold style to a Siberian tundra, his voice to thunder, and his delivery to a volcanic eruption. Twenty-one years later, fans would learn the truth in the statement.  Craig’s delivery uses pauses and inflection to do exactly as he had during his captivating 1994 run. The love of Hip-Hop, concept, and rhyming had not changed. Only the industry and the platform had. A New Film Shows Craig Mack’s Career Ended Because Of His Bad Flava With Puffy & Biggie (Video) While Craig suggested being excluded from the party on this album, he refused to be bitter. Notably, Puffy’s rival, Suge Knight, had attempted to sign Mack to the fledgling Death Row East. After a series of events including Tupac’s death and Knight’s incarceration, that is not what happened. The label never happened as planned. Even so, Craig could have presumably secured other options. However, the 10-plus-year-veteran wanted creative control. He wanted to steer the engine. One year after Craig Mack’s death, Heads are still playing his music. An artist once mistaken for a one-hit-wonder is instead a symbol of Rap industry endurance, autonomy, and talent. From here to eternity, Craig’s raps will funk the world. Craig Mack Kicked 10 Minutes Of Freestyle Flavor In This Just Released 2000 Video Additional Reporting by Jake Paine.

Source: AmbrosiaForHeads.com

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